After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records.

Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD.  A black vinyl release will follow on May 7.

Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.

The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.

The first new album in eight years from Tomahawk. The band features Mike Patton (Faith No More, Mr. Bungle), Duane Denison (The Jesus Lizard), John Stanier (Battles, Helmet) and Trevor Dunn (Mr. Bungle) 

2LP/1DVD.

Coke bottle clear.

Final floor is eleven new tracks featuring saxophonist kamasi washington and trumpter erik jekabson with longtime colaborators and songwriters matt montgomery and gregory howe. As the title indicates this album represents the final original recordings of throttle elevator music. Final floor has an upscale energy that fuels the overall sound and dynamically bring an edge back to jazz

'Zoom In' was recorded at Ringo Starr's home studio from April-October 2020. The 5 new songs "Here's To The Nights," "Zoom In Zoom Out," "Teach Me To Tango," "Waiting for the Tide to Turn" & "Not Enough Love In the World" include contributions from Paul McCartney, Joe Walsh, Ben Harper, Dave Grohl, Sheryl Crow, Chris Stapleton, Steve Lukather, Jenny Lewis, Lenny Kravitz, Corinne Bailey Rae, Eric Burton, Yola, FINNEAS, Benmont Tench, Robbie Krieger, Sam Hollander, Bruce Sugar & more.

Following the success of her 2019 GRAMMY®-nominated album “Norman Fucking Rockwell”, Lana Del Rey will release her highly anticipated, seventh studio album on March 19th, 2021. Chemtrails Over The Country Club features eleven songs, including singles “Let Me Love You Like A Woman” and the title-track “Chemtrails Over The Country Club”.

Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."

Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

A surprise cassette released April 2020, Songs for Pierre Chuvin is the Mountain Goats’ first all-boombox album since 2002’s All Hail West Texas. After selling over 4000 cassettes in a matter of minutes, the avid Mountain Goats fanbase has demanded more and we are happy to acquiesce! Songs for Pierre Chuvin will be available on CD and LP on March 26, 2021.

Fleet Foxes will release their fourth studio album entitled SHORE, a collection of 15 new songs, on February 5, 2021 on double-gatefold 2LP vinyl and CD.

Fleet Foxes’ Robin Pecknold shares, “SHORE feels like a relief, like you’d feel when your feet finally hit sand after getting caught in a riptide. It’s a celebration of life in the face of death, honoring our lost musical heroes, from David Berman to John Prine to Judee Sill to Bill Withers, embracing the joy and solace they brought to our lives and honoring their memory. SHORE is an object levitating between the magnetic fields of the past and the future.”

SHORE was released digitally in its entirety on the fall equinox (9/22) alongside an album length Super-16mm landscape film captured and edited in Washington State by the filmmaker Kersti Jan Werdal. The album was recorded in upstate New York at Aaron Dessner’s Long Pond Studio, in Paris at Studios St. Germain, in Los Angeles at the legendary Vox, in Long Island City at Diamond Mine, and New York City’s Electric Lady.

Fleet Foxes' self-titled debut made a profound impact on the international musical landscape, earning them Uncut's first ever Music Award Prize and a spot in Rolling Stone's 100 Best Albums of the 2000’s. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (MOJO ★★★★★, Pitchfork’s Best New Music) and earned them a GRAMMY nomination. Both Fleet Foxes and Helplessness Blues are certified Gold in the US. The band’s third studio album Crack-Up, released in 2017, charted #9 on the Billboard Top 200.

Limited red colored vinyl LP pressing. 2021 release. Savage Mode II is a collaborative studio album by Atlanta-based rapper 21 Savage and American record producer Metro Boomin. The album serves as a sequel to the duo's extended play Savage Mode (2016). It features guest appearances by Drake, Young Thug, and Savage's cousin Young Nudy. Features the singles: "Runnin" and "Mr. Right Now".

Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song, out October 13th via Penguin Random House's Dutton. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." –Jeff Tweedy

Highly anticipated debut from 2020 breakthrough artist, london-based musician and poet Arlo Parks.

 

"My album is a series of vignettes and intimate portraits surrounding my adolescence and the people that shaped it. It is rooted in storytelling and nostalgia - I want it to feel both universal and hyper specific."

 

Recent press features have seen her grace the cover of  NME and Dork Magazine as well as being included on the 2020 Dazed 100 List. And all whilst performing stand-out shows for the revered COLORS and NPR's Tiny Desk series - plus being one of only three artists to perform at Glastonbury this year.

 

Arlo has also been named an ambassador for the British mental health charity, CALM. Whilst her songwriting has seen her gain new fans in; Billie Eilish, Florence Welch, Michelle Obama, Angel Olsen and Wyclef Jean, among others.

 

"A minor key moonbeam"

NPR

 

“Her songs are the results of an alchemy that combines shiver-inducing highs with sweet, molasses-coated lows”

W Magazine

 

“gritty, visceral storytelling that shines through her songwriting”

Pigeons & Planes

 

"Arlo Parks gives teen angst a human face" 

The FADER

Limited 180gm vinyl LP pressing. This sleek, beautifully paced Lee Morgan album was recorded in 1966 but mysteriously shelved until 1984. Alongside the trumpeter, the quintet features a superb lineup - Hank Mobley (tenor sax)/Cedar Walton (piano)/Paul Chambers (bass)/Billy Higgins (drums) - all playing at the top of their game. Highlights include the Duke Pearson gem "Is That So" and the enticing title track penned by Morgan. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat.

The band features organist Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch who taught himself jazz and has effortlessly been able to play a multitude of instruments. On guitar is the dynamo Jimmy James who eases through Steve Cropper-style chanking guitar, volcanic acid-rock freak-out lead playing, and slinky Grant Green style jazz. From Reno, Nevada is drummer Dan Weiss (also of the powerhouse soul and funk collective The Sextones). Dan’s smoldering pocket-groove drumming locks in the trio’s explosive chemistry. 
 
Founded by Larmarr’s wife and manager Amy Novo, the trio started from humble beginnings in 2015, but since then has released two Billboard charting albums and toured the world to sold out venues. The trio returns now with their second studio album, I Told You So, with even heavier grooves and more confidence. It may have been several years since their most recent studio effort, but they haven’t missed a beat.

Recommend for fans of: New Mastersounds, Soulive, Jimmy Smith, Khruangbin

Pop Smoke's legacy continues with the release of his posthumous debut album, Shoot For The Stars Aim For The Moon. The album finds Pop's voice in concert with collaborators both old and new such as Quavo, Roddy Ricch, Lil Baby, and more. Staying true to his intention to use his debut album to show the breadth of his artistry, fans will discover a Pop Smoke that they had yet to see - one that is singing, stepping outside of the Brooklyn drill sound that he helped bring to a global level and more.

Vinyl LP pressing. Purple is the second studio album by the rock band Stone Temple Pilots, released on June 7, 1994 by Atlantic Records. The album, building off the foundations laid by the band's debut album Core, was a huge success for the band, debuting at number one on the Billboard 200 chart and remaining there for three weeks, eventually selling over six million copies. It spawned a number of successful singles - "Vasoline" and "Interstate Love Song" both topped the Mainstream Rock Tracks chart and hit number 2 on the Modern Rock Tracks chart, while "Big Empty" also cracked the top ten on both charts.

The original 500 7”s are considered the Holy Grail of WSP recordings! These exact replicas (down to the 45 RPM Spider Inserts being included and the white sleeves) are going to make a whole bunch of Panic fans happy just in time for the holidays.

**Limited to 2,000 copies**

Vinyl LP pressing.

Britney Spears’ Deluxe version of “Glory” is now available on opaque white vinyl! The 2 LP set includes all 17 tracks originally featured on “Glory,” two never before released songs and remixes of “Mood Ring.”

Originally released in June 2002 on CD, Peaches – this 20-track collection will be released on vinyl for the first time on RSD Black Friday and will be the only Stranglers Best of available on vinyl.

Side 1: “Peaches”, “Golden Brown”, “Walk On By”, “No More Heroes”, “Skin Deep”
Side 2: “Hanging Around”, “All Day And All Of The Night”, “Straighten Out”, “Nice 'N' Sleazy”, “Strange Little Girl”, “Who Wants The World”
Side 3: “Something Better Change”, “Always The Sun (Sunny Side Up Mix)”, “European Female”, “Grip '89 (Get A) Grip (On Yourself)”, “Duchess”
Side 4: “5 Minutes”, “Don't Bring Harry”, “La Folie”, “96 Tears”

Double vinyl LP pressing. A compilation album by the British blues band, originally released in November 2002 which focused on the Peter Green years. The album serves as a digitally remastered replacement as the band's greatest hit, with the remastering and cover from the 1999 box set 'The Complete Blue Horizon Sessions 1967-1969'.

Black/white/purple swirl vinyl version of the 2019 Mixtape.  Never before available on any physical format.

1. Energy 2. Learned From Texas 3. Pick Yourself Up 4. Glorious 5. 1 Oh Oh
6. Higher (King PT. 6) 7. Look What I Got 8. 4 Tha Three

This 1977 studio recording finds Herbie Hancock embracing his jazz roots. The straightforward trio setting puts Hancock’s piano front and center. Backed by Ron Carter on bass and Tony Williams behind the drums, the recording features Hancock originals as well as the Trio’s take on Miles Davis’ “Milestones.”

Though recorded at fabled San Francisco studio The Automatt, the recording was only immediately issued in Japan. To this day Japan is the only country to see a vinyl release of this session. That changes on RSD Black Friday as Get On Down presents The Herbie Hancock Trio in a complete replica of the Japanese release including a full-color insert and deluxe OBI strip.

SIDE A: 1. “Watch It” 2. “Speak Like A Child”
SIDE B: 1. “Watcha Watin For” 2. “Look” 3. “Milestones”

A single LP release of Magnetic Fields’ recent digital and singles box set project. This LP contains an entirely exclusive track, 'The Witches Fly' and is exclusive for RSD Black Friday.

Throughout their career, Sharon Jones & the Dap-Kings remained in high demand both publicly and privately to recreate and often re-imagine songs by other artists. More often than not, these covers were recorded by request, commissioned for placement in movies, television programs, tribute albums, or for samples. This album compiles some of their most popular and some never-before-heard renditions Though the band mostly built their career on a prolific catalog of originals, these forays into other artists' compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land.

SIDE A: “Signed, Sealed, Delivered I’m Yours”, “Little By Little”, “Just Dropped In”, “Here I Am Baby”, “What Have You Done For Me Lately?”, “Take Me With U”

SIDE B: “Inspiration Information”, “Giving Up”, “Rescue Me”, “In The Bush”, “It Hurts To Be Alone”, “Trespasser”

Pop Smoke’s Shoot for the Stars Aim for the Moon debuted at #1 on the Billboard 200 Albums chart, giving the late rapper his first chart-topping effort. The set was released on July 3 via Victor Victor Worldwide/Republic Record. It was billed as Pop Smoke’s first studio album, following a pair of mixtapes: Meet the Woo, V.1 and Meet the Woo, V.2. 

Side 1 1. Bad Bitch From Tokyo (Intro) 2. Aim For The Moon Featuring Quavo 3. For The Night Featuring Lil Baby & DaBaby 4. 44 BullDog 5. Gangstas 6. Yea Yea 7. Creature Featuring Swae Lee 8. Snitching Featuring Quavo & Future 9. Make It Rain Featuring Rowdy Rebel 10. The Woo Featuring 50 Cent & Roddy Ricch

Side 2 1.West Coast Shit Featuring Tyga & Quavo 2. Enjoy Yourself Featuring Karol G 3 Mood Swings Featuring Lil Tjay 4. Something Special 5. What You Know Bout Love 6. Diana Featuring King Combs 7. Got It On Me 8. Tunnel Vision (Outro) 9. Dior

Instrumental version of the acclaimed 2020 album Invisible People. Described by Pitchfork as "far and away Chicano Batman’s most accessible record.... A decade into writing songs together, they sound stronger than ever." Mixed by Shawn Everett with lacquers cut at The Lodge in New York City.

1. Color My Life (Instrumental) 2. Blank Slate (Instrumental) 3. I Know It (Instrumental) 4. Invisible People (Instrumental) 5. Manuel's Story (Instrumental) 6. Moment of Joy (Instrumental) 7. Pink Elephant (Instrumental) 8. Polymetronomic Harmony (Instrumental) 9. The Way (Instrumental) 10. The Prophet (Instrumental) 11. Bella (Instrumental) 12. Wounds (Instrumental)

Brooklyn-based rapper Half-A-Mill climbed his way up from the underground in the late ‘90s with an initial breakthrough on 1997’s one and only album by The Firm, the supergroup featuring Nas, AZ, Nature and Foxy Brown, alongside producers Dr. Dre and the Trackmasters.

After this high-profile appearance, Half-a-Mill then started setting the stage for the release of his debut album “Milíon” with the single ”Thug Ones" which featured Noreaga, Kool G Rap, and Musolini. “Milíon” became an underground classic, featuring guest appearances by AZ, Kool G Rap, Musalini, Noreaga, Ali Vegas and Spice 1, with production by Just Blaze, The Neptunes, DJ Scratch, and DJ Ali among others.

Tragedy struck in 2003 when the rapper was shot dead at his home in Brooklyn. Tuff Kong now proudly moves to keep his legacy alive by releasing Milíon on vinyl for the first time ever for RSD Black Friday.

SIDE A: 1. “Intro” 2. “Tough Guyz (feat. Ali Vegas)” 3. “What U Ridin” 4. “New Millennium” 5. “Quiet Money (feat. AZ)” 6. “Don’t Go Away” 7. “Where BK At” 8. “Fires In Hell”

SIDE B: 1. “Some Niggaz” 2. “Thug Onez (feat. Kool G Rap, Musalini, Noreaga)” 3. “Gimme Ya Luv” 4. “Ghetto Girl” 5. “Thug Luv” 6. “Bounce (feat. Spice 1)” 7. “Outro” 8. “Thuggest Enemy #1” 9. “Untitled Track”

Brand new recordings from John Hurlbut and Jorma Kaukonen, produced by Jorma and engineered and mixed by Justin Guip, three-time Grammy winner for his work with Levon Helm, make their debut on red splatter translucent vinyl for RSD Black Friday. This release comes in a gatefold package with a twelve page booklet that includes a new interview with Jorma, conducted by Paul Epstein. 

“The Ballad of Easy Rider” -- Roger McGuinn, “People Get Ready” -- Curtis Mayfield, “Choices” -- George Jones, “Kansas City Southern” -- Gene Clark, “Borderline” -- Ry Cooder, John Hiatt, Jim Dickerson, “Travelin’” -- Spencer Bohren, “The Old Homestead” --Spencer Bohren, “Someone’s Calling” -- John Hurlbut

At the beginning of quarantine in April, Ed Roland was in Sarasota, Florida with a few others and they decided to start a new band and call it The Living Room. They didn’t want it to sound like Collective Soul or The Sweet Tea Project (Roland’s Americana side band) and they started talking about favorite bands to which Ed said that one of his is The Cars. So, Ed woke up and began writing songs inspired by the new wave era of The Cars, ELO, and Roxy Music.  

SIDE A: 1. “She Bows Down” 2. “Just Like You” 3. “Here” 4. “Alien Attitude” 5. “Summer”
SIDE B: 6. “These Times” 7. “Living Room” 8. “Lucky Again” 9. “All For You” 10. “Welcome To Life”

An all-star-studded one-of-a-kind concert honoring the early years of Fleetwood Mac and its founder Peter Green was held at the London Palladium on 25th February 2020. This split release features three versions of the same track, a previously unreleased Mick Fleetwood & Friends rendition from that night (on which the Friends included Billy Gibbons and Kirk Hammett) and both a studio version and a live Fleetwood Mac recording from 1970. Pressed on green vinyl for RSD Black Friday. 

A1 - Mick Fleetwood and Friends – The Green Manalishi (With the Two-Prong Crown) (Live from the London Palladium, feat Billy Gibbons & Kirk Hammett)
B1 – Fleetwood Mac – The Green Manalishi (With the Two-Prong Crown) B2 – Fleetwood Mac - The Green Manalishi (With the Two-Prong Crown) (live 1970)

The great lost Little Richard album, produced by R.A. "Bumps" Blackwell. Finally issued as Richard intended, including the original cover art and new liner notes by Bill Dahl. This RSD Black Friday release comes on yellow vinyl.

1) California (I’m Comin’) 2) If You Pick Her Too Hard (She Comes Out Of Tune) 3) Burning Up With Love 4) Ain’t No Tellin’ 5) Last Year’s Race Horse (Can’t Run In This Year’s Race) 6) Southern Child 7) In The Name (Version 3) 8) Over Yonder 9) I Git A Little Lonely 10) Puppy Dog Song 

Produced by GRAMMY Award-winning Black Keys founder/producer Dan Auerbach, Where Does The Devil Hide is Zella Day’s new 5 track EP that features her unique, mature voice and songwriting abilities. The EP is being released in partnership with Easy Eye Sound and Concord Records.

1. People Are Strangers 2. My Game 3. Purple Haze 4. Only A Dream 5. Benny My Dear

SAP has been released as a stand-alone vinyl for the first time ever.  Side B on this RSD exclusive is etched with the original AIC logo for additional authenticity.

Side A: 1. “Brother” “Got Me Wrong” “Right Turn” “Am I Inside” “Love Song”
Side B ETCHING – No Music

In celebration of the album's 20th anniversary, the first-ever domestic pressing of the seminal breakthrough album from the Grammy-nominated New Wave of American Heavy Metal pioneers! This new blood-red pressing for RSD Black Friday marks the first-ever vinyl release of the version remixed and remastered by Zeuss (Rob Zombie, Hatebreed, Suicide Silence) and Grammy-award winning engineer Alan Douches (High on Fire, Motorhead, The Black Dahlia Murder). Of note: guitarist Jon Donais is now a member of thrash icons Anthrax, while guitarist Matt Bachand now plays with Act of Defiance.

1. “Pain Glass Vision” 2. “Crushing Belial” 3. “Of One Blood” 4. “The First Noble Truth” 5. “Fleshold” 6. “Root Bound Apollo” 7. “Revel In My Loss” 8. “Montauk” 9. “To Ashes” 10. “Serenity”

Originally re-pressed and released in 2003, Luv N’Haight reissue a special limited edition run for RSD Black Friday.

Ridiculously rare vinyl, superb musicianship, and a Playboy Club are ingredients that make the Don Cunningham Quartet's Something For Everyone album so tasty. Luv N'Haight is proud to preserve and re-issue one of the most collectible, highly sought-after jazz-dance records.

"Bunnies plus food and drink equals good time."Brad Holiday's original liner notes (featured on the back of this album) tell it like it was. Don Cunningham, Marion Miller, John Mixon, and Manny Quintero formed the Don Cunningham Quartet and played ‘The Living Room’ at Hugh Hefner's St. Louis branch of the Playboy Club between 1965 and 1968. Their music was different from that of the jazz mainstays playing in ‘The Penthouse Room’. It was also different from any act in St. Louis at the time.

"Before forming the Quartet, I traveled to Fiji, Australia, the Caribbean and beyond as part of the Johnny Mathis group," explains Cunningham. "On these tours I discovered the "island sound," which was something I'd never been exposed to before. It was enchanting, mysterious and sexual."

The Quartet's unique blend of exotica, Latin and Brazilian rhythms, jazz and easy listening was a perfect fit for the Playboy Club. "I was influenced by having seen Arthur Lyman, Cal Tjader, Willie Bobo, Mongo Santamaria, and Harry Belafonte play live. Not to mention that I was buying all the Les Baxter I could get!" adds Cunningham. The band's sound caught the attention of Bob Webb, a wealthy local businessman. As a friend of piano player Marion Miller he'd learned of the Quartet’s popularity. "I don't want to work, you work, I'll put up the money," Miller recalls Webb 's words. Webb fronted the funds for Miller to create Exclusive records, releasing three albums and two 45rpm singles, including the Something For Everyone LP.

"The music was only sold locally. We never looked up a distributor and we really didn't have a regular record deal," says Miller. Don Cunningham only remembers selling and giving-away the album at Playboy appearances and to a few friends outside of club hours. Only 500 copies were ever printed, some mono, some stereo, it's not known how many of each format.

Of all the tracks on the album "Tabu" has been the biggest hit with the jazz-dance crowd. That track is the reason many collectors have the album on their wants lists. It remains a tune worthy of heavy DJ play. "Something For Everyone" has been at the top of my wants list for about 10 years now. All my other wants I have managed to track down over the years, but to own an original copy of the Don Cunningham album is as illusionary as driving a Rolls Royce," says producer/DJ Rainer Truby of Compost Records. "Not only is it a rare album it is also a good one. "Tabu" to me is the mother of all jazzdance records! A welcome release! I'm curious to check the rest of the LP, but "Tabu" is more than enough of a reason to stroll down to your local record dealer," he adds.

Miller and Cunningham are surprised but obviously very happy with the current interest in the album. Both are still active musicians and hope that this re-issue may stimulate even more work for them. At time of writing Cunningham was on the road with his wife, appearing as The Cunninghams on tour with the Count Basie band. "It's great that the album is being re-issued. There's truly a quality of music on it that has been missed for so long. In a way it's world music - Polynesian, samba, Brazil, jazz, West Indian. It has the energy of Latin and funk records. It's inspired by - but is not really - easy listening, you couldn't exactly sleep in our "Quiet Village!"" says Cunningham.

Andrew Jervis.
Ubiquity, February 2003.

“Angelina”, “I'm Your Slave”, “Quiet Village”, “Tabu”, “Manha De Carnival”, “Sylvie”, “Samba De Orpheu”

Bombino recorded his seventh album live in Amsterdam in late 2019. It features three new songs, seven songs from his incredible catalog and his version of a Tinariwen song. This RSD Black Friday double LP is pressed in a limited edition of 1500 for the world.

A1 - Iyat Na Hay A2 - Azamane Tiliade A3 - Amidinine
B1 – Midiwane B2 - Tar Hani
C1 - Chatahat C2 - Ahoulaguine Akaline C3 - Takamba
D1 - Timtar D2 – Imajghane D3 - Chet Boughassa

Some Old Bullshit is a compilation album by the Beastie Boys released in 1994. It compiles several of their early EPs, recorded in the early 1980s. These recordings present a sound radically different from that of the hip-hop sound generally associated with the band. Instead, these songs represent the band's part in the early New York hardcore scene. The album also features taped segments originally heard on Noise the Show, a popular hardcore radio show on WNYU in New York that played early recordings from the Beastie Boys. These segments feature the hyperbolic introductions of Noise the Show's host, Tim Sommer, an early supporter of the band. 

1."Egg Raid On Mojo (Demo Version)” 2. "Beastie Boys” 3. “Transit Cop” 4. “Jimi” 5. “Holy Snappers” 6. “Riot Fight” 7. “Ode to…” 8. “Michelle’s Farm” 9. “Egg Raid on Mojo” 10. “Transit Cop (Demo Version” 11. “Cooky Puss” 12. “Bonus Batter” 13. “Beastie Revolution” 14. “Cooky Puss (Censored Version)” 

No Business: The PPX Sessions Volume 2 continues the documentation of Jimi Hendrix’s pre-Experience sideman work with the Harlem-based R&B combo. These twelve recordings were captured at Studio 76 in 1965 [as well as two controversial sessions in July and August 1967] and offer a fascinating glimpse of Hendrix’s genius in the years before—and during—his early success. It includes the 1965 demo of the first known Hendrix composition (“Working All Day”) and shiver-inducing guitar playing that hints at the genius to come. While not a Jimi Hendrix album the music is now under the control of Experience Hendrix, and thanks to them has been lovingly restored by legendary engineer Eddie Kramer for RSD Black Friday, giving fans the chance to enjoy these tracks in their proper historical context in a numbered, limited edition brown vinyl release.

Side A: “Gloomy Monday”, “Hush Now”, “No Business”, “Love Love
Side B: “UFO,” “My Best Friend (Takes 3/4/5)”, “How Would You Feel [Alternate]”, “Hornet’s Nest”, “I Need You Every Day”, “Suey”, “No Business [Demo]”, “Working All Day [Demo]”

Translucent purple vinyl release of remixes from The Weeknd's #1 album After Hours

1. Heartless Remix (ft. Lil Uzi Vert) 2. Blinding Lights (Chromatics Remix) 3. Save Your Tears (OPN Remix) 4. Heartless (Vapor Wave Remix) 5. After Hours (The Blaze Remix) 6. Scared To Live (SNL Live)

Limited edition colored vinyl pressing of the instrumental recordings found on Disc 2 of the 2020 Omnivore Recordings CD reissue of Orange Crate Art, originally released in 1995. 

“Orange Crate Art”, “Sail Away”, “My Hobo Heart”, “Wings of a Dove”, “Palm Tree and Moon”, “Summer in Monterey”, “San Francisco”, “Hold Back Time”, “My Jeanine”, “Movies is Magic”, “This Town Goes Down At Sunset” 

Verve Label Group is proud to launch a new vinyl series, Original Grooves, available exclusively on Record Store Day and RSD Black Friday.  Original Grooves showcases the vinyl cutting technique known as "parallel grooves”, where grooves are cut side-by-side instead of one after another, allowing for a different aural experience depending on where the needle is dropped.  The first of this series comes from five-time Grammy nominee Bettye LaVette, with hidden gems from Verve legends Billie Holiday and Nina Simone.  The Blues Hall of Fame legend deftly reinterprets the classics “Strange Fruit” and “I Hold No Grudge” on this 12” EP, with the original timeless versions “hidden” on the neighboring grooves.

SIDE A:
01) Strange Fruit (Billie Holiday) (3:12)
02) Strange Fruit (Bettye LaVette) (4:30)

SIDE B:
01) I Hold No Grudge (Nina Simone) (2:18)
02) I Hold No Grudge (Bettye LaVette) (6:12)

The Jahari Massamba Unit features Madlib on all instrumentation with the exception of drums, which are laid down by Karriem Riggins. Like Madlib, Riggins is well-versed in both the worlds of Jazz and Hip Hop. Musically, Madlib’s label says “we would call the project Spiritual Jazz, but jazz great Phil Ranelin told us to call it Black Classical Music, so that’s what we’re going with.”

This is an album put together by students of jazz in its myriad and historic corms who are also proponents of jazz’s future. The resulting recording reflects a lifetime of record collecting, musical study, woodshedding, and a reverential respect for one another’s craft. Regardless of categorization this is an exciting an all new entry in Madlib’s Yesterdays New Quintet canon of difficult-to-categorize music.

Pardon My French debuts on RSD Black Friday in an exclusive colored vinyl pressing.

SIDE A: 1. “Je Prendrai Le Romanée-Conti (Putain De Leroy)” 2. “Les Jardins Esméraldins (Pour Caillard)” 3. “Un Bordeaux Pré-Phylloxéra (Pour Le Riche Enculé)” 4. “Deux Fakes Jayers (Aussi Pour Le Riche Enculé)” 5. “Riesling Pour Robert” 6. “Du Morgon Au Moulin-À-Vent (Pour Duke)”

SIDE B: 1. “Trou Du Cul (Ode Au Sommelier Arrogant)” 2. “Etude Montrachet” 3. “Le Feu (Pour Belluard)” 4. “Merde (Basse-cour” 5. Inestimable Le Clos” 6. “La Closerie (Pour Prévost)” 7. “Hommage À La Vielle Garde (Pour Lafarge Et Rinaldi)”

Side A 1. Space Truckin'

Side B 1. Space Invader (Radio Edit) 2. Mission to Mars 3. Space Truckin' 4. Return Of The Space Bear (Bonus Track)

Continuing the series of Lou Reed re-issues for RSD Black Friday, is his critically successful 1992 Sire album Magic and Loss. Pressed as a double LP, featuring three sides of vinyl and an etching, exclusive released for RSD Black Friday 2020. (NME 10/10, Q Magazine 4*, Rolling Stone 4*)

The 1992 debut solo record from Grand Puba of Brand Nubian is remastered and comes to double colored vinyl for RSD Black Friday. 

“Check Tha Resume”, “360°(What Goes Around)”, “That's How We Move It”, “Check It Out”, “Big Kids Don't Play”, “Honey Don't Front”, “Lickshot”, “Ya Know How It Goes”, “Reel To Reel”, “Soul Controller”, “Proper Education”, “Back It Up”, “Baby What's Your Name?”, “360° (What Goes Around) (SD50 Remix)”, “Who Makes The Loot?”

With most of the members of Jefferson Airplane missing in action, Paul Kantner and Grace Slick holed up in a San Francisco studio in 1970 alongside a cast of West Coast rock ‘n’ roll legends including Jerry Garcia, David Crosby and Mickey Hart to cut what would become Kantner’s finest solo work, his rock space-opera, Blows Against The Empire. This 180g 50th anniversary edition LP is pressed on green marble vinyl for RSD Black Friday.

Side A: “Mau Mau (Amerikon)”, “The Baby Tree”, “Let’s Go Together”, “A Child Is Coming”
Side B: “Sunrise,” “Hijack”, “Home”, “Have You Seen The Stars Tonite”, “X-M”, “Starship”

Opaque Tan Indie Retail Exclusive. Philadelphia-based indie rockers, The Menzingers made great use of their free time during this summer's stay at home order by recording a "re-imagined" acoustic version of their brilliant 2019 album "Hello Exile." Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On From Exile, the band took their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, they ultimately maintain the irrepressible spirit that's always defined the band. These acoustic interpretations show once again how beautifully crafted these songs really are.

To celebrate the 30th anniversary of Alice In Chains debut studio album, Facelift, a standard black vinyl reissue with remastered audio will be released on November 13, 2020.  Not only did the album introduce the world to Layne Staley, Jerry Cantrell, Sean Kinney, and Mike Starr, it was also a pivotal album in the era of grunge music. Facelift has sold over 2 million copies in the US alone and includes the hits “Man in the Box,” “Bleed the Freak,” “We Die Young,” and “Sea of Sorrow.”

Double green and black vinyl LP pressing. 2020 release. Sigma Oasis is the 15th studio album by Phish. The album was recorded at their studio The Barn and was produced by the band and Vance Powell.

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

Detroit in the late 1990s was a scary and lawless place. Red lights were taken as a suggestion and gangs ran rampant in the city.

Enter The Wildbunch.

The band that later became the Electric Six got together in 1996 with a shared passion for high energy rock and roll music. Playing for years around local venues The Gold Dollar and The Old Miami, the group started to hit it big when they were forced to change their name to Electric Six after a rap group, The Wildbunch, threatened legal action. Their hit singles "Gay Bar" and "Danger! High Voltage" were two of the biggest hits of the garage rock boom, but the versions included on E6's 'Fire' album are the most well known.

During The Wildbunch's existence, they recorded one studio album, Rock Empire. Pressed on vinyl for the first time, and its first release since its local CD-R only release, this deluxe reissue features remastered audio and new inserts that chronicle the entirety of the group's existence, sure to excite garage rock fans along with fans of the Electric Six, who are still performing to sold out crowds today.

SIDE A
Don't Be Afraid of The Robot /Remote Control (Me) / Gay Bar / T.V. / Getting Into The Jam / Take Me To Your Leader / Animal Attraction / Dancing Like An Idiot / Synthesizer

SIDE B
I Am The Knife Naked Pictures (Of Your Mother) / RU Afraid Of The Devil? / I'm On Acid / Computer / Christian Radio Manchester / I Am Detroit / Honololu / I'm A Demon

First time on vinyl in decades.

“One of the best, most movingly evocative scores in Randy Newman’s long movie career… “ -All Music

“Warm-hearted and moving, this is one of the most treasured items in my film music collection.”  -Movie Wave

“…one of the finest in Newman’s canon.”   -Movie Music UK

Limited Edition  Pressed on custom blue vinyl

Back on vinyl for the first time in decades.

One of the 100 Scores Of All Time - Movie Music UK

"...one of the most defining, effective, and memorable sports scores of all time." -Filmtracks

Pressed on aqua blue vinyl.

A truly special two-sided picture disc featuring imagery unavailable elsewhere - one side features the cover art and the other, the floor of the Dark Crystal's chamber: a circle of 18 arcane symbols, one for each of the urSkeks that came to Thra during the first Great Conjunction.

Composer Daniel Pemberton reveals: “I wanted the music to be as magical as Thra itself – organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself, as well as using thematic large scale orchestral elements to bring an emotion to the journey of the characters.

There are two Dark Crystal picture discs being released for Record Store Day, with completely different track listings.

The 10 episode prequel to the groundbreaking 1982 fan favorite The Dark Crystal stars Taron Egerton, Star Wars’ Mark Hamill, Harry Potter’s Helena Bonham-Carter, Tomb Raider star Alicia Vikander and Outlander’s Caitriona Balfe.

SIDE A –
1. The Dark Crystal: Age Of Resistance – Daniel Pemberton 2. Another World, Another Time – Daniel Pemberton 3. Story Of The Dark Crystal – Daniel Pemberton 4. Rian + Mira Dreamfast – Daniel Pemberton 5. Aughra Awakes – Daniel Pemberton 6. The Crystal Chamber – Daniel Pemberton 7. Essence Draining – Daniel Pemberton
SIDE B –
1. What Lies At The Dream’s End – Daniel Pemberton 2. Together We Fight – Daniel Pemberton 3. The Blue Flames Part 1 – Daniel Pemberton 4. Deet In The Woods – Samuel Sim 5. Speak For The Dead – Daniel Pemberton 6. Brea And The Library – Samuel Sim 7. Her Light Faded – Daniel Pemberton

The first official Rolling Stones’ rarities collection, Metamorphosis, was originally released in June 1975 to try to outwit the bootleggers. The release combines legendary outtakes and rarities as well as the wealth of demos that Mick Jagger and Keith Richards composed for other artists, which were subsequently re-recorded by the Stones themselves. The collection includes an orchestrated version of “Out Of Time,” recently featured in Quentin Tarantino’s Once Upon a Time in Hollywood. The Record Store Day 2020 limited edition of the UK version of Metamorphosis will be released on hunter green vinyl and includes a full color exclusive iron-on t-shirt transfer of the album artwork, which alludes to Franz Kafka’s novella “The Metamorphosis,” the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect.

SIDE A –
1. Out Of Time 2. Don't Lie to Me 3. Some Things Just Stick in Your Mind 4. Each and Every Day of the Year 5. Heart of Stone 6. I'd Much Rather Be With the Boys 7. (Walkin' Thru The) Sleepy City 8. We're Wastin' Time 9. Try a Little Harder
SIDE B –
1. I Don't Know Why 2. If You Let Me 3. Jiving Sister Fanny 4. Downtown Suzie 5. Family 6. Memo from Turner 7. I'm Going Down

The much-anticipated, full-length debut album from Royal Horses, a South Mississippi-based Americana trio, featuring ten original songs recorded in New Orleans. Music critic Mik Davis has called the album a "stunning first chapter for the powerful trio." Released exclusively on 180g audiophile vinyl, each purchase comes with a free digital download that is not otherwise available on traditional music streaming sites. THIS TITLE IS CHAMPIONED BY T-BONES RECORDS & CAFÉ IN HATTIESBURG MS. IT’S AVAILABLE TO ALL STORES BUT WILL MOST LIKELY BE FOUND IN THAT REGION. 

1). Bottom of the Chart, 2). A Modern Man's Way to Improve, 3). Valley of the New, 4). Who Do You Know?, 5). There She Walks, 6). Leave a Light, 7). Call it War, 8). Rattlesnake Smoking a Cigarette, 9). Ruby Do, 10). BLD

This Record Store Day 2020 exclusive features tracks from acclaimed composer Ryuichi Sakamoto (The Revenant, The Last Emperor) heard in "Smithereens" - the second episode of the fifth series of the anthology series Black Mirror. The cover art showcases an original design from Sakamoto’s long-time collaborator, Alva Noto.

“meditation app”, “plot”, “this is my last day”, “hayley”, “prey”, “chain smoking addict”, “chase”, “reverse surface”, “closing in”, “countdown”, “retreat”, :flashback”, :gun is real”, “shot”, “degrade”, “car crash”, :this is my last day 2”, “release”

Surinam-born Sumy (real name Kenneth Sumter) started his musical career in the late ‘70s. During the early ‘80s Sumy signed a licensing deal with Philips for two singles, “The Funky '’G’ (Only Comes At Night)” and “Funkin' In Your Mind” and recorded and released an LP on his own label, Galaxy Records. The much-sought-after but very rare “Funkin' In Your Mind” 12” proto-funk/disco track with vocoder is remastered from the original tapes and available for Record Store Day. Indivdually numbered, and pressed on transparent blue vinyl.

Side A
1. Funkin' In Your Mind (Long version)
Side B
1. Funkin' In Your Mind (Short version)

Toto’s well-honed musical craftsmanship helped sell more than 40 million albums in their four decades together. In 1980, the band embarked on their first tour of Japan, forming a lifelong bond with fans in that country who adored their polished West Coast rock style. For the first time as a standalone release, the Live In Tokyo 1980 EP captures the original line-up of the band – vocalist Bobby Kimball, guitarist Steve Lukather, keyboardists David Paich and Steve Porcaro, bassist David Hungate and drummer Jeff Porcaro – performing four tracks from their then-new sophomore album Hydra (plus the unreleased track “Runaway”) during that historic trek. On red vinyl for Record Store Day 2020. 

1 “St. George And The Dragon” 2 “Mama” 3 “Tale Of A Man” 4 “White Sister” 5 “Runaway”

The Original 1987 Soundtrack. Newly Remastered For Vinyl Composed and Performed by Eric Clapton, Michael Kamen and David Sanborn Features Clapton on guitar on 9 tracks.

First time on vinyl!  - Contains repertoire recorded specifically for this chart-topping Platinum Soundtrack. Contains songs by Eric Clapton, Aaron Neville and Robbie Robertson, Peter Gabriel, Taj Mahal, Marvin Gaye, Jewel, The Iguanas, Bryan Ferry, J.J. Cale, Dorothy Moore and Thomas Newman

“…a cross-section of singer/songwriters, mellow blues, and synthesized soul-inflected pop.” -AllMusic

Limited Edition - Pressed on translucent cobalt vinyl

SIDE ONE
1. Eric Clapton “Change The World” 2. Bryan Ferry “Dance With Life (The Brilliant Light)” 3. Aaron Neville “Crazy Love”

SIDE TWO
1. Taj Mahal “Corinna” 2. Jewel “Have A Little Faith In Me” 3. Peter Gabriel “I Have The Touch” 4. Marvin Gaye “Piece Of Clay”

SIDE THREE
1. The Iguanas “Para Donde Vas” 2. Dorothy Moore “Misty Blue” 3. J. J. Cale “A Thing Going On” 4. Thomas Newman “The Orchard”

This RSD 2020-exclusive EP features music created for the 2020 horror/mystery film The Turning, directed bu Floria Sigsmondi. Only one song here (from The Aubreys, a band featuring Finn Wolfhard, who also stars in the film) is on the official soundtrack, and this EP features inspired tracks from Courtney Love, Empress Of, and a never-before-released song collaboration from David Bowie and Kristeen Young.

Kristeen Young (feat. David Bowie) "American Landfill", Courtney Love "Mother (Acoustic)”, SASAMI and Lawrence Rothman "Take It To The Grave", Dani Miller (of Surfbort) "Fentanyl Smoothie", Empress Of "Call Me (Acoustic)” , The Aubreys "Getting Better (Otherwise)”, Warpaint "Melting"

1. “Please Forgive Me” 2. “Please Forgive Me (Live Solo Version)” 3. “Please Forgive Me (Paul Hartnoll Remix)” 4. “Please Forgive Me (Bin Liner Remix)”

Following last year’s Humble Pie Official Bootleg Collection Volume 1 double LP comes the Official Bootleg Collection Volume 2, curating rare and previously (officially) unreleased live shows that were illicitly recorded between 1971 and 1981.

Emerging from the remnants of The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and began their ascent to conquering the theatres and then arenas of North America, culminating in 1972’s double live Performance: Rockin’ The Filmore album. Frampton left in 1971 for a highly successful solo career, replaced by Colosseum's Clem Clempson, and it was this line-up that was captured in New York in 1971, at one of Clem’s first shows with the Pie. The extemporisations of Performance: Rockin’ The Filmore became the basis for much of Humble Pie's live repertoire for the remainder of the 1970s, but this 1971 New York show does include their unique take on Eddie Cochran's 'C’mon Everybody' and 'I Wonder' from the soon to be released Smokin' LP.

Side Two finds the Pie backed up by the soulful vocals of The Blackberries--Venetta Fields, Clydie King & Billie Barnum==who appear on “Oh La-De-Da”, ‘” Don’t Need No Doctor” and “30 Days In The Hole.”

Humble Pie split in 1975 following their Street Rats LP, but not before Side Three’s Philadelphia show on March 15, 1975, featuring ‘Four Day Creep’ and ‘I Don’t Need No Doctor’.
The Pie would eventually reform for 1980's “On To Victory” comeback record, this time with a line-up featuring Bobby Tench from the Jeff Beck Group on guitar and vocals and bassist Anthony “Sooty” Jones.

Side Four from Privates Club, N.Y.C. on March 25, 1981 features the epic 23 minute take of ‘30 Days in the Hole’ / ‘I Walk on Gilded Splinters’.

Housed in a gatefold sleeve, with plenty of rare memorabilia, the booklet features an essay based on new interviews with Pie drummer Jerry Shirley.

SIDE ONE
ACADEMY OF MUSIC N.Y.C.: DECEMBER 3, 1971
1. FOUR DAY CREEP, 2. C’MON EVERYBODY, 3. THE FIXER, 4. I WONDER
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE TWO
MIDNIGHT SPECIAL, LONDON, BIBA WITH THE BLACKBERRIES: NOVEMBER 30, 1973
1. OH LA-DE-DA, 2. I DON’T NEED NO DOCTOR, 3. 30 DAYS IN THE HOLE
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass
The Blackberries:
Venetta Fields / Clydie King / Billie Barnum

SIDE THREE
PHILADELPHIA: MARCH 15, 1975
1. FOUR DAY CREEP, 2. STONE COLD FEVER, 3. C’MON EVERYBODY, 4. I DON’T NEED NO DOCTOR
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE FOUR
PRIVATES CLUB, N.Y.C.: MARCH 25, 1981
1. 30 DAYS IN THE HOLE / I WALK ON GILDED SPLINTERS
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Bobby Tench: Guitar & Vocals
Anthony “Sooty” Jones: Bass & Vocals

Infectious Grooves, the funk metal supergroup led by Suicidal Tendencies frontman Mike Muir, is back! Take You On A Ride (EP) features three unreleased tracks from 1995 along with their first newly recorded song in years. Infectious Grooves features bassist Robert Trujillo (Metallica), drummer Brooks Wackerman (Avenged Sevenfold), Dean Pleasants (Suicidal Tendencies), and other veteran players.  The EP comes on 12" transparent orange vinyl, mastered at 45RPM, exclusively for Record Store Day 2020.

“Funny Farm”/ “Payback’s A Bitch”/ “What Goes Up” / “Take You On A Ride”

Lil’ Kim’s first new album in fifteen years features Rick Ross, Musiq Soulchild, Rich The Kid, City Girls, and O.T. Genesis and now it’s been pressed on sky blue vinyl. 

SIDE A
1. Pray For Me (feat. Rick Ross & Musiq Soulchild), 2. Bag, 3. Catch My Wave (feat. Rich The Kid), 4. Go Awff, 5. Too Bad

SIDE B
1. You Are Not Alone, 2. Found You (feat. City Girls & O.T. Genasis), 3. Auto Blanco, 4. Jet Fuel, 5. Spicy (feat. Fabolous)

First time on vinyl!

Aside from Knopfler’s silky score, the album contains tracks from Dire Straits, Elvis Costello, Francoise Hardy, The Stranglers, Hot Chocolate and Django Reinhardt.

“…nicely evokes the picture’s wistful, nostalgic atmosphere.” -All Music

Limited Edition - Pressed on clear vinyl

Maroon 5's hit single "Memories" & the Dillon Francis remix on 7" vinyl. Release Includes photo booklet.

“Memories”/”Memories (Dillon Francis remix)”

Out of print since its original release in 2013, this RSD release is pressed on red and white vinyl, hand-numbered and includes an exclusive poster. 

A01. Oath Of The Abyss, A02. Ruthless, A03. Desperate Times
B04. Winter Kills, B05. The Appetite, B06. Gutted
C07. Curses And Epitaphs, C08. Caring's Overkill, C09. Haunting Refrain
D10. Tripping Over Tombstones, D11. Sail (Awolnation cover), D12. Shudder (Bonus Track), D13. Back Down To The Grave (Bonus Track)

Legendary garage rockers The Fleshtones have been pumping out hits for over four decades, earning them the honor of being "America's Garage Rock Band." They're one of the final remaining original CBGB bands, they've played on Andy Warhol's short-lived MTV show while Sir Ian McKellen read Shakespeare over their jamming, and were the last band to publicly perform at the World Trade Center's Windows on the World. However, what's most incredible about The Fleshtones is that they're putting out some of their best music forty years into their career, as evidenced by their new album Face of the Screaming Werewolf. Featuring soon-to-be-hits done in the inimitable Fleshtones style, such as "Alex Trebek," "Spilling Blood at the Rock & Roll Show," and their cover of the Stones' classic "Child of the Moon."

1. Face of the Screaming Werewolf, 2. Alex Trebek, 3. Spilling Blood (at the Rock & Roll Show), 4. Child of the Moon, 5. Manpower Debut, 6. Swinging Planet X, 7. You Gotta Love, Love, 8. Violet Crumble, Cherry Ripe, 9. Waiting on a Girl, 10. The Show Is Over, 11. Somerset Morning

Born Jayceon Terrell Taylor, two-time GRAMMY® Award-nominated multiplatinum Compton rapper, songwriter, producer, actor, and entrepreneur The Game locked down a place in the pantheon alongside greats of both coasts with a combination of bar-for-bar bravado, provocative observation, hard-hitting hooks, and sharp introspection. And now the prolific rapper returns with his ninth album, fittingly titled Born 2 Rap. Pressed on Red, White and Blue triple vinyl for Record Store Day, marking the album’s vinyl debut. 

LP1
Side A
Intro. City of Sin (feat. Ed Sheehan), 1. No Smoke (feat. Travis Barker & Miguel), 2. Five Hundred Dollar Candles (feat. Dom Kennedy), 3. The Light, 4. Carmen Electra (feat. Mozzy, Osbe Chill & TOBi)

Side B
5. Dead Homies (feat. Red Café), 6. Gold Daytonas (feat. Dom Kennedy), 7. West Side, 8. 40 Ounce Love (feat. Just Liv)

LP2
Side C
9. Gucci Flip Flops, 10. Born 2 Rap, 11. Welcome Home (feat. Nipsey Hussle), 12. Interlude. Help Me (feat. Sly)

Side D
13. I Didn’t Wanna Write This Song (feat. Marsha Ambrosius), 14. The Code (feat. 21 Savage), 15. Stay Down (feat. Bryson Tiller), 16. Hug The Block

LP3
Side E
17. Ask For Me, 18. Stainless (feat. Anderson .Paak), 19. Gangstas Make The Girls Go Wild (feat. Chris Brown), 20. Blood Thicker Than Water (feat. Trey Songz)

Side F
21. Rewind II, 22. One Life (feat. J Stone & Masego), 23. Cross On Jesus Back (feat. D Smoke),  24. Roadside (feat. Ed Sheeran)

1978 was a banner year for Dexter Gordon. Maxine Gordon (then Gregg) had started to manage his career and proved to be a one-woman tour de force. In signing with Columbia boosted his career. He moved to New York, forming and grooming his own band all at age 52! The wonderful quartet included George Cables on piano, Rufus Reid on bass, and Eddie Gladden on drums. This November 1978 concert at the Châteauvallon Jazz Festival highlights Dexter's joyous and fiery mood, peppering his solos with outrageous quotes from other songs.

Pressed on 180-gram vinyl for the first time.

SIDE A – Tangerine
SIDE B – More Than You Know

The Young Fresh Fellows are back with an electric new toaster, Toxic Youth.  Remember their 1989 anthem “Two Guitars Bass & Drums”?  Well, nothing has changed, except for everything.  Hopes have been dashed, but the men still love music.  Subtitled Back To The Egg, the Fellows return to where it all began, with one last roundup at the infamous Egg Studios, Seattle WA, produced once again by Conrad Uno (who also struck gold with The Presidents Of The United States Of America).  When heard that Uno was closing up his studio and retiring from the limelight, the band grabbed a last weekend to record a couple songs (they had THREE in various shape of decomposition).  A couple days later there were 17 tracks, of which 12 were deemed PERFECT.  'Gear Summer 2013' is Everything-Is-Falling-Apart-In-Three-Minutes, and was planned to be a smash summer single ' in 2013 (amazingly, things have gotten worse).  The Buzzcocks and Rezillos concur.  'Never Had It Bad' heralds the spring with blue jays and more sad punk-pop problem-solving, Ramones-style.  And don't miss the heart-rending saga of a rock and roll band(s) (#47 in a series) 'Bleed Out'.  Pressed on "toxic" transparent green vinyl.

1. November 2. Never Had It Bad 3. Gear Summer 2013 4. Becky Doll 5. Black Boots 6. Alien Overlord  7. Alone In A Bus 8. Young Mod's Last Ride 9. She's By Request  10. Fugitive Arise 11. Astondale 12. Bleed Out

In 1988, Frank Zappa released the first installment of You Can’t Do That On Stage Anymore, a 6 volume series (12 discs total) consisting of hand picked live performances from his legendary Vault. The series was intended for CD, a relatively new medium at the time. Since vinyl & cassette were still considered the main formats, FZ created this sampler to promote the project & provide motivation to embrace the CD series. The material for the sampler was culled from tracks ranging from 1969 to 1984. The original ‘88 vinyl was mastered by Bernie Grundman. This 2020 collector’s edition is again mastered by Bernie from the original 1630 Digital Master & pressed on 180gram individual red & yellow transparent vinyl by Pallas in Germany.

LP1 / SIDE A – 1. Plastic People, 2. The Torture Never Stops
LP1 / SIDE B – 1. Montana (Whipping-floss), 2. The Evil Prince, 3. You Call That Music?
LP2 / SIDE A – 1. Sharleena, 2. Nanook Rubs It
LP2 / SIDE B – 1. The Florida Airport Tape, 2. Once Upon A Time, 3. King Kong, 4. Dickie's Such An Asshole, 5. Cosmic Debris

The first vinyl release for their massive 2003 single. 

SIDE A
1. Needy Girl (Zdar Dub) 2. Needy Girl (Paper Faces Remix) 3. Needy Girl (Album Version)

SIDE B
1. Needy Girl (Lifelike Remix) 2. Needy Girl (Bloc Party Remix) 3. Needy Girl (Instrumental)

Acclaimed Malian rock band Songhoy Blues are back with their most important album to date, Optimisme (French for optimism) coming out October 23^rd on Fat Possum Records. 

Limited 180gm vinyl LP pressing housed in a gatefold jacket. Nico is the third studio album by American rock band Blind Melon, released in 1996 by Capitol Records. The album was released after lead singer Shannon Hoon's cocaine overdose that resulted in his death in 1995. The album was named for his daughter, Nico Blue, and the proceeds arising from album sales were placed in a college trust for her. It features unreleased tracks, recordings started by Hoon and finished by the band, unreleased versions of previous songs ("No Rain" and "St. Andrew's Hall") and the cover songs "The Pusher" (Steppenwolf) and "John Sinclair" (John Lennon).

Limited 180gm vinyl LP pressing housed in tip-on jacket with soft touch finish. Louisiana delta native Huddie "Lead Belly" Ledbetter is the master of twelve-string blues guitar. His story is one of high-highs and low-lows, from serving stints in prison after killing a man in a fight for a woman's heart, but then eventually earning early release by entertaining his fellow prison-mates and penning a song for the governor, thus cementing his reputation of singing his way out of prison. Folklorists John and Alan Lomax were early supporters that brought Lead Belly to the attention of Ivy Leaguers as well as a European audience. His songs have been widely covered by artists such as Elvis, Nirvana, Johnny Cash, and the Grateful Dead.

Albert Ayler's 1969 album New Grass has been misunderstood from the day of it's release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before - that it is of 'a different dimension of his life' - in the album opener 'Message from Albert.'New Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for it's bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own. At the time of it's release, despite it's divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R&B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth and Mark E. Smith.Third Man Records can't recommend this record highly enough. We are confident that it won't take but one listen for you to understand New Grass is an undeniable healing force.

Limited 180gm vinyl LP pressing housed in tip-on jacket with soft touch finish. Blues fingerpicking guitarist, singer and sharecropper Mississippi John Hurt was born in the heart of Mississippi Hill Country, along the veiny tributaries of the great American river. His moving renditions of "Frankie" and "Spike Driver Blues" were included in Harry Smith's American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s as well as John Fahey's development of the American Primitive Guitar genre.

Black Friday marks a new era of availability for The White Stripes pivotal double LP Get Behind Me Satan. Previously released for the first time commercially on Record Store Day 2015 on red and white vinyl in celebration of its 10-year anniversary, the record has never (yes, that’s right — NEVER) been available commercially on black wax. This new era we’re ushering in means you can listen to “Blue Orchid” and “My Doorbell” on repeat without worrying about wearing out your precious colored grooves… this record will remain in print in perpetuity and will always, always, always be available from November 25th on into the great unknown. This double LP includes an MP3 download code as well as the same newly-created inner artwork featured on the 2015 limited edition.

Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.

Available again with updated artwork and a new gatefold sleeve!Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album's opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he's inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: "Revulsion / We Reach" flows forward slower and slower until it eventually melts into a gooey feedback drone. "Raise a Paw" is a superball paddled against one's head by a grinning village idiot. "Love Thing" enlists in the Kiss Army before getting dishonorably discharged.

Vinyl LP pressing. In 1984, Spacemen 3 made their first-ever recording session and sold a few cassettes at now-legendary, incendiary gigs. Growing out of the dual guitar attack of Jason Pierce and Pete Kember, the band's three-piece line up with Natty Brooker on drums offered a liturgical take on '60s psychedelia, bare-knuckle blues and stunning feedback. This early glimpse into the Spacemen 3 cosmos-crafted by and for all the fucked-up children of this world-captures the band's unorthodox approach to rock 'n' roll with nuance and power. While the raw atavism of "Things'll Never Be The Same" and "Walkin' With Jesus" would be scaled back considerably on later recordings, the one-chord propulsion of "T.V. Catastrophe" and hardwired stomping of "Fixing To Die" draw from a primitive force that served as the impetus for the group's formation. For All The Fucked-Up Children remains the perfect introduction to Spacemen 3. Not only do these demos reveal the auspicious beginnings of two teenagers born on the same day in Rugby, England, but also compelling clues that point toward the exploration and eventual refining of their signature sound.

The fall of 1981 found the Washington, DC punk scene in one of the first of many fallow periods when a number of active bands broke up at the same time. SOA, Minor Threat, Red C and the Untouchables had all split, and a number of the musicians reorganized. Mike Hampton and Ivor Hansen from SOA formed a new band with Alec MacKaye of the Untouchables singing and another Wilson High School kid, Chris Bald, on bass. They called themselves the Faith and played their first show at H.B. Woodlawn High School in November '81. At the end of 1982, Eddie Janney (also a former member of the Untouchables) joined Faith as a second guitarist and six months later they recorded the Subject to Change 12-inch EP. Though clocking in at less than 14 minutes, this record was hugely important, not only to the people in DC but to others around the country and the world that were interested in the music emerging from the nation's capitol. On Subject to Change, Faith introduced a layered, melodic approach that would blossom fully in later Faith-related bands like Rites of Spring and Embrace. Unfortunately, by the time anybody heard Subject to Change, the band was no more. Interpersonal strife proved too much and they played their last show in August 1983. The record was released posthumously four months later. While Minor Threat is often held up as the preeminent DC band of the early years, for many of the locals it was the Faith with whom they felt the strongest connection. For this reissued edition of Subject to Change, Dischord has expanded the release from it's original EP format into a full-length with the addition of eleven tracks from the band's first demo recorded in 1981 at Inner Ear Studios.

When we last heard from Guided by Voices, they had released an astonishing four albums in just over 12 months. Each has a distinctive creative identity: Zeppelin Over China was a meat-and-potatoes double album, Warp And Woof was a return to the band's low-fidelity roots and under-two-minute earworms, Sweating The Plague was a slice of moody stadium rock, and Surrender Your Poppy Field was an unpredictable grab-bag of all of the above. After venturing through the tangled brambles of Plague and Poppy Field, here is a sunny summer reprieve, a relentless barrage of hooks-Mirrored Aztec is the latest stop on this runaway train. Like it's immediate predecessors, Mirrored Aztec is both it's own entity and unmistakably GBV. It's also their most immediately welcoming and inviting offering in years-there's nothing a fan of The Who, Big Star, or Wire, wouldn't love. For the GBV uninitiated, the clean, confident hooks of highlights "Bunco Men," "Haircut Sphinx," "A Whale Is Top Notch," "Party Rages On" and the strummy "To Keep An Area" will resonate immediately. It also contains some unprecedented GBV moments, too, like "Math Rock," an apparent tribute to the titular subgenre featuring classroom instruments and a children's choir, "Please Don't Be Honest," a dreamy reversal of the band's 2016 song and album Please Be Honest, and "Thank You Jane," perhaps the most open-hearted, guileless power-pop song from Pollard's pen in ages.If Pollard's discography-107 albums and counting-seems intimidating, do not fear! With a brand-new, high-quality, all-the-way-there album every several months, it's abundantly clear that no band's fanbase has more fun.

Carolina Confessions features 10 brand-new songs, all written by Marcus except for 'How Long,' which was co-written with the Black Keys' Dan Auerbach and veteran songwriter Pat McLaughlin. Whether it's the searing rock exorcism of 'Confessions' or the propulsive road-bound soul of 'Where I'm Headed,' Marcus exhibits an almost Southern gothic sensibility in his songs, owning up to failed relationships, portraying his complex connection with his hometown, arraying a sprawling musical firmament in the process.

Marcus and his five bandmates - drummer Jack Ryan, bass player Stephen Campbell, trumpeter/trombonist Justin Johnson, sax player Dean Mitchell and keyboard player DeShawn 'D'Vibes' Alexander - are in top form on Carolina Confessions, exhibiting an intuitive sense of control and expression as they tackle their most sonically layered and emotionally complex compositions to date.

Black vinyl. 180g.

The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

Translucent tan color vinyl.

This RSD 2020 release brings together rare tracks, some unreleased, spanning 50+ years of the Canned Heat archives, on translucent blue vinyl with liner notes from Fito de la Parra.

Side A: 1. “Looking For A Party” 2. “Reefer Blues” 3. “Drunk” 4. “Harry's Open Pit & Barbeque” 5. “Bullfrog Blues”

Side B: 1. “Boogie Music” 2. “I Hear You Knocking” 3. “Saturday Night Fish Fry” 4. “No Mo Do Yakamo” 5. “House of Blue Lights” 6. “Sloppy Drunk”

In 2013, Chris Smither returned to his hometown of New Orleans to record a retrospective of his five-decade career with an all-star band including the legendary Allen Toussaint. The sessions were especially productive, resulting in the double CD release Still On The Levee in 2014. There were more than a dozen songs that couldn't fit on the original release, and they are collected here on More From The Levee. This is Chris Smither's first vinyl release since the ‘70s.

Side A: 1. Lonely Time 2. Confirmation 3. Drive You Home Again 4. I Am The Ride 5. What I Do
Side B: 1. Let It Go 2. Hey Hey Hey 3. Caveman 4. Old Man Down 5. Father's Day

Jimmy Buffett’s first new studio album since 2013, Life On The Flip Side, now available on vinyl. The double LP set features 14 all new tracks and is housed in deluxe gatefold packaging. Includes a collectible book with exclusive content like lyrics, special photos from Jimmy's collection, his stories behind the songs and more.

The members of the band mostly just call it jazz, or "hot music," or, when they're feeling naughty, "race music" -- a term that dates back to the1920s and '30s, when major record labels released jump blues and hot jazz singles under special subsidiary imprints with names like Okeh and Sepiatone. It's music that doesn't really have a name anymore, yet everyone recognizes it and loves it. This wasn't the album that made the Squirrel Nut Zippers a household name (that honor goes to Hot, the follow-up), but it sure could have if given the chance. An instrumental with the pitch-perfect title of "Lugubrious Whing Whang," cover versions of "You're Drivin' Me Crazy" and "I've Found a New Baby," originals like "Lover's Lane," and the absolutely hair-raising "La Grippe" -- these are not just labors of love by dewy-eyed nostalgists. The SNZs have taken this music and appropriated it entirely, without a trace of irony or condescension. The result is magnificent.

First ever vinyl release for the album.

1. Lovers Lane 2. Danny Diamond 3. I've Found A New Baby 4. Anything But Love 5. Good Enough For Granddad 6. Wished For You 7. La Grippe 8. Lugubrious Whing Whang 9. Club Limbo 10. Wash Jones 11. You're Drivin' Me Crazy 12. Plenty More

Pre-GWAR mayhem. This is the band that started it all. Before he became Oderus Urungus, Dave Brockie fronted Richmond VA art-punk weirdos Death Piggy. All three of their EPs are combined here with unreleased and compilation tracks on 180g green vinyl with experimental etchings, remastered from the original tapes and with liner notes written by the band's guitarist Russ Bahorsky. First American vinyl pressing in over 30 years.

BONUS DOWNLOAD CONTENT WITH PURCHASE: 20 minute never-before heard live improv acoustic set from 1984, recorded as the band surprised business owners and pedestrians on the street with an impromptu performance.

SIDE A
1 G-O-D Spells God 2 Splatter Flick 3 Eat The People 4 Fat Man 5 Nympho 6 Bathtub In Space 7 No Prob, Dude 8 Mangoes & Goats 9 Welcome To The Record 10 Boner 11 Showbiz 12 Dinner In The Morning

SIDE B
1 Whippin' Around The Bay 2 Ceramic Butt 3 Poet 4 Ground "B" Sound 5 Joey Died Today 6 Minute 2 Live 7 Scabs (UNRELEASED 8 Ewoks (UNRELEASED) 9 Fear Of Murder (RARE)

-BONUS-
20 minute live improv acoustic set from 1984, captured as the band surprised business owners and passerby on the street by showing up unannounced with their instruments. (ONLY AVAILABLE WITH THE DOWNLOAD OF THE ALBUM, INCLUDED WITH THE PURCHASE OF THE LP)

1. Hey, It's Okay 2. Jeff Slater 3. You Can Eat Dinner If You Want To 4. Something In A / The Day After The Music Died 5. Jingle Bells / Leprosy 6. Purple Haze

Freshly unleashed from the vaults of Desco Records and remastered for the first time since its 1998 release, it is an honor to announce the re-release of one of the finest and most satisfying needle drops of the last 40 years. An album that needs no introduction, yet one is required...we're talking raw soul and heavy, heavy funk sung with aplomb by one of the best in the biz...Ladies and Gentlemen...Presenting! the Lee Fields' classic, Let's Get a Groove. And groove you shall, for this is supernova of soulful superiority. This album will feature an exclusive green splatter vinyl, and has been out-of-print for over a decade.

SIDE A: 1. Intro By Mr Fields 2. Let's Get A Groove On 3. Watch That Man 4. Hey Sallie Mae (Get Off My Feet) 5. Let A Man Do 6. What He Wanna Do 7. All By Myself SIDE B: 1. Put It On Me 2. Take It Or Leave It 3. Steam Train 4. I'm A Millionaire 5. Bad, Bad, Bad

Jalacy J. Hawkins, better known as Screamin' Jay Hawkins, was born on July 18, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R&B and jazz, using macabre stage props, absolute wildman persona and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit ''I Put A Spell On You,'' which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin' Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.

Recorded in 1969, years following his big hits, Screamin' Jay Hawkins' third album What That Is! showcases Hawkins in one of his most rowdy and compelling stages of his artistic career. With a killer backing band featuring the great Earl Palmer on drums for most of the cuts and Herb Ellis guesting on a few. We find Jay singing about life, love and loss as well as feasting Mau Maus and pain, REAL PAIN.

From the album notes- ''Producer's Note: This album was recorded live at the Club Amigo in North Hollywood on June 23rd and 24th, Nineteen Hundred and Yesteryear, and is dedicated to President Nixon, whose efforts to recapture the era of the early 50's do not pass unnoticed.'' We debated swapping out Presidents' names. Jay would have liked that.

LIMITED Fluorescent Orange colored vinyl exclusive to RSD
Packaging: Direct-to-board LP jacket, 180g vinyl

A1. What That Is! A2. Feast of the Mau Mau A3. Do You Really Love Me? A4. Stone Crazy A5. I Love You A6. Constipation Blues
B1. I'm Lonely B2. Thing Called Woman B3. Dig! B4. I'm Your Man B5. Ask Him B6. Reprise

Mannequin Records celebrates 40 years of Nocturnal Emissions with a white vinyl reissue of their first album, Tissue Of Lies, originally released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminiscent of early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz.

The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early '80s, Nocturnal Emissions hit London with a barrage of seminal funk pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Nocturnal Emissions have since been credited as a catalyst for a generation or two of sound workers. However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.

01. “When Were You Last In Control Of Your Dreams And Aspirations?” 02. “You Tempt Me” 03. “Limited Holocaust Engagement” 04. “Down The Sink” 05. “Shrubbish Factory” 06. “Slow Decay” 07. “Faith Invaders” 08. “Backwards Man - Regressive Music”

FIRST TIME EVER RELEASE FOR THE COMPLETE ALTERNATIVE SOUNDTRACK TO THE GROUP’S SEMINAL 2001 VIDEO COLLECTION BRILLIANT STUDIO RE-INTERPRETATIONS OF CLASSIC MATERIAL, INCLUDING ‘HELLO SKINNY’, ‘CONSTANTINOPLE’, ‘THIS IS A MAN’S MAN’S MAN’S WORLD’, THE ‘ONE MINUTE MOVIES’ AND MORE 2LP SET PRESSED ON ORANGE AND YELLOW VINYL AVAILABLE IN LIMITED QUANTITIES WORLDWIDE

Released to mark the turn of the new millennium in 2001, the “Icky Flix” DVD showcased The Residents’ award winning videos in glorious technicolor. To accompany those icky old films, the group also produced brand new recordings of each of the twenty songs, providing an alternate new soundtrack to some otherwise ancient visual material.
Inspired in places, plain ridiculous in others, “Icky Flix – The Original Soundtrack Recording” now brings together those Residential classics in their unedited entirety, as reworked by the group and singer Molly Harvey in the year 2000.
Familiar to fans, enticing to the curious and just too damn weird to everybody else, this is The Residents up to their old tricks again, reworking some of their favourite old tunes in their own style. Whether or not some members of the group ever realised they’d recorded the originals of those tunes in the first place is anybody’s guess.
Available exclusively for Record Store Day 2020, on coloured vinyl and in limited quantities worldwide.

SIDE A
1. ICKY IN?, 2. THE THIRD REICH & ROLL, 3. CONSTANTINOPLE, 4. HELLO SKINNY, 5. KICK A PICNIC, 6. MOISTURE, 7. ACT OF BEING POLITE, 8. PERFECT LOVE, 9. SIMPLE SONG, 10. SONGS FOR SWINGING LARVAE
SIDE B
1. WHERE IS SHE?, 2. VILENESS FATS (CONCENTRATE)
SIDE C
1. THIS IS A MAN'S MAN'S MAN'S WORLD, 2. STARS AND STRIPES FOREVER, 3. HARRY THE HEAD, 4. JELLY JACK THE BONELESS BOY, 5. THE GINGERBREAD MAN (CONCENTRATE)
SIDE D
1. HE ALSO SERVES, 2. BAD DAY ON THE MIDWAY (CONCENTRATE), 3. JUST FOR YOU (DISFIGURED NIGHT PART 7), 4. BURN BABY BURN, 5. ICKY OUT!

The Palace at 3AM is the first (and only) collaboration between the late Jay Bennett and his songwriting partner, Edward Burch.  After fronting Minneapolis legends Titanic Love Affair from 1994-2001 Bennett was a key member of the band Wilco, often co-writing songs on the band's early releases with Jeff Tweedy.  The power struggle was well documented in the Wilco documentary I Am Trying To Break Your Heart in which Bennett was fired as the cameras rolled.  The band was working on Yankee Hotel Foxtrot at the time.  Bennett immediately teamed up with Burch and The Palace at 4am was released on the same street date in 2002 as Yankee Hotel Foxtrot.  Hardcore Wilco fans loved the release and immediately started making comparisons on who was the real 'genius' of Wilco, Bennett or Tweedy. Bennett passed away suddenly in 2009 and with the blessings of his family, ten years after his death Schoolkids Records has teamed up with Edward Burch to release The Palace at 4am for the first time ever on vinyl for RSD 2020.  The album also includes the track "My Darlin'" which was also on Wilco's Yankee Hotel Foxtrot, re-recorded by Bennett for this release. Limited edition cloudy clear vinyl, 2xLP gatefold. Download card included

1. Puzzle Heart 2. Talk to Me 3. Whispers or Screams 4. Shakin' Sugar 5. C.T.M. 6. Drinking on Your Dime 7. My Darlin' 8. No Church Tonite 9. Fireworks 10. Forgiven 11. Like a Photograph 12. Venus Stopped the Train 130 California 14. Little White Cottage 15. It Hurts

A re-issue of The Black Crowe’s “Jealous Again” 12” vinyl single to celebrate the 30th anniversary of the iconic Shake Your Money Maker album.  Features the hit single “Jealous Again” on Side A, backed with “Waitin’ Guilty” and “Thick N’ Thin” on Side B.

SIDE A –
1. Jealous Again (Album Version)
SIDE B –
1. Waitin’ Guilty 2. Thick N’ Thin (Album Version)

Founder Marie Daulne's mixed cultural roots--Walloon and Bantu (Belgian and Pygmee)--were the stimulus for her musical creation. After studying with the Bantu and in Europe, she organized Zap Mama as an instrument to meld a synthesis of these previously separate traditions. She instantly stood the vocal world on its head by mixing multiple musical styles, performing them with a group of women who created such rhythmic wonder that everyone sat up and took notice. This, their first release, has many tunes with Pygmee yodel and chant, a 16th century Spanish song, a Cuban song, and elements of Syrian songs. It was the first World Music 'hit' selling over 200,000 copies in the US alone. Available for the first time on vinyl. And on magenta splatter color vinyl too!

1. Mupepe 2. Bottom 3. Brrlak! 4. Abadou 5. Take Me Coco 6. Plekete 7. Mizike 8. Babanzele 9. Din Din 10. I Ne Suhe 11. Guzophela 12. Nabombeli Yo 13. Marie-Josee 14. Ndje Mukanie 15. Son Cubano

Four tracks of previously unreleased Don Cherry material, including three new compositions. 

SIDE A: 1. The Ambassador from Greenland 2. You Took Advantage of Me SIDE B: 1. Priceless 2. Nigeria

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.

Long acknowledged as Americas premiere folk guitarist, Arthel Lane Doc Watson was born in what was then the tiny rural community of Deep Gap, North Carolina in the heart of the Blue Ridge mountains on March 3, 1923. Surrounded by music and musicians, Doc and his siblings grew up listening to hymns, murder ballads and down home string band music, all of which would later find places in his own repertoire. In 1953, Doc formed a honky tonk dance band with pianist Jack Williams called Jack Williams and his Country Gentlemen. Their repertoire consisted primarily of rockabilly, country and western, pop standards and square dance tunes, and Doc played electric guitar in this ensemble. To fill occasional square dance requests, Doc learned to flatpick fiddle tunes on the guitar, as Joe Maphis had done in the 1930s. Unlike his contemporaries Chet Atkins and Merle Travis, who started their professional careers playing acoustic guitars and later switched to electric, Doc began on electric and later made the transition to acoustic with the advent of the folk revival of the Sixties. Although he continued to work with Williams playing country and pop music, Doc never stopped playing traditional mountain music with his family and friends at home. These included Clarence Tom Ashley, Docs father-in-law Gaither Carlton, and two other neighbors, fiddler Fred Price and guitarist Clint Howard, all of whom would travel and record with Doc in the future. It was in these comfortable home surroundings that Doc was first discovered and recorded by folklorist Ralph Rinzler and collector and discographer Eugene Earle, who were on a collecting trip through North Carolina looking for traditional artists to record. Once these field recordings were released, as Old Time Music at Clarence Ashleys Vol. 1 (and later Vol. 2) on Folkways Records, Docs reputation grew, and he soon began playing for enthusiastic urban audiences farther from home.

Strut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. Covering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973. By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis. After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time. In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.

Features the original "11 Outlined Epitaphs" insert. This LP is the MONO version. The Times They Are a-Changin' is the third studio album by American singer-songwriter Bob Dylan, released on January 13, 1964 by Columbia Records. Produced by Tom Wilson, it is the singer-songwriter's first collection to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s. Some critics and fans were not quite as taken with the album as a whole, relative to his previous work, for its lack of humor or musical diversity. Still, The Times They Are a-Changin' peaked at #20 on the US chart, eventually going gold, and belatedly reaching #4 in the UK in 1965.

Exquisite set of cover songs by Nashville-based Sunshine Pop band, “The Explorers Club”. Ten-song-set is chock full of hits, misses and other delights from the 1960s. Album features guest vocals by former Barenaked Ladies front man Steven Page, and Drive-By Truckers member, Jay Gonzalez. Three previous albums: “Freedom Wind” (2008), “Grand Hotel” (2012) and “Together” (2016) and of course their “self-titled” album (2020) which is being released around the same time as “To Sing And Be Born Again”. Brainchild of Charleston, SC native Jason Brewer, the only constant “member” of The Explorers Club over the band’s lifespan Brewer re-unites with Freedom Wind and Grand Hotel producer, Matt Goldman (Copeland, Underoath, Smalltown Poets, etc). New contributors to this set include Shane Tutmarc (Dolour, Sean Nelson,) Page and Gonzalez, as well as vocals from former Explorers Club member Wally Reddington and past contributor Brian Langan Brewer, Tutmarc, and Goldman recorded most of

Al Green's first release for Hi Records, celebrating its 50th anniversary with a special split green/blue 180g vinyl release, with liner notes and a tip-on jacket. Available first at record stores for Record Store Day 2020. 

1. “One Woman” 2. “Talk To Me” 3. “My Girl” 4. “The Letter” 5. “I Stand Accused” 6. “Gotta Find A New World” 7. “What Am I Gonna Do with Myself?” 8. “Tomorrow's Dream” 9. “Get Back Baby” 10. “Get Back” 11. “Summertime”

John Prine's fourth studio album Common Sense was produced by Steve Cropper and was recorded at Ardent Studios in Memphis and Larabee Studios in Los Angeles. The album features contributions from Bonnie Raitt, Glenn Frey, Jackson Browne and Steve Goodman. Bassist Donald "Duck" Dunn, who played in Booker T and the MGs with Cropper, plays on "Forbidden Jimmy" and "Saddle In The Rain". Limited 180 gram vinyl LP pressing.

Debut album.

Originally released in 1984, Pop is the only studio album from Tones On Tail, a side project of Bauhaus members Daniel Ash and Kevin Haskins along with Glenn Campling. It's been out of print since the original pressing. This edition has revised artwork with silver foil text on the cover. The audio was cut from the original analog master.

SIDE A: 1. “Lions” 2. “War” 3. “Happiness” 4. “The Never Never (Is Forever)” 5. “Performance” SIDE B: 1. “Slender Fungus” 2. “Movement of Fear” 3. “Real Life” 4. “Rain”

To celebrate Record Store Day 2020 Pink Floyd release a live recording of the band’s first single, original singer and songwriter Syd Barrett’s best-known song, “Arnold Layne”.  The limited-edition, one-sided Record Store Day 7” represents the last live performance of the song by Pink Floyd with David Gilmour, Nick Mason and Richard Wright, all together in 2007. This special performance of “Arnold Layne” took place at the Syd Barrett Tribute Concert at The Barbican on 10 May 2007, with Pink Floyd members augmented by Jon Carin on keyboards and vocals, and Andy Bell from Oasis on bass guitar. After a star-studded line-up throughout the evening, Pink Floyd took to the stage for an incredibly emotional finale.  The B-side features an etching that echoes the sleeve and the song’s lyrics.

A: “Arnold Layne (recorded live at the Barbican Centre, London at the Syd Barrett Tribute Concert, 10th May 2007)”
B: Exclusive new etching

Refused's Maida Vale in-studio session for BBC Radio 1's 'Rock Show With Daniel P Carter', pressed on crystal clear vinyl, exclusively for Record Store Day 2020. Includes track "Economy Of Death", available for the first time here.

SIDE A –
1. REV001 2. Malfire 3. I Wanna Watch The World Burn
SIDE B –
1. It’s Not Okay / Rather Be Dead 2. Economy Of Death

Bass legend Mike Watt has a resume that is hard to top, with credits including the Minutemen, fIREHOSE, and the Stooges, among many others. Raymond Pettibon is an award-winning visual artist and one of the most prominent cover artists around. Together they are Sock-Tight, a band from the past for the future. Two friends with different working and communication patterns, united in the belief that culture and art are meant to be a social act and in the hands of all people. Sock-Tight's first full length album is due out for Record Store Day 2020. The jacket, which features artwork from Raymon Pettibon, is reason enough to pick up a copy.

All the Weird Kids Up Front (Más Rolas Chidas) is a fan-selected companion piece to Everything Hits At Once: The Best of Spoon. With a tracklist submitted by and voted on by fans, it features deep cuts from the Austin, TX band's 25-year history.


1. The Fitted Shirt 2. Don't Make Me a Target 3. The Beast and Dragon, Adored 4. Is Love Forever? 5. I Summon You 6. Out Go the Lights 7. Who Makes Your Money 8. The Ghost of You Lingers 9. Paper Tiger 10. WhisperI'lllistentohearit 11. Tear It Down 12. New York Kiss

“Tyger” | “London” | “Alchemy of the Heart” | “Smile”

Throwing Muses released their long awaited Purgatory/Paradise in 2013, ten years after their previous studio album - a 32 track opus of tangible bliss. Initially devised as both an album and as a book, with writing by Hersh and art by Narcizo, this vinyl reissue features all 32 tracks from the alt-rock heroes.

SIDE A: 1. Smoky Hands 1 2. Morning Birds 1 3. Sleepwalking 2 4. Sunray Venus 5. Cherry Candy 1 6. Film 7. Opiates 8. Cherry Candy 2
SIDE B: 1.Freesia 2. Curtains 3. Triangle Quantico 4. Morning Birds 5. Lazy Eye 6. Blurry 7. Folding Fire 8. Slippershell
SIDE C: 1.Bluff 2. Blurry 3. Terra Nova 4. Walking Talking 5. Milan 6. Curtains 7. Folding Fire 8. Static
SIDE D: 1. Clark's Nutcracker 2. Dripping Trees 3. Sleepwalking 4. Smoky Hands 5. Speedbath 6. Quick 7. Dripping Trees 8. Glass Cats

One of the very first ‘rarities’ collections, released to try and defeat the bootleggers, the original 11-track album was released in 1974. Compiled by bassist John Entwistle, the set features the single “Long Live Rock”, the unedited, unreleased version of “The Seeker”, the studio version of “Young Man Blues”, alternative versions of “Dogs Part Two” and “Water”, amongst many other gems. This reissue includes the original album on disc one and adds 14 bonus tracks – B-sides, rarities & extras on disc two, ‘Odds & Sods Too’ – to create a definitive, 25-track double LP. Pressed on red (LP1) and yellow (LP2) vinyl. Includes Pete Townshend’s original track annotation.

The stunning artwork and design restore the original ‘die-cut’ front sleeve. Graham Hughes shot the cover for Odds and Sods – “I’d stayed up the night before with Letterset, designing the letters on the American football helmets with each of the band’s names printed on. When I finally managed to get them together in one place, which happened to be the bathroom, Pete and Roger’s helmets didn’t quite fit so that’s why their wearing each other’s. That Quadrophenia tour wasn’t very pleasant and the band were arguing a lot. When I showed Pete the blow-up of the cover, he didn’t like it and told me so. I was so frustrated by this time, I started ripping it up . . . That’s when he decided he liked it! I stuck it back together with adhesive tape and Roger said, ‘call it a bunch of odds and sods.”

LP1 / SIDE A –
1. Postcard, 2. Now I'm A Farmer, 3. Put The Money Down, 4. Little Billy, 5. Too Much Of Anything, 6. Glow Girl

LP1 / SIDE B –
1. Pure And Easy, 2. Faith In Something Bigger, 3. I'm The Face, 4. Naked Eye, 5. Long Live Rock

LP2 / SIDE A –
1. Zoot Suit (remix with fade), 2. Here Tis (only previously released on 30 Years… box set), 3. Leaving Here (from ‘Pye’ acetate), 4. Baby Don’t You Do It (from ‘Pye’ acetate), 5. Young Man Blues (alternate studio version, included on 1998 CD), 6. Dogs Part Two (B-side, the single mix; included on Tommy SDE), 7. Here For More (B-side single mix), 8. The Seeker (long unedited version; unreleased)

LP2 / SIDE B –
1. Heaven And Hell (B-side single mix), 2. Don’t Know Myself (B-side single mix), 3. When I Was A Boy (B-side single mix), 4. Waspman (B-side single mix), 5. We Close Tonight (included on 1998 CD), 6. Water (B-side single mix

One of Judas Priest’s most beloved and recognizable albums is celebrating its 40th anniversary. To mark the occasion, the album is being pressed on red, white and blue marbled double vinyl with the album artwork featured on each disc. 

DISC 1 SIDE A 1. “Breaking The Law” 2. “Rapid Fire” 3. “Metal Gods” 4. “Grinder” 5. “United”
DISC 2 SIDE A 1. “Living After Midnight” 2. “You Don’t Have To Be Old To Be Wise” 3. “The Rage” 4. “Steeler”

Grandpaw Would is the first solo album by Australian indie pop artist Ben Lee, released in 1995 in the US on the Beastie Boys label, Grand Royal. Twenty-five years later, New West is proud to reissue this record in a deluxe package featuring a second disc of six unreleased songs as well as two cover songs and material from Ben's 1995 EP Away With The Pixies and his 1995 7" single,  “Pop Queen”. Limited pressing on birthday cake vinyl.

Side A Pop Queen ~ How Can That Be? ~ Sprawl * I'm With The Star ~ Don't Leave ~ Away With The Pixies ~ Bolt ~ Side View * Pathetic *

Side B Song 4 You ~ Trying To Sneeze * The Loft * Frigid ~ Stumbling Block * Ductile ~ Love Song ~ Green Hearts ~ My Guitar ~

Grandpaw Would was Produced and Mixed by Brad Wood and Casey Rice
~ Recorded and mixed by Brad Wood at Idful Music Corp., Chicago, Illinois
* Recorded and Mixed by Casey Rice at Steve Pavlovic’s Apartment, Sydney, Australia


Side C 1. Blind + Stale (Home Demo) + 2. Bolt (Home Demo) + 3. Here (Home Demo) + 4. Pop Queen (Home Demo) + 5. Song 4 You (Home Demo) + 6. Tugboat (Home Demo) + 7. Beat Them (Grandpaw Would Outtake) + 8. Stumbling Block (No Drums - Grandpaw Would Alt Version) +


Side D 9. Ductile * 10. Red Slurpee * 11. Shirtless * 12. Gidget Goes To Rome * 13. Happy Hand * 14. My Turntable * 15. Nature's Mosquito * 16. Be A Kid * 17. The Waiting Game ** 18. Get Your Sleep **


Tracks 1-6 Recorded by Ben Lee at Home

Tracks 9, 11, 12, 13, 14, 15 Recorded on Ben’s 4-Track In His Room

Track 10 Recorded on Ben’s 4-Track with Josh Ratner

Track 16 Recorded on Ben’s 4-Track with Timothy Reuben, my nephew

Tracks 7, 8, 17, 18 Produced and Mixed by Casey Rice

Recently unearthed final performance of the iconic theremin rock pioneers Lothar & The Hand People! Unique unissued takes form a virtual greatest hits from a band with zero digital footprint! While technically live recordings, these takes rival the studio cuts and even include some completely unheard compositions that will finally reach the ears of the Hand fans. Who knew they could make a take on Machines with more horsepower than any version you've heard!

1. Machines 2. Comic Strip 3. What Grows On Your Head 4. This Is It 5. Torture 6. Midnight Ranger 7. It Comes On Anyhow 8. Ha (Ho) 9. Today Is Only Yesterday's Tomorrow 10. Sdrawkcab

A 12” Dio picture disc for Record Store Day based around his Magica album. The A-side leads with rare track “Annica” from the Magica sessions and includes live and studio versions of “Lord Of The Last Day”. Side B is the 18 minute epic Dio spoken word piece “Magica Story”. 

Side A
1. Annica 2. Lord of the Last Day (2019 Remaster) 3. Lord of the Last Day (Live on Magica Tour;2019 - Remaster)

Side B
1. Magica Story - Studio Spoken Word (2019 Remaster)

First-ever vinyl issue (outside of an impossible-to-find Brazilian release) of the second (1995) album from the band led by Judas Priest's Rob Halford. Red & black marble vinyl pressing limited to 1500 copies, new gatefold packaging!

I Am Alive; Mouthpiece; Legacy of Hate; Blowout in the Radio Room; Never Again; Small Deadly Space; Gretna Greene; Beneath the Violence; Human Crate; In a World of My Own Making; Psycho Suicide

Kelly Finnigan’s debut solo album for Colemine Records represents the culmination of his 15 years of experience - in the studio as a songwriter, multi-instrumentalist, engineer, producer - and touring the US and Europe as a singer, musician, and band-leader. The content reflects his dedication to expression through the rich American music traditions of soul, gospel, doo-wop, and R&B. The subject is love. Its ecstasies and heartaches. Love sought, found, betrayed, lost, and rediscovered. The result is a marvelous collection of songs and performances that run the gamut from whispering tenderness to roaring appeals; from lean and mean to lush and lovely. And always…always, manifestly honest, and undeniably soulful. With Finnigan guiding these songs from their conception all the way to the record pressing plant, the new release provides the singular voice missing from soul music: a visionary that writes, records, performs and produces his own material.

Colemine Records is proud to present the instrumental version of The Tales People Tell, showcasing Kelly's superior production and arrangement talents.

1. “I Don't Wanna Wait” 2. “I'll Never Love Again” 3. “Smoking & Drinking” 4. “Every Time It Rains” 5. “Catch Me I'm Falling” 6. “Since I Don't Have You Anymore” 7. “Impressions Of You”
8. “I Called You Back Baby” 9. “Freedom” 10. “Can't Let Him Down”

Originally released in 1995, this maxi-single brought together the singles that frequent collaborators the Charlatans and The Chemical Brothers teamed up on. This RSD 2020 version will be released on limited edition yellow vinyl.

SIDE A: 1. “Toothache (Chemical Risk Mix)” 2. “Chemical Risk Dub (Toothache Mix)”
SIDE B: 1. “Nine Acre Dust (Chemical Brothers Remix)” 2. “Toothache (Instrumental Mix)” 3. “Patrol (Chemical Brothers Mix)”

Exclusive RSD 10” single from the multiple GRAMMY© Award winning artist Gary Clark Jr. Originally released on his acclaimed 2019 album “This Land”, this limited edition release includes two remixes of the track “Pearl Cadillac” featuring Andra Day, and is pressed on pearl colored vinyl.

Alongside 'Sgt. Pepper' and 'Pet Sounds', there is 'Odessey & Oracle'. A timeless psychedelic classic that belatedly attained the recognition it so thoroughly deserved. The sleeve is a cardboard facsimile of the original LP, the latest release in our popular 'Hip Pocket' series.

This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982. Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different. Besides, who can have enough live stuff from the world's best hardcore band at the peak of their prowess? Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

Limited vinyl LP repressing of this 1967 album. Albert Ayler In Greenwich Village is Ayler's first Impulse set. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional "For John Coltrane" and the more violent "Change Has Come" while backed by cellist Joel Friedman, both Alan Silva and Bill Folwell on basses and drummer Beaver Harris. The other set features trumpeter Donald Ayler, violinist Michel Sampson, Folwell and Henry Grimes on basses and Harris. Unusually, Ayler plays alto rather than his usual tenor on the opening track, a tribute to Coltrane, who was present when the two tracks on side two of the album were recorded. The two versions of Ayler's band heard on the record both feature two bass players, which "sharpens the sound considerably, producing a rock-solid foundation for Ayler's raw witness".

Joining Buzz Osborne and Dale Crover for the 12-song outing are Butthole Surfers' guitar player Paul Leary and bass player JD Pinkus. 120g black vinyl includes download card (download card will contain all 12 tracks) The Melvins return with Hold It In, their first studio album as a quartet since 2010's The Bride Screams Murder, on Oct. 14. Joining Buzz Osborne and Dale Crover for the 12-song outing are Butthole Surfers' guitar player Paul Leary and bass player JD Pinkus. Hold It In was recorded in both Los Angeles and Austin earlier this year.

Reissue on pink, black and white splatter vinyl of the 1970 Cotillion Records release. It was the final studio album by the band featuring Lou Reed, who had left the group shortly before it was release. "Loaded" contains two of the best-known Velvet Underground songs: "Sweet Jane" and "Rock & Roll." Loaded is #109 on Rolling Stone's 500 greatest albums of all time.

Double vinyl LP pressing. Ice Cream Man is the fifth studio album by New Orleans rapper Master P. It was set to be release in the summer of '95 but it ended up being released on April 16, 1996. Ice Cream Man hit #6 on the Billboard's R&B Albums chart and #26 on the Billboard 200. It was Master P's and No Limit Record's first ever RIAA platinum certified album. Master P is a hip hop recording artist, actor, businessman, investor, author, filmmaker, record producer, philanthropist, and former basketball player. He is the founder of the record label No Limit Records.

1LP 180gram vinyl + Pennie Smith photo print Newly remastered by The Clash from original tapes to audiophile quality All artwork recreated from original release including replicated fully printed innersleeves with an exclusive Pennie Smith photo print.

Limited colored vinyl LP pressing including bonus track. Released in 1985, Green River's Come On Down was a record existing in it's sonic universe - out of step with it's own time. Was it glam? Was it punk? Was it metal? Was it cool? We now know it was one of the building blocks of what Mark Arm would coin as grunge but in 1985 this record was a silent groundbreaker. It was not only the raw, sludgy, slower guitar sound that makes this band important in it's place in rock history, but the members of Green River would go on to lead some of the biggest names in the genre: Mudhoney and Mother Love Bone, the latter of which also contained the roots of Pearl Jam. The record includes the iconic original cover artwork, is pressed on colored vinyl, has a printed inner sleeve with lyrics and photo of the original master tape box, plus an unreleased rare bonus track!

Reissue on vinyl of the first PJ Harvey studio album in the Island Records catalogue, and her second studio album.  Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’.  The album charted at number 3 in the UK.  Reissue is faithful to the original recording and package, cutting by Bob Weston at Chicago Mastering under the guidance of Steve Albini.

Vinyl reissue of 1993 collection of demos written and recorded at Polly Harvey's home in 1991-1992. It includes eight demos of songs from the album, Rid of Me, released earlier in that year along with six demos of additional songs. Reissue is faithful to the original package, with vinyl cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator John Parish.

Jagjaguwar is honored to reissue the band's first three albums, Dinosaur, You're Living All Over Me & Bug, on vinyl. Originally released on the venerable Homestead and SST labels in the 1980's, the reissues stay true to form and include the cardinal track lists.

Vinyl LP pressing. For almost 30 years, Deadbolt has been a working, touring band. Their most iconic '90's studio records were never put on vinyl. Pig Baby has taken on the task of beautifully remastering their back catalog. First up is their 1997 iconic record Tijuana Hit Squad featuring the underground legendary songs "The Last Time I Saw Cole" and "Goin To Wichita". The record comes with liner notes written by Harley A Davidson himself and was remastered by wiz Dave Gardner at Infrasonic mastering (Hot Snakes, Black Lips, and Weezer). Look for more Deadbolt remastered reissues from Pig Baby Records in the upcoming future.

Hvis lyset tar oss (Norwegian for If the Light Takes Us) is the third studio album by Norwegian black metal solo project Burzum. It was recorded in September 1992, but was not released until April 1994, whereupon it was released through Misanthropy Records and Vikernes' own record label, Cymophane Productions. The album is considered a classic in the black metal scene.

This sumptuous vinyl brings together all of Parker's 78 RPM singles for Clef Records, recorded in January and August 1951, and features a veritable line-up of jazz greats including Miles Davis, Charles Mingus, Gil Evans, Max Roach, Roy Haynes, Kenny Clarke and John Lewis Showcasing many of Parker's best-known compositions, including `Au Privave', `Si Si' and `Swedish Schnapps', and features the classic David Stone Martin cover and original Clef labelling.

Available again with updated artwork and a new gatefold sleeve! Melvins' follow-up to 1989's Ozma was 1991's groundbreaking Bullhead. The songs are longer, the mood is calmer, yet more menacing. "Boris" (which gave the Japanese group their name) is a long, slow, low death march of addiction and self-abuse. "Zodiac" is a frantic punk rock machine gun blasting away at Buzz's demons (both inner and outer). "Cow" is a happy baboon bashing away at the best drum solo of his life. "It's Shoved" is a groovy beat for the cast of Shindig to bop along to, until their carefree performances of The Pony, The Mashed Potato, and The Watusi are horribly interrupted by the soundstage tilting up and sliding them all into a mangled heap of screaming dancers, broken cameras and flaming electronic equipment at the bottom.

Limited double clear vinyl LP pressing. 2019 debut album. Led by Devon Allman, son of founding Allman Brothers Band keyboardist and singer, Gregg Allman, and Duane Betts, son of founding Allman Brothers Band guitarist and singer, Dickey Betts, the album was recorded at the famed Muscle Shoals Sound Studios with producer Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley).The beginning of the partnership between Devon Allman and Duane Betts goes back to the Gregg Allman tribute show at the Fillmore in San Francisco. It was time, in that historic venue, to pass the spirit to the next generation. It was time to take all the lessons of the past, all their collective experiences, and make something new.

Vinyl reissue of Slayer's 1994 album, DIVINE INTERVENTION

Vinyl LP pressing. Digitally remastered edition of this 1975 release. Coney Island Baby is a 1976 album by Lou Reed, released in January by RCA Records. It is also the title of a song on that album. Many of the album's songs were inspired by Reed's girlfriend and muse at the time, Rachel. According to Aidan Levy, Coney Island Baby was "as much a love letter to Rachel as it was to the nostalgic Coney Island of the mind." The album's title track directly references Rachel with the line: "I'd like to send this one out to Lou and Rachel, and all the kids at P.S. one ninety-two." It was originally presented as a poem entitled "The Coach and Glory of Love" in The Harvard Advocate: Journal of Fiction and Poetry in 1971. The album includes the song "She's My Best Friend", a version of which was originally recorded by Reed's band the Velvet Underground in 1969, and eventually released on the 1985 compilation album VU.

Double 180gm audiophile vinyl LP pressing. 2Pacalypse Now is the 1991 debut studio album by 2Pac. The album is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". The album was initially released on T.N.T. Recordings and Interscope Records, which at the time was distributed through Eastwest Records America and Atlantic Records. Following Shakur's death, Amaru Entertainment (established by his mother Afeni Shakur) obtained the rights to this album. The album generated significant controversy stemming from then-U.S. Vice President Dan Quayle's public criticism after Ronald Ray Howard murdered a Texas state trooper and his defense attorney claimed he was influenced by 2Pacalypse Now and it's strong theme of police brutality. Quayle made the statement, "There's no reason for a record like this to be released. It has no place in our society."

Demos of PJ Harvey’s seminal 1992 debut album. LP pressed on 180-gram vinyl. Full color outer sleeve, with printed inner sleeves. Includes three previously unreleased photos.

Also Available

Dry LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

Coming July 24th: Spoon's first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon's debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.

Knitting Factory Records reissues Fela Kuti's Army Arrangement on vinyl LP, previously only available as part of the Box Set series. Army Arrangement is about Nigeria's attempt at 'democracy' in 1979 after more than a decade of military rule. The audio has been restored and remastered from Fela's original Nigerian recordings. The artwork has been meticulously recreated from original album artwork.

Double vinyl LP pressing. The members of Explosions in the Sky played their first show, at the University of Texas' student radio station, on July 4, 1999, under the short-lived moniker, Breaker Morant. A year later, they recorded their first album, How Strange, Innocence, over the course of two days, and made 300 CD-R copies to sell at shows and give to friends in their hometown of Austin, TX. Now, in honor of the band's 20th anniversary, we are delighted to bring this treasured document of Explosions in the Sky's humble beginnings back into the world. How Strange, Innocence - Anniversary Edition has been beautifully remastered by Heba Kadry - with vinyl lacquers cut by Bob Weston - and packaged in an incredible full-color, heavyweight triple-gatefold jacket with matte varnish, heavyweight full-color insert, and custom vinyl etching containing the charming story of How Strange, Innocence in the band's own words. This is the definitive sound, look, and feel of the album that started one of the most inspiring and unique careers in modern underground music.

There is a sting in the summer blossom of Ultimate Success Today, Protomartyr' new album. Arriving after Relatives In Descent, Protomartyr's headlong dive into the morass of American life in 2017, Ultimate Success Today is a fitting follow-up for the Detroit band.

INCLUDES FULL BOARD GAME WITH GAME PIECES!!!

Pop on Floor It!!!, the new and second full-length effort from the Texas Gentlemen, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.

While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r&b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.