The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is a migrating spirit. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin. It was mixed by Nick Cave, Warren Ellis, Lance Powell and Andrew Dominik at Conway in Los Angeles. 

The follow up to FKA twigs’ critically acclaimed Brit Award and Mercury Prize nominated debut LP1 (2014, Young Turks). Widely regarded as one of the best albums of 2014 and selling over 340,000 records globally. Top-40 rapper Future appears on the album’s second single “Holy Terrain”, continuing a run of rap collaborations including an appearance on A$AP Rocky’s ‘Testing’ LP. Twigs will tour the US in November with a theatrical performance that debuted in May to universal acclaim as well as several major festivals (Afropunk Brooklyn and Atlanta, Flog Gnaw) Press campaign includes September i-D cover, multi-page feature in Vogue October issue, television appearances and more. Twigs is a cultural figure outside of the music realm as well: appearing in the feature film “Honey Boy” out 11/8/19, being named a creative director for Nike, and starring in a viral Spike Jonze-directed Apple ad

Set sail with NOW That's What I Call Yacht Rock! Featuring 18 of your favorite summertime yacht rock classics, including Chuck Mangione, Toto, Kenny Loggins, Peter Frampton, Player, Looking Glass and more!

72-year-old bluesman Jimmy “Duck” Holmes’ new album, the Dan Auerbach produced Cypress Grove, captures the raw, explosive sound of real Mississippi Juke-Joint Blues today. Cypress Grove is an aural postcard of a typical Saturday night at Holmes’ Blue Front Café, America’s longest operating juke joint. The album is anchored by tradition — which is natural, since Holmes is the last of the original torchbearers of the rural style known as Bentonia blues—but it’s also explosive, raw, and unpredictably in the moment. Featuring an all-star cast of players including Auerbach, Marcus King, Eric Deaton and Sam Bacco, as well as Holmes’ repertoire of songs spanning nearly a century, the adventurous 11-song set is an untamed bridge between the present and the classic sounds of the Delta. Recorded at Auerbach’s Easy Eye Sound Studio in Nashville, TN.

On the heels of release of his new song "10/10," Rex Orange County has announced details for his new album Pony. This highly-anticipated album is the follow up to 2017's Apricot Princess. The album was written, recorded, and performed almost entirely by Rex himself at Strongroom Studios in East London with frequent collaborator Ben Baptie co-producing, engineering and mixing the album. Rolling Stone has hailed the single "10/10" as "triumphant" and a "song you need to know," and the track was described by NPR as "a sincere, sad-boy gem." The album follows standout performances at a handful of major festivals this year, including UK's Glastonbury (where he first debuted "10/10"), Paris' We Love Green, Berlin's Lollapalooza, and Australia's Laneway Festival. Rex Orange County, born Alexander O Connor, is a 21 year old English recording artist and songwriter. To date, he has independently amassed over 1 billion streams, and self-released two albums - bcos u will never b free (2016) and Apricot Princess (2017). He was also featured on Tyler The Creator's 2017 album, "Flower Boy". His singles "Best Friend", "Loving Is Easy", and "Sunflower" are well over 125 million streams each, with "Loving Is Easy" now being RIAA certified Gold in the US and Australia. His 2018 highlights include his television debut on Jimmy Fallon (performing "Loving Is Easy"), and extensive touring including an epic performance at Glastonbury, where he closed out the Park Stage with his Sunday headline slot.

Double LP.  Side D contains a custom etched design

The Highwomen are a cleverly named new supergroup comprising country and roots rock stars Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby. After a few months of teasers and a soft debut at April’s Loretta Lynn tribute, they’re making their official introduction to the world.

The group has announced its self-titled debut album, out in September and produced by Dave Cobb, the Nashville mainstay who always seems to be behind the boards for these types of projects. (He’s also produced recent albums by Jason Isbell, Sturgill Simpson, Chris Stapleton, Lori McKenna, Ashley Monroe… you get the idea.) The album features 12 songs written by various combinations of the core members plus some notable collaborators like Isbell, McKenna, Miranda Lambert, and Ray LaMontagne. It features guest appearances from Isbell, Cobb, Sheryl Crow, Yola, the Hanseroth twins, Chris Powell, and Peter Levin.

 

Rebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite… 

The same could be said of the journey these four musicians underwent to get to their third full-length album, Deceiver. Out of lies, fractured friendships, and broken promises, clarity would be found. 

“I’ve known everyone in the band for ten years plus separately and together as DIIV for at least the past five years,” says Cole. “On Deceiver, I’m talking about working for the relationships in my life, repairing them, and accepting responsibility for the places I’ve failed them. I had to re-approach the band. It wasn’t restarting from a clean slate, but it was a new beginning. It took time—as it did with everybody else in my life—but we all grew together and learned how to communicate and collaborate.” 

A whirlwind brought DIIV there.

Noel Gallagher’s High Flying Birds will release ‘This Is The Place’ on 9/27. The five track EP features three brand new songs as well as two remixes. Although completely disparate sonically, the three new tracks each feature soaring female backing vocals and nod to different iterations of psych. This is the second EP of new music from Noel in 2019 following the release of ‘Black Star Dancing’ in June of this year. Noel will join Smashing Pumpkins on tour across the US later this month.

Making its debut on standard weight black vinyl, Conway Twitty’s ICON with a heap of country smashes! His pop #1 It’s Only Make Believe leads to his country #1’s Hello Darlin’; You’ve Never Been This Far Before; Happy Birthday Darlin’; Touch the Hand; After the Fire Is Gone (with Loretta Lynn), and more!

Kill or Be Kind is Samantha Fish’s fifth studio album, but her debut release with a firm independent label and major distribution outlet. Selling out approximately 90% of her shows (stateside and internationally) her highly engaged live audience translates online as well. Month-to-month, her Facebook page likes increase by over 50% and her official Facebook Group boasts 70k members. Kill or Be Kind is poised to break her out of the blues market as it sonically caters to both rock and Americana fans, and expand her demographic out to a younger, female audience.

Two-time GRAMMY-nominated band The Lumineers are back with their third album, III, a cinematic piece presented as a narrative in three chapters, with each one centering on one main character. III’s concept began while the band was writing in the Catskill mountains, where producer Simone Felice works. Decidedly darker than their previous work in concept, but replete with their trademark expressive vocals and dynamic arrangements, III boldly and expertly goes in an artistic direction not yet traveled by the band. The Lumineers have enjoyed substantial commercial success; their 2012 self-titled debut featuring the hit single “Ho Hey” was certified triple-platinum in 2018, and their sophomore album Cleopatra was certified platinum in the same year after its 2016 release. They’ve had multiple #1 hits on the Triple A and Alternative radio charts, and have sold out tours across the world; over 300,000 tickets were sold on 2017’s Cleopatra world tour. The Lumineers have also supported icons and their musical heroes on the road, including Tom Petty and the Heartbreakers and U2’s Joshua Tree tour.

8x GRAMMY® Award-nominated Atlantic recording group Death Cab for Cutie has officially announced the release of their upcoming EP - "The Blue EP" - which will arrive everywhere Friday, September 6th Along with all new tracks "Kids in ‘99" and "Blue Bloods" - produced by Peter Katis (The National, Interpol, Kurt Vile) - the EP also includes "To The Ground" and "Before The Bombs," produced by Rich Costey during the recording sessions for the band's critically acclaimed ninth studio album, Thank You for Today and held for this planned subsequent EP. The fifth track on the project, "Man in Blue," was self-produced by the band itself.

A uniquely somber and contemplative entry in the Iggy Pop canon. Free has virtually nothing in common sonically with its predecessor (Post Pop Depression)—or with any other Iggy Pop album. As Iggy says, “Free to recoil from guitar riffs in favor of guitarscapes, from twangs in favor of horns, from back beat in favor of space; and in large part, from the effluent of my own mind and problems, in favor of trying to interpret the poetry of others…so this album just kind of happened to me, and I let it happen.”

First time on vinyl for the 1999 CD release. Vinyl has added bonus live tracks (side D ''Dyin' Man'' and ''The Waker''). Initial run of 3,000 copies.

This June, The Prince Estate, in partnership with Warner Bros. Records and TIDAL, will release Originals, a 15-track album featuring 14 previously unreleased recordings that illuminate the vital, behind-the-scenes role Prince played in other artists' careers. The tracks were selected collaboratively by Troy Carter, on behalf of The Prince Estate, and JAY-Z.

By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he'd composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince's original demo recordings would be used as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince's initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.

Assembled by Frank Zappa 50 years ago in response to the multitude of bogus compilations being created by his previous record company, Mothermania contains exclusive mixes and is treated with All Analog production from the original 1969 master tape by Bernie Grundman at Bernie Grundman Mastering, 2019. Pressed on 180g audiophile vinyl by Pallas MFG.

“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band. 

UK Import

The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.

Rodriguez, the enigmatic subject of the 2012 Academy Award-winning documentary, Searching for Sugar Man, released two albums with Sussex Records, 1970's Cold Fact and 1971's Coming from Reality. Out of print on vinyl for several years, both albums are newly remastered by Alex Abrash at AA Mastering for reissue on 180-gram vinyl on June 28 by Tabu/UMe.

Rodriguez, the enigmatic subject of the 2012 Academy Award-winning documentary, Searching for Sugar Man, released two albums with Sussex Records, 1970's Cold Fact and 1971's Coming from Reality. Out of print on vinyl for several years, both albums are newly remastered by Alex Abrash at AA Mastering for reissue on 180-gram vinyl on June 28 by Tabu/UMe.

LETTUCE is (a) the prime ingredient in a salad, (b) a slang for cash, (c) a green herb that can be smoked, (d) a genre-busting six-member funk/jazz/soul/jam/psychedelic/hip-hop/art-rock/ambient/ avant-garde/experimental collective formed in 1992 by four alumni of the prestigious Berklee College Of Music, or (e) all of the above.

Thom Yorke’s new album ANIMA released summer 2109 was written by Thom Yorke and produced by Nigel Godrich. The album features 9 tracks, with an extra track exclusively on vinyl. A ‘one-reeler’ film, also entitled ANIMA , is available to watch exclusively via Netflix worldwide from midnight 27th June. Made by Paul Thomas Anderson to music from Thom’s album, the one-reeler has a run time of approximately 14 minutes.

Originally released in 1982, Run for the Roses is Jerry Garcia’s fourth and final solo studio album. Produced by Garcia and John Kahn, the track list includes several new Garcia/Hunter originals, including the album’s title track, “Midnight Getaway" and “Valerie”, plus choice covers Bob Dylan and The Beatles, among others.  Run for the Roses features the first appearance by organist Melvin Seals who would remain with Garcia for the next 15 years.   The album’s artwork was created by legendary psychedelic visual artist Victor Moscoso. Limited edition of 5000, individually numbered on black/orange marbled vinyl

This Side: 1. Run for the Roses 2. I Saw Her Standing There 3. Without Love 4. Midnight Getaway
That Side: 1. Leave the Little Girl Alone 2. Valerie 3. Knockin’ on Heaven’s Door

Listen in on hours of revelatory conversations with Jerry Garcia, one of the most beloved and missed figures in the world of music, with JERRY ON JERRY. More than twenty years after his death, at too young an age, Jerry remains a cultural icon whose influence and legacy endure. Now, these never-before-heard interviews reveal a candid and poignant side of Jerry, as he speaks openly on everything from religion and politics to his personal life and his creative process. Carefully selected by former Grateful Dead publicist and the band's authorized biographer, Dennis McNally, and curated with the cooperation of the Jerry Garcia Family, JERRY ON JERRY marks the first time these insightful and intimate archival recordings have ever been made available to the public. Here, Garcia talks about what it was like growing up in the San Francisco Bay Area, his obsession with his first guitar, and his first encounters with early R&B, which had a profound and lasting impact on his music. After discussing his brief, but eye-opening stint in the army, Jerry offers up stories of his time spent as a student of the Beats, and his personal and reverent memories of Neal Cassady. He ponders what he sees as the complicated nature of LSD and the oppressiveness of government. He goes on to remember in detail the early days of the Dead, from their first gigs as the Warlocks and their days at 710 Ashbury Street, to the Monterey Pop Festival in 1967 and performing on the road with Jefferson Airplane. Throughout he breaks to opine on movies (one of his favorite subjects), to open up about his songwriting process and his prolific collaboration with Robert Hunter, and his admiration for a broad range of musicians from the Rolling Stones and Bob Dylan to Scotty Stoneman and Bill Keith. JERRY ON JERRY is one of the most revealing and unguarded portraits of the adored front man of the Grateful Dead and a true, long-awaited gift to his fans. -Limited edition pressing, first time on vinyl. -Remastered audio for this limited pressing. -Vinyl contains two memorable segments, Jerry on Music and Jerry on Politics, plus a download code for an additional two hours of interview audio.

It's been nearly two years since the monumentally successful "Give Up" CD came out. Since then, it's scanned over 350,000 and is currently enjoying sales that are consistently better than any other period during its release. Now comes the vinyl edition, containing a bonus six track EP with the b-sides of both commercially available Postal Service CD singles. Also includes covers by The Shins and Iron & Wine as well as the remixes from "The District Sleeps Alone Tonight" single.

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. So It Is is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?” That's It! is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.

Whiskey for the Holy Ghost is the second solo album from Lanegan, and it was released January 18th, 1994. It builds upon the roots-music foundation Lanegan established with his debut The Winding Sheet. Released during the grunge explosion of the early 1990s, Whiskey for the Holy Ghost showcases Lanegan’s growing maturity as a songwriter and vocalist. Lyrically, Lanegan continues to delve into the darker side of the human experience on songs like “Borracho” and the biblical “Pendulum.” “House a Home” was released as a single with an accompanying video. Dan Peters of Mudhoney guests on the album, playing drums on the songs “Borracho” and “House a Home.”

When PROTOMARTYR—vocalist Joe Casey, guitarist Greg Ahee, bassist Scott Davidson, drummer Alex Leonard—stepped into a studio together for the first time, in November of 2011, they didn’t know they were about to record an album. With only four hours of studio time booked and one case of beer between them, their plan was to walk out with enough songs for a seven-inch single. Instead, at the suggestion of engineer Chris Koltay, the newly formed Detroit outfit recorded as much as they possibly could, in what little time they had. They left with 21 songs—enough material for two singles *and* a full-length album that, years later, is still vital listening. Sold out and out of print shortly after its original release on Urinal Cake Records in 2012, NO PASSION ALL TECHNIQUE is a sometimes messy look at one of rock’s most magnetic bands—and lyricists—just as they were coming to life. Primal, cerebral, heartbreaking, funny—it’s an accidental tour de force that’s also become an unlikely collector’s item. “My memory is shot,” Casey says, “but I appreciate now, looking back, how raw and off-the-cuff it was. There’s tons of mistakes in it and that wasn’t because we planned on it. We still can’t really admit that it’s as good as it is. You never want to say that your first is the best, but I’m happy that the first ended up not being terrible. It gave us doorway to what we’d want to do later. ”

On Hurray for the Riff Raff's new album 'The Navigator' (March 10/ATO Records), Alynda Segarra tells an interwoven, cinematic story of a wandering soul at a crossroads of identity and ancestral weight. It finds a street kid named Navita traversing a perpetually burning city in search of herself. 'The Navigator' is a thrilling call to arms that could not come at a more crucial time. It also finds Hurray for the Riff Raff at its own musical intersection, delving deep into the worlds of Latin rhythms, searing rock, and incisive ballads.

12" of new material

Originally mixed and released on CD in 1997 from the original tapes, this classic show is making its debut on vinyl. This 2LP in gatefold sleeve was recorded live at the Chicago Auditorium March 21st, 1974, before Lemmy’s exit from the band. Limited to 5500 copies worldwide.

After many years of effectively disowning this record, Tori Amos is ready to bring it back into the fold. Released in January of 1988, Y Kant Tori Read was her first official recorded output for Atlantic. It wasn't a chart success and it isn't the Tori that we know today; but for many Tori Amos fans, it is the holy grail of coveted out-of-print records. Tracks are newly remastered with the track list returned to it's original release order.

40th Anniversary Record Store Day edition. The Lurkers were the first ever band on Beggars Banquet and the whole label history boils down to their existence. Pressed on orange vinyl.

SIDE A 1.Ain't Got a Clue 2.I Don't Need to Tell Her 3.Total War 4.Hey You 5.Shadow 6.Then I Kicked Her 7.Go Go Go
SIDE B 1.Jenny 2.Time of Year 3.Self Destruct 4.It's Quiet Here 5.Gerald 6.I'm on Heat 7.Be My Prisoner

The King and I is a duets album that will take listeners through a unique journey of Faith and Biggie s relationship. The album features un-released Biggie vocals and is packed with original productions by DJ Premier, Just Blaze, Stevie J, Salaam Remi, Chucky Thompson, Puff Daddy and more. The album also features guest artist Lil Cease, Snoop Dogg, Busta Rhymes, Jadakiss, Styles P, Sheek Louch (founders of The L.O.X. hip hop group), 112, and a first time collaboration with legendary hip hop artist Lil Kim. The narrative of The King & I is compelling, compassionate, and offers a very personal glimpse into the love life of two of the biggest Hip Hop & R&B artists of all time. 2017 marks two decade since the passing of The Notorious B.IG. as well as 20 years of his last studio album. There will be a large amount of activity surrounding his anniversary. A&E (North American TV Station) will run a biography in March which will follow Faith on an emotional journey of his life and legacy with loads of hip-hop influencers.

Good Morning To The Night is a remix album by Elton John and Australian dance duo Pnau, originally released in July 2012. The album’s tracks are created from samples of various early Elton songs combined together to form new tracks.   Songs sampled include ‘Philadelphia Freedom’, ‘Goodbye Yellow Brick Road’, ‘Sorry Seems To Be The Hardest Word’, ‘Someone Saved My Life Tonight’, ‘Bennie And The Jets’ and ‘Are You Ready For Love?’ The album debuted at No. 1 on the UK Albums Chart and was described by the UK’s Guardian newspaper as “a blueprint for what remix albums should aspire to”. / First Time On Vinyl in the US

Side 1: (1) "Good Morning To The Night", (2) "Sad", (3)"Black Icy Stare", (4) "Foreign Fields"   Side 2: (1) "Telegraph To The Afterlife", (2) "Phoenix" (3) "Karmatron", (4) "Sixty"

Powers claims his music is like letting people read his journal. 'I don t think I could ever write a completely happy album. It's not that I'm not a happy person,' claims Powers, 'but I just have too many things in my mind that haunt me.'

In celebration of the 50th Anniversary of their iconic, landmark album, DAYS OF FUTURE PASSED, The Moody Blues performed the album in its entirety in Toronto at the Sony Centre for the Performing Arts in July 2017. The performance was backed by a 67-piece symphony orchestra. These three live cuts are pulled from the set for an exclusive RSD release.

1. SAY IT WITH LOVE 2. THE STORY IN YOUR EYES 3. STEPPIN’ IN A SLIDE ZONE

The award winning 2012 debut release from Australian singer/songwriter Nick Murphy, issued under his stage name Chet Faker.  Featuring the ethereal downtempo take of “No Diggity,” this special edition of Thinking in Textures is pressed on smoke swirled clear vinyl housed in an embossed ‘texturized’ jacket.

Side A: (1) "I’m Into You", (2) "Terms And Conditions", (3) "No Diggity"
Side B: (1) "Love And Feeling", (2) "Cigarettes And Chocolate", (3) "Solo Sunrise", (4) "Everything I Wanted"

"Rage Hard" is the fifth single by Frankie Goes to Hollywood, released in 1986, and the first single to come from the Liverpool album. "Rage Hard" eventually hit Number 4 in the UK singles charts and Number 1 in Germany (for two weeks). This extended version of “Rage Hard”, also known as “The Making Of A 12”” was never before released on vinyl. The two B-side tracks are straight forward cover songs: David Bowie's "Suffragette City" and "Roadhouse Blues" by The Doors. And then there is the odd composition in between, entitled "(Don't Lose What's Left) Of Your Little Mind". This special edition Record Store Day 12" is pressed on 180 gram purple vinyl and 2500 copies pressed worldwide.

Side One
Rage Hard (extended version)

Side Two
Suffragette City
Don’t Lose What’s Left
Roadhouse Blues

Frank Nitt and Dankery Harv - or just Frank n Dank - knew J. Dilla before you. But don't feel bad, they knew Dilla before anyone knew Dilla. When Dilla was still in Detroit, before he was known as J Dilla. Before he'd even stepped foot in LA. From their personal vault, Frank n Dank bring you these cuts from their years working with Dilla, including complete instrumentals, presented in a 10" red vinyl pressing.

SIDE A: 1. Let’s Go 2. Things Ain’t The Same 3. Reach For The Sky
SIDE B: 1. Let’s Go (instrumental) 2. Things Ain’t The Same (instrumental) 3. Reach For The Sky (instrumental)

An EP of new material, with the entire track list on both A Side and B Side!

1. Rough Mix 2. Really Nice Guys 3. Related Artists (For Fans Of...) 4. I'm On the Guestlist 5. YouTubular 6. The East Nashville Kroger Conversation 7. Emotional Impact For Sale 8. Pull Quote (feat. Jerry)

The GRAMMY® Award-winning maverick channels his signature sense of soul from the crossroads of rock ‘n' roll, blues, jazz, hip-hop, reggae and punk. Clark's most accomplished songwriting and virtuosic performances to date; THIS LAND delivers socially relevant, transcendentally ambitious, and musically rich declaration as unapologetic, undeniable, and unique as he is. He emerges with a body of work that is dynamic in every sense, embodying an ever-evolving sound that transformed him into an artistic force anointed by everyone from President Barack Obama to the late Prince.

Vinyl LP pressing. 2016 archive release from the late singer/songwriter featuring 13 previously unissued solo acoustic demos remastered from the original analog tapes and acetate. In 1967, the face of rock was changing. In that year alone there were debut albums from The Velvet Underground, The Doors, and Pink Floyd, to name a few. The Beatles had combined orchestration with their music-the result was Sgt. Peppers in June, the same month that Tim Buckley recorded Goodbye & Hello. Buckley was no longer just another singer/songwriter with an acoustic guitar; he was drenched in acid-folk tinges of harpsichord and harmonium. Lyricist Larry Beckett embellished Tim's songs with introspective lyrics at times, worldly views at others. It was the first major triumph for Tim as an album artist, partially because there were a remarkable amount of pre-production demos that led to it. Available here for the first time are these newly discovered master tapes, recorded by Goodbye & Hello's producer Jerry Yester, along with an ultra-rare acetate, found to be in co-songwriter (and best friend) Beckett's possession. Of the 13 previously unreleased solo acoustic songs contained here, six of them did eventually appear with more expansive instrumentation on Goodbye & Hello (along with another four not included here). However, the crown jewel of this package is seven never-before-heard compositions. These will be new to even the most devoted Buckley fan. Arguably, two of them crept out decades after Tim's death (albeit, much different recordings than what you have here) but with little fanfare. So much has been written about Tim Buckley but so little of it by people who actually knew him. This booklet, however, includes a detailed interview with both Larry Beckett and Jerry Yester, providing real insight on how these recordings came to be and attempting to uncover the man behind all the myths, the real Tim Buckley. Several rarities releases in the 1980s and '90s shed light on his talent, especially the live recordings, but all of the studio material has generally been alternative versions of songs that fans already knew-until now. This is the first-ever posthumous release that reveals a wealth of previously unreleased and unheard tracks from Tim at the peak of his career. In short, you need this!

Recently discovered, previously unreleased Tim Buckley four song demo recorded prior to his being signed to Elektra Records.

It Happens Every Time|I Can't See You|Grief in My Soul|Sixface

While New York-based Profile Records was conceived as a home for disco when it was founded in 1979, the fledgling label caught on to the hip-hop movement as the 1980s dawned, releasing pioneering tracks by Dr. Jeckyll & Mr. Hyde, Rammelzee vs. K-Rob, Run-DMC, Dana Dane and more. Giant Single: The Profile Records Rap Anthology Vol. 1 spotlights the early influence of one of rap’s true super-powered indie labels, with fifteen classic jams on double red vinyl!

Legendary Syrian singer Omar Souleyman calls on two iconic artists — duo Simian Mobile Disco and Barcelona’s DJ Seinfeld — to deliver remixes of tracks from his most recent album ‘To Syria, With Love.’ DJ Seinfeld imparts lo fi house flavors on "Khayen" and Simian Mobile Disco add a hypnotic tribal feel to "Mawal," making this Record Store Day exclusive vinyl a must have for true house fans. Along with the remixes, the vinyl also includes Souleyman’s latest single, ”Tensana,” an eight minute long celebration of dance and Middle Eastern soundscapes. Omar Souleyman started his career as a wedding singer in Syria, recording over 500 cassettes that are now staples in the country’s folk-pop scene. Parlaying his dabke into the breakneck techno realm of electronic music, the artist is now known for his high octane sound across the Western music front.
PACKAGING HIGHLIGHTS:
• Colored vinyl

• Custom stylized dust sleeve

OMAR SOULEYMAN HIGHLIGHTS:
• Dubbed the “coolest man in the universe” by Noisey, Souleyman’s first introduction to the western music scene was by way of his official remixes of Björk’s “Crystaline” series in 2011.

• His subsequent WENU WENU LP in 2013 was produced by Four Tet’s Kieran Hebden

• His latest work TO SYRIA, WITH LOVE is driven by finding hope despite this nostalgia and was released on Mad Decent in June of 2017.

01 Omar Souleyman - Khayen (DJ Seinfeld Remix) 02 Omar Souleyman - Mawal (Simian Mobile Disco Remix) 03 Omar Souleyman - Tensana

Rare and unreleased psych rock tracks from the Concord catalog, includings songs from the Vanguard, Original Sound, Hip and Musart labels

Where the Action Is! Los Angeles Nuggets: 1965–1968 is part of Rhino’s acclaimed Nuggets series, focusing on the different aspects of the underground rock music scene in and around Los Angeles from 1965 – 1968. It features key artists such as Love, Buffalo Springfield, Bobby Fuller Four, The Doors, Sonny & Cher, Lee Hazelwood, Captain Beefheart and His Magic Band, and more. This collection is now on vinyl for the first time. Limited to 5500 copies worldwide.

BORNS performed with his band at Amoeba Music in Hollywood on 5/9/18. This is the audio of that live captivating performance.

This double CD/triple LP collects songs ranging from out-of-print to never-before-released and spans Iron And Wine's earliest sessions which yielded the band's debut (2002's "The Creek Drank The Cradle") through material recorded for 2007's "The Shepherd's Dog". The double disc is broken into two sections. The first is an assortment of hushed home recordings, unedited and raw, and the second highlights moments captured in the studio with the help of other musicians, friends, and engineers.

Iron & Wine follow up their 2018 Grammy-nominated full-length Beast Epic with Weed Garden, a collection of material that began about three years ago. The six-song EP features songs that were part of the writing phase for Beast Epic, but went unfinished. They were part of a larger narrative for principal songwriter Sam Beam, who ran out of time to get them where they needed to be for inclusion on Beast Epic. Weed Garden also includes the fan favorite “Waves of Galveston.” While on tour last fall, the final pieces of material took shape and a sense of urgency prevailed in bringing these characters full circle. To resolution. To completion. In January, Beam and company hunkered down in Chicago at The Loft recording studio to capture these six songs. No more, no less. Weed Garden joins the good company of previous Iron & Wine EP’s – The Sea and Rhythm, Woman King, In the Reins – and in 2018’s attention-span challenged world that's not a bad thing.

On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound

Pure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums – Fear Fun (2012) and I Love You, Honeybear (2015) – and the recent “Real Love Baby” single as Father John Misty, and recently contributed to songs by Beyoncé, Lady Gaga, and Kid Cudi. While we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).

Souljacker is a studio album from Eels released on March 12, 2002. Unlike some of Everett's other albums, most notably Electro-Shock Blues, Souljacker is mostly based on stories of outsiders rather than on Everett's own life. Souljacker received a generally favorable reception from critics, with several reviewers comparing the album's sound to that of Beck. Continuing with its vinyl campaign, UMe will be reissuing this title back on 180 gram vinyl.

The first physical music from the anticipated new U2 release, SONGS OF EXPERIENCE, due everywhere December 1. The 12” includes the original album version backed by an exclusive remix by the band’s longtime collaborator, Jacknife Lee. TMR’s “The Blackout” 12” will be extremely limited, with just one single pressing at Third Man Pressing, the label’s state-of-the-art vinyl production facility in Detroit. Black vinyl editions will be available at all participating Record Store Day shops, with 750 colored vinyl editions on offer exclusively at Third Man Records’ Nashville Storefront (623 7th Avenue South, Nashville, TN 37203) and Detroit Storefront (441 West Canfield Street. Detroit, MI 48201) as well as one Irish and one British record store to be announced.

"The Blackout" b/w "The Blackout (Jacknife Lee remix)

Jack White previously promised a new album from The Dead Weather in 2015, and he’s made good on his word. The hard-rock outfit’s third studio album, Dodge & Burn, will arrive in September through White’s own Third Man Records. It serves as the follow-up to 2010’s Sea of Cowards.

In October, The Breeders announced their return to 4AD, along with a new album, All Nerve, released this Spring. We are also happy be reissuing their previous four albums on vinyl. Pod is the bands 1990 debut and is continually ranked as one of the best albums of the 90s. Recorded by Steve Albini in 10 days, it was released to critical acclaim and Kurt Cobain called it one of his favorite albums of all time. In 1993, they released their breakout album Last Splash, which brought the band into the forefront with the runaway hit “Cannonball”. The song made it to #2 on the charts, and was followed by a tour supporting Nirvana, a spot on the Lollapalooza tour and in 1994, a platinum certification. Nine years later, after an indefinite hiatus, The Breeders returned with Title TK. The Guardian UK called it "a welcome return to punky pop that knows how to flex some melodic muscle.” In 2008, The Breeders released their eclectic fourth album in 18 years, Mountain Battles. Spin gave the album 4 stars, and the NME called it "a joyfully lived-in and boundary-free album.”

Bjork Volta - Coloured Vinyl UK 2-LP vinyl set

Bjork Medulla - Maroon Vinyl - UK 2-LP vinyl set

The Beginning will be released in several physical formats - a standard CD, a deluxe CD that includes 3 bonus songs, a full album vinyl and a combo two-disc set of 20 songs that includes The Beginning & The Best of THE E.N.D..

The new EP from AFI on black vinyl with an etching on Side B

Vinyl LP pressing. The Cali-based band recorded the album with producer Gil Norton (Pixies, Patti Smith, Foo Fighters) at East West Studios in Los Angeles. The record was mixed by Andrew Scheps (Metallica, Red Hot Chili Peppers). Since the release of 1995's debut album Answer That and Stay Fashionable, AFI have written and recorded five top ten hit singles, hit #1 on The Billboard 200 (with the stunning Decemberunderground), garnered critical acclaim and amassed a fiercely loyal international following whose members number in the millions.

amo is the long awaited new album Sheffield, England based rock band Bring Me The Horizon. amo is Bring me The Horizon's sixth studio album, and the lead single from this collection is the driving rock song MANTRA. The band spent time writing and recording in Los Angeles, with members Oli Sykes and Jordan Fish handling production. What has transpired is one of their most exhilarating, genre crossing albums to date. Says Bring Me The Horizon frontman Oli Sykes, "amo is a love album that explores every aspect of that most powerful emotion. It deals with the good the bad and the ugly, and as a result we've created an album that's more experimental, more varied, weird, and wonderful than anything we've done before." While amo has some surprises, it very much sticks to the bands successful fan pleasing formula of massive stadium bouncing rocks songs with huge singalong choruses. Bring Me The Horizon have been on a rocket of a journey over the last few years, selling over 4 Million albums globally to date, playing sell out shows in over 40 countries.

Live album recorded at the Troubadour in Los Angeles in September 1969. First vinyl reissue.

RECORD ONE
Side A 1. Strange Feelin’ 5:40 2. Venice Mating Call 3:27 3. I Don’t Need It to Rain 11:06
Side B 1. I Had a Talk with My Woman 7:32 2. Gypsy Woman 14:32
RECORD TWO
Side A 1. Blue Melody 5:37 2. Chase the Blues Away 6:19 3. Driftin’ 7:56
Side B 1. Nobody Walkin’ 16:05

Hotel California is the fifth studio album by the American rock band Eagles, released on Asylum in late 1976. It is the first Eagles album without the appearance of their founding member Bernie Leadon and their first album with guitarist Joe Walsh.

Ed Sheeran celebrates the announcement of his No.6 Collaborations Project – which arrives everywhere on July 12 – with the release of new song “Cross Me” featuring Chance the Rapper and PnB Rock. This new collaboration follows the release of “I Don’t Care” with Justin Bieber, which shot straight to #1 on the Billboard Digital Songs chart and #2 overall on the Hot 100. All 184 Top 40 radio stations added the track, making it only the fifth song in the modern era to win support from the full panel of Mediabase-monitored pop stations. Likewise, all 97 adult radio stations in the country added the song. An instant worldwide phenomenon, “I Don’t Care” hit #1 in the UK, Australia, Ireland, Italy, Netherlands, Switzerland, Finland, Sweden, and more.

The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.

The original release of the Jackson 5's Greatest Hits LP in 1971 was cause for celebration, as it encapsulated an extraordinary 18-month strings of back-to-back-to-back-back-etc. hits and was itself a hit souvenir of Jacksonmania. It featured eight smash records, led by the group s phenomenal Motown debut, 'I Want You Back,' plus two immensely popular B-sides 'I Found That Girl' and 'Who's Lovin' You' and something new: 'Sugar Daddy,' a just-dropped single which went top 10 pop and no. 3 R&B; it was then not available on any other J5 LP. This LP reissue is something new again: it features the rare quadrophonic mixes, originally released in Japan only in 1975. These mixes used alternate vocals and sometimes emphasized instrumentation not heard in the J5 singles or LP and as a result these versions are much sought-after. As within this edition these mixes are the stereo folds, consumers do *not need a special decoder or four speakers to enjoy the music.

In 1997, Josh Homme (Queens of the Stone Age) and a handful of friends retreated to the desert of Joshua Tree, CA in order to isolate themselves from the distractions and comforts of their everyday lives. What began as a casual writing and recording session amongst friends has since become a project of legend. Spanning twelve volumes over the course of two decades, Desert Sessions has featured some of music’s most cherished icons stepping out of their comfort zones and collaborating with one another to create some of the most exciting music of their careers.

After nearly sixteen years since its last entry, the longest-running mix tape in existence, Desert Sessions will return this October with two stunning new volumes in its already storied catalog, Vols. 11 & 12, featuring collaborations from Billy Gibbons (ZZ Top), Les Claypool (Primus), Stella Mozgawa (Warpaint), Jake Shears (Scissor Sisters), Mike Kerr (Royal Blood), Carla Azar (Autolux, Jack White), Matt Sweeney (Chavez), David Catching (Co-founder of Rancho De La Luna studio), comedian Matt Berry (What We Do in the Shadows), Töôrnst Hülpft and new comer Libby Grace.

Limited Edition Vinyl packaging includes a one of a kind custom mix & match, body swap booklet!

This limited edition Deluxe vinyl box set features all 40 tracks from the Super Deluxe collection on three 180-gram vinyl LPs. The album’s new stereo mix LP is packaged in a faithfully replicated sleeve, with the two Sessions LPs paired in their own jacket, presented with a four-page insert in a lift-top box.  Giles Martin, working with Sam Okell, from the original eight-track session tapes, was guided by the album’s original mix supervised by his father, George Martin.

Composed and assembled over the course of several years, Jaime is a highly personal album release combining Brittany’s unmistakable voice with peerless, visionary and fearless songwriting. Brittany has constructed an assemblage of songs which bend the framework of what we know from her previous work with Alabama Shakes and endeavors with Thunderbitch and Bermuda Triangle, music which wholly sits in a new terrain of sound bolstered by an incredible band of musicians including Zac Cockrell of the Shakes, drummer Nate Smith and the one and only Robert Glasper.

Single LP on coke-bottle clear vinyl in same packaging as standard LP.  Includes foldout poster inserts (22.75” x 33”) & a coupon for full download. Ltd Edition. Indie Only.

Describing the Durham-basedHiss Golden Messengeris like trying to grasp a forgotten word: It’s always on the tip of your tongue, but hard to speak. Songwriter and bandleader M.C. Taylor’s music is at once familiar, yet impossible to categorize: Elements from the American songbook—the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano—provide the bedrock for Taylor’s existential ruminations about parenthood, joy, hope, and loneliness—our delicate, tightrope balance of dark and light—that offer fully engaged contemporary commentary on the present. And then there’s an indescribable spirit and movement: Hiss Golden Messenger’s music grooves. There’s nothing else quite like it.