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French composer Marin Marais (1656-1728) was one of the greatest French composers of the Baroque. He was probably the greatest of all Baroque composers in terms of his compositions for viola da gamba. Laura Jeppesen and Catherine Liddell are among the finest American artists at their respective instruments. Laura Jeppesen received a master's degree from Yale University and subsequently studied the viola da gamba at the Hamburg Hochschule and the Brussels Conservatory. She has been a Woodrow Wilson Designate, a Fulbright Scholar, and a fellow of the Bunting Institute at Harvard. A prominent member of Boston's early music community, she has long associations with The Boston Museum Trio, Boston Baroque, The Handel and Haydn Society, the Boston Early Music Festival and Aston Magna. Catherine Liddell is much in demand for her sensitivity and skill as a continuo player on theorbo and lute and has appeared with many of the leading period instrument ensembles in the U.S., including the Handel & Haydn Society, Boston Baroque, the Seattle Baroque Orchestra, Apollo's Fire, and the New York Collegium.
French composer Marin Marais (1656-1728) was one of the greatest French composers of the Baroque. He was probably the greatest of all Baroque composers in terms of his compositions for viola da gamba. Laura Jeppesen and Catherine Liddell are among the finest American artists at their respective instruments. Laura Jeppesen received a master's degree from Yale University and subsequently studied the viola da gamba at the Hamburg Hochschule and the Brussels Conservatory. She has been a Woodrow Wilson Designate, a Fulbright Scholar, and a fellow of the Bunting Institute at Harvard. A prominent member of Boston's early music community, she has long associations with The Boston Museum Trio, Boston Baroque, The Handel and Haydn Society, the Boston Early Music Festival and Aston Magna. Catherine Liddell is much in demand for her sensitivity and skill as a continuo player on theorbo and lute and has appeared with many of the leading period instrument ensembles in the U.S., including the Handel & Haydn Society, Boston Baroque, the Seattle Baroque Orchestra, Apollo's Fire, and the New York Collegium.
044747386621

Details

Format: CD
Label: CENTAUR
Rel. Date: 05/21/2021
UPC: 044747386621

Marais At Midnight
Artist: Marias / Jeppesen / Liddell
Format: CD
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Please contact the store for stock on this item - 251-990-3412..

$15.99
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DISC: 1
MP3
1. Pièces De Viole, Book 5, Suite No. 1 In A Minor (Excerpts): XVI. Prélude En Harpègement
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2. Pièces De Viole, Book 3, Suite No. 1 In A Minor: XI. Prelude
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3. Pièces De Viole, Book 5, Suite No. 1 In A Minor (Excerpts): I. Prelude Le Soligni
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4. Pièces De Viole, Book 5, Suite No. 1 In A Minor (Excerpts): II. Allemande La Facile
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5. Pièces De Viole, Book 5, Suite No. 1 In A Minor (Excerpts): III. Sarabande
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6. Pièces De Viole, Book 5, Suite No. 1 In A Minor (Excerpts): XV. Rondeau Moitié Pincé
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7. Pièces De Viole, Book 4, Suite D'un Goût Etranger: No. 27, La Rêveuse
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8. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): I. Prélude
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9. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): III. Allemande - IV. Double
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10. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): V. Sarabande
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11. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): VII. Courante VIII. Double
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12. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): X. Gavotte En Rondeau
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13. Pièces De Viole, Book 3, Suite No. 8 In C Major (Excerpts): XIII. Saillie Du Café
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14. Pièces De Viole, Book 5, Suite No. 6 In G Major: IX. Rondeau Le Trailleur
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15. Pièces De Viole, Book 4, Suite No. 6 In E Minor (Excerpts): X. La Matelotte
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16. Pièces De Viole, Book 2, Suite No. 6 In E Minor: VI. Sarabande A L'español
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17. Pièces De Viole, Book 4, Suite No. 6 In E Minor (Excerpts): XI. La Biscayenne
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18. Pièces De Viole, Book 4, Suite No. 5 In A Major: VII. Le Basque
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19. Pièces De Viole, Book 2, Suite No. 3 In D Major (Excerpts): I. Prelude
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20. Pièces De Viole, Book 2, Suite No. 3 In D Major (Excerpts): IV. Allemande - V. Double
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21. Pièces De Viole, Book 3, Suite No. 4 In D Minor (Excerpts): V. Sarabande
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22. Pièces De Viole, Book 3, Suite No. 4 In D Minor (Excerpts): XVI. Plainte
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23. Pièces De Viole, Book 2, Suite No. 3 In D Major (Excerpts): XVII. Rondeau
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24. Pièces De Viole, Book 2, Suite No. 3 In D Major (Excerpts): No. 22, Les Voix Humaines
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25. Pièces De Viole, Book 4, Suite No. 2 In D Major: VII. Rondeau Le Gracieux
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26. Pièces De Viole, Book 3, Suite No. 4 In D Minor (Excerpts): VI. La Folette
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27. Pièces De Viole, Book 3, Suite No. 4 In D Minor (Excerpts): XVII. Chaconne
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More Info:

French composer Marin Marais (1656-1728) was one of the greatest French composers of the Baroque. He was probably the greatest of all Baroque composers in terms of his compositions for viola da gamba. Laura Jeppesen and Catherine Liddell are among the finest American artists at their respective instruments. Laura Jeppesen received a master's degree from Yale University and subsequently studied the viola da gamba at the Hamburg Hochschule and the Brussels Conservatory. She has been a Woodrow Wilson Designate, a Fulbright Scholar, and a fellow of the Bunting Institute at Harvard. A prominent member of Boston's early music community, she has long associations with The Boston Museum Trio, Boston Baroque, The Handel and Haydn Society, the Boston Early Music Festival and Aston Magna. Catherine Liddell is much in demand for her sensitivity and skill as a continuo player on theorbo and lute and has appeared with many of the leading period instrument ensembles in the U.S., including the Handel & Haydn Society, Boston Baroque, the Seattle Baroque Orchestra, Apollo's Fire, and the New York Collegium.
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