iDKHOW is a new project led by Dallon Weekes (Panic! At The Disco). Earning press acclaim, their debut EP hit #1 on Billboard’s Top Heatseekers Chart. iDKHOW initially had a curated storyline, believed to have been a decades-old band that never got a big break until 2017, when an anonymous donor released recovered video footage that hints otherwise, leading fans, music historians and conspiracy theorists to debate. Debut album, RAZZMATAZZ on 10/16. LP on Peach Swirl vinyl w/ book insert.

Brothers Osborne are set to release their third studio album, Skeletons, in October. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- “All Night”. Brothers Osborne’s two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, “Stay A Little Longer”. White Indie LP. Packaging includes bonus vinyl slip mat.

In celebration of the 20th anniversary of the original recording on Halloween Night, New West Records is proud to present Widespread Panic - Live From Austin, TX on Limited Edition Jack O'lantern splattered vinyl. This limited edition pressing is limited to 2,000 copies worldwide and will be the first color vinyl release of this record.

2LP Translucent Ruby Red Vinyl with Embossed Cover

The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross

The Seeds of love is the third studio album by Tears for Fears.

The album was released in September 1989, entering the UK Album Chart at no.1 and would be certified Platinum by the BPI within three weeks.

In the US, the album peaked at no.8, and was also certified Platinum.

The album also reached the top ten in various other countries around the world.

The album contained the Singles: Sowing the Seeds, Woman in Chains, Advice for the Young at Heart and Badman’s song, upon release it was seen (and still is) as one of the greatest albums of the 80’s.

This Deluxe edition contains not only the original album, but a new 5.1 mix by Steven Wilson which was done in conjunction with Roland Orzabal, as well as all the relevant B-Sides, alternate mixes and around 60 minutes of previously unheard demos and live rehearsals.

The set is housed in a shoe box style box (similar to the other 2 releases) with an extensive booklet, with new interviews by Super Deluxe editor Paul Sinclair with the band and other players on the album. It also contains the tour programme of the era as well.

Marc Bolan has been famously cited as a major influence by some of the biggest names in music from David Bowie to Johnny Marr.

Bolan’s golden era was in the late sixties and seventies when he was the biggest selling singles artist since the Beatles, movie star and the electric spark behind Glam Rock. He died in 1977 aged just 29, after a car crash in Barnes, London but his reputation has only grown.

Later this year Marc will be inducted into the Rock n Roll Hall Of Fame and 50 years since the first T.Rex single and album, illustrious fans have gathered to pay tribute and argue for his place amongst the music greats.

For ‘AngelHeaded Hipster’, a collection of major stars including Nick Cave, U2 featuring Elton John, Joan Jett, Peaches and Marc Almond have reinterpreted and reimagined some of his greatest tracks including Jeepster, Bang A Gong (Get It On) and Ride A White Swan.

Every track reveals a different Marc and offers a unique appreciation of a multifaceted musician, writer, poet and composer.

AngelHeaded Hipster was lovingly created by the late Hal Willner, who passed away on April 7 from COVID-19. The acclaimed music producer, who “for nearly four decades bent and shaped the dimensions of almost-popular music” (New York Times), produced albums for artists including Lou Reed, Marianne Faithfull and William S. Burroughs, and concept albums drawing upon the music of Thelonious Monk, Kurt Weill, vintage Disney films and others.

Detroit in the late 1990s was a scary and lawless place. Red lights were taken as a suggestion and gangs ran rampant in the city.

Enter The Wildbunch.

The band that later became the Electric Six got together in 1996 with a shared passion for high energy rock and roll music. Playing for years around local venues The Gold Dollar and The Old Miami, the group started to hit it big when they were forced to change their name to Electric Six after a rap group, The Wildbunch, threatened legal action. Their hit singles "Gay Bar" and "Danger! High Voltage" were two of the biggest hits of the garage rock boom, but the versions included on E6's 'Fire' album are the most well known.

During The Wildbunch's existence, they recorded one studio album, Rock Empire. Pressed on vinyl for the first time, and its first release since its local CD-R only release, this deluxe reissue features remastered audio and new inserts that chronicle the entirety of the group's existence, sure to excite garage rock fans along with fans of the Electric Six, who are still performing to sold out crowds today.

SIDE A
Don't Be Afraid of The Robot /Remote Control (Me) / Gay Bar / T.V. / Getting Into The Jam / Take Me To Your Leader / Animal Attraction / Dancing Like An Idiot / Synthesizer

SIDE B
I Am The Knife Naked Pictures (Of Your Mother) / RU Afraid Of The Devil? / I'm On Acid / Computer / Christian Radio Manchester / I Am Detroit / Honololu / I'm A Demon

First time on vinyl in decades.

“One of the best, most movingly evocative scores in Randy Newman’s long movie career… “ -All Music

“Warm-hearted and moving, this is one of the most treasured items in my film music collection.”  -Movie Wave

“…one of the finest in Newman’s canon.”   -Movie Music UK

Limited Edition  Pressed on custom blue vinyl

Back on vinyl for the first time in decades.

One of the 100 Scores Of All Time - Movie Music UK

"...one of the most defining, effective, and memorable sports scores of all time." -Filmtracks

Pressed on aqua blue vinyl.

A truly special two-sided picture disc featuring imagery unavailable elsewhere - one side features the cover art and the other, the floor of the Dark Crystal's chamber: a circle of 18 arcane symbols, one for each of the urSkeks that came to Thra during the first Great Conjunction.

Composer Daniel Pemberton reveals: “I wanted the music to be as magical as Thra itself – organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself, as well as using thematic large scale orchestral elements to bring an emotion to the journey of the characters.

There are two Dark Crystal picture discs being released for Record Store Day, with completely different track listings.

The 10 episode prequel to the groundbreaking 1982 fan favorite The Dark Crystal stars Taron Egerton, Star Wars’ Mark Hamill, Harry Potter’s Helena Bonham-Carter, Tomb Raider star Alicia Vikander and Outlander’s Caitriona Balfe.

SIDE A –
1. The Dark Crystal: Age Of Resistance – Daniel Pemberton 2. Another World, Another Time – Daniel Pemberton 3. Story Of The Dark Crystal – Daniel Pemberton 4. Rian + Mira Dreamfast – Daniel Pemberton 5. Aughra Awakes – Daniel Pemberton 6. The Crystal Chamber – Daniel Pemberton 7. Essence Draining – Daniel Pemberton
SIDE B –
1. What Lies At The Dream’s End – Daniel Pemberton 2. Together We Fight – Daniel Pemberton 3. The Blue Flames Part 1 – Daniel Pemberton 4. Deet In The Woods – Samuel Sim 5. Speak For The Dead – Daniel Pemberton 6. Brea And The Library – Samuel Sim 7. Her Light Faded – Daniel Pemberton

The first official Rolling Stones’ rarities collection, Metamorphosis, was originally released in June 1975 to try to outwit the bootleggers. The release combines legendary outtakes and rarities as well as the wealth of demos that Mick Jagger and Keith Richards composed for other artists, which were subsequently re-recorded by the Stones themselves. The collection includes an orchestrated version of “Out Of Time,” recently featured in Quentin Tarantino’s Once Upon a Time in Hollywood. The Record Store Day 2020 limited edition of the UK version of Metamorphosis will be released on hunter green vinyl and includes a full color exclusive iron-on t-shirt transfer of the album artwork, which alludes to Franz Kafka’s novella “The Metamorphosis,” the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect.

SIDE A –
1. Out Of Time 2. Don't Lie to Me 3. Some Things Just Stick in Your Mind 4. Each and Every Day of the Year 5. Heart of Stone 6. I'd Much Rather Be With the Boys 7. (Walkin' Thru The) Sleepy City 8. We're Wastin' Time 9. Try a Little Harder
SIDE B –
1. I Don't Know Why 2. If You Let Me 3. Jiving Sister Fanny 4. Downtown Suzie 5. Family 6. Memo from Turner 7. I'm Going Down

The much-anticipated, full-length debut album from Royal Horses, a South Mississippi-based Americana trio, featuring ten original songs recorded in New Orleans. Music critic Mik Davis has called the album a "stunning first chapter for the powerful trio." Released exclusively on 180g audiophile vinyl, each purchase comes with a free digital download that is not otherwise available on traditional music streaming sites. THIS TITLE IS CHAMPIONED BY T-BONES RECORDS & CAFÉ IN HATTIESBURG MS. IT’S AVAILABLE TO ALL STORES BUT WILL MOST LIKELY BE FOUND IN THAT REGION. 

1). Bottom of the Chart, 2). A Modern Man's Way to Improve, 3). Valley of the New, 4). Who Do You Know?, 5). There She Walks, 6). Leave a Light, 7). Call it War, 8). Rattlesnake Smoking a Cigarette, 9). Ruby Do, 10). BLD

This Record Store Day 2020 exclusive features tracks from acclaimed composer Ryuichi Sakamoto (The Revenant, The Last Emperor) heard in "Smithereens" - the second episode of the fifth series of the anthology series Black Mirror. The cover art showcases an original design from Sakamoto’s long-time collaborator, Alva Noto.

“meditation app”, “plot”, “this is my last day”, “hayley”, “prey”, “chain smoking addict”, “chase”, “reverse surface”, “closing in”, “countdown”, “retreat”, :flashback”, :gun is real”, “shot”, “degrade”, “car crash”, :this is my last day 2”, “release”

The vinyl release of the latest album from the legendary Snoop Dogg!  Featuring appearances from  Wiz Khalifa, Russ, Slick Rick, YG, Mustard, Jermaine Dupri, Ozuna, Slim Jxmmi, Trey Songz, Nate Dogg, and more!

1. “What U Talkin' Bout” | 2. “So Misinformed (feat. Slick Rick)” | 3. “Let Bygones be Bygones” | 4. “One Blood, One Cuzz (feat. DJ Battlecat)” | 5. “Countdown (feat. Swizz Beatz)” | 6. “I C Your Bullshit” | 7. “Turn Me On (feat. Chris Brown)” | 8. “Blue Face Hunnids (feat. YG & Mustard)” | 9. “New Booty” | 10. “Take Me Away (feat. Russ & Wiz Khalifa)” |11. “Do It When I'm In It (feat. Jermaine Dupri, Ozuna, Slim Jxmmi)” | 12. “First Place (feat. Tdot Illdude)” | 13. “Focused” | 14. “Rise To The Top (feat. Trey Songz & Swizz Beatz)” | 15. “Wintertime in June (feat. Nate Dogg)” | 16. “Doo Wop Thank Me (feat. The HamilTones)” | 17. “Main Phone (feat. Rick Rock & Stressmatic)” | 18. “Do You Like I Do (feat. Lil Duval)” | 19. “I've Been Looking For You (feat. Eric Jaye)” | 20. “Little Square UBitchU (feat. Anitta)” | 21. “Ventalation (feat. RJmrLA, $tupid Young, Azjah)”| 22. “I Wanna Thank Me (feat. Markknoxx)”

Part of the Two Tone Records 40th Anniversary celebrations, this new half-speed mastered 10” single contains dub mixes of three tracks from The Specials, recorded but never released. 

“Gangsters (Clangsters Dub)” / “Too Much Too young (Piano Instrumental)” / “Why? (Dub)”

Surinam-born Sumy (real name Kenneth Sumter) started his musical career in the late ‘70s. During the early ‘80s Sumy signed a licensing deal with Philips for two singles, “The Funky '’G’ (Only Comes At Night)” and “Funkin' In Your Mind” and recorded and released an LP on his own label, Galaxy Records. The much-sought-after but very rare “Funkin' In Your Mind” 12” proto-funk/disco track with vocoder is remastered from the original tapes and available for Record Store Day. Indivdually numbered, and pressed on transparent blue vinyl.

Side A
1. Funkin' In Your Mind (Long version)
Side B
1. Funkin' In Your Mind (Short version)

Toto’s well-honed musical craftsmanship helped sell more than 40 million albums in their four decades together. In 1980, the band embarked on their first tour of Japan, forming a lifelong bond with fans in that country who adored their polished West Coast rock style. For the first time as a standalone release, the Live In Tokyo 1980 EP captures the original line-up of the band – vocalist Bobby Kimball, guitarist Steve Lukather, keyboardists David Paich and Steve Porcaro, bassist David Hungate and drummer Jeff Porcaro – performing four tracks from their then-new sophomore album Hydra (plus the unreleased track “Runaway”) during that historic trek. On red vinyl for Record Store Day 2020. 

1 “St. George And The Dragon” 2 “Mama” 3 “Tale Of A Man” 4 “White Sister” 5 “Runaway”

A power-packed garage rock extravaganza drawing 1960s classics and rarities from the vaults of labels including Stax, Original Sound, Vanguard and Fantasy. The compilation is the second in a series from Craft Recordings showcasing the output from influential underground music scenes from this era (a follow up to 2019’s RSD release of Poppies: Assorted Finery from the First Psychedelic Age). The set features legendary acts such as The Music Machine, Vagrants and Count Five, including three previously unreleased tracks. Pressed on limited edition translucent blue vinyl, the package also includes liner notes from GRAMMY®-nominated writer and producer Alec Palao.

SIDE A –
1. COUNT FIVE – Psychotic Reaction (unedited version), 2. LONNIE DUVALL – Attention*, 3. THE TORQUAYS – Harmonica Man (From London Town), 4. THE PULLICE – Can’t Get Enough*, 5. THE SQUIRES – Anytime Anywhere, 6. CIRCUS MAXIMUS – Short-Haired Fathers, 7. THE BITTERSWEETS – In The Night, 8. JOEY PAIGE – ’Cause I’m In Love With You
SIDE B –
1. JACK BEDIENT & THE CHESSMAN – Double Whammy, 2. THE ORFUNS – The Animal In Me, 3. THE MUSIC MACHINE – The People In Me (full-length version)*, 4. THE POOR LITTLE RICH KIDS – Stop Quit-It, 5. THE VAGRANTS – I Can’t Make A Friend, 6. GROUP “B” – She’s Gone, 7. THE TEARS – Rat Race, 8. THE FANTASTIC ZOO – This Calls For A Celebration
(*previously unreleased)

The Original 1987 Soundtrack. Newly Remastered For Vinyl Composed and Performed by Eric Clapton, Michael Kamen and David Sanborn Features Clapton on guitar on 9 tracks.

First time on vinyl!  - Contains repertoire recorded specifically for this chart-topping Platinum Soundtrack. Contains songs by Eric Clapton, Aaron Neville and Robbie Robertson, Peter Gabriel, Taj Mahal, Marvin Gaye, Jewel, The Iguanas, Bryan Ferry, J.J. Cale, Dorothy Moore and Thomas Newman

“…a cross-section of singer/songwriters, mellow blues, and synthesized soul-inflected pop.” -AllMusic

Limited Edition - Pressed on translucent cobalt vinyl

SIDE ONE
1. Eric Clapton “Change The World” 2. Bryan Ferry “Dance With Life (The Brilliant Light)” 3. Aaron Neville “Crazy Love”

SIDE TWO
1. Taj Mahal “Corinna” 2. Jewel “Have A Little Faith In Me” 3. Peter Gabriel “I Have The Touch” 4. Marvin Gaye “Piece Of Clay”

SIDE THREE
1. The Iguanas “Para Donde Vas” 2. Dorothy Moore “Misty Blue” 3. J. J. Cale “A Thing Going On” 4. Thomas Newman “The Orchard”

This RSD 2020-exclusive EP features music created for the 2020 horror/mystery film The Turning, directed bu Floria Sigsmondi. Only one song here (from The Aubreys, a band featuring Finn Wolfhard, who also stars in the film) is on the official soundtrack, and this EP features inspired tracks from Courtney Love, Empress Of, and a never-before-released song collaboration from David Bowie and Kristeen Young.

Kristeen Young (feat. David Bowie) "American Landfill", Courtney Love "Mother (Acoustic)”, SASAMI and Lawrence Rothman "Take It To The Grave", Dani Miller (of Surfbort) "Fentanyl Smoothie", Empress Of "Call Me (Acoustic)” , The Aubreys "Getting Better (Otherwise)”, Warpaint "Melting"

Celebrating the 20th Anniversary of Sofia Coppola’s directorial debut movie, The Virgin Suicides (Music from the Motion Picture) will be released on vinyl for the first time since its original release in 2000, exclusively for RSD 2020.  The soundtrack features music from Steely Dan, Todd Rundgren, Boston, Heart, Al Green, 10CC, Styx and two tracks from Air, including one track composed for the film.  Limited to 7500 copies worldwide.

The Beginning was released digitally and on CD in 2001 by Swamp Records in the US and Audium Records in Europe. Long out of print, this record was Tony Joe's 29th,and the first one where he controlled all elements of the studio. Stripped down and without any bells and whistles, this is Tony Joe recording, himself playing his classic swamp blues sound, and now for the first time on vinyl. Remastered and re-sequenced for RSD 2020 with new art and pressed on clear with black splatter vinyl.

1. Who You Gonna Hoo - Doo Now 2. Ice Cream Man 3. Wonder Why I Feel So Bad 4. Going Back To Bed 5. Down By The Border 6. More To This Than That 7. Drifter 8. Rebellion 9. Rich Woman Blues 10. Raining On My Life

1. “Please Forgive Me” 2. “Please Forgive Me (Live Solo Version)” 3. “Please Forgive Me (Paul Hartnoll Remix)” 4. “Please Forgive Me (Bin Liner Remix)”

Following last year’s Humble Pie Official Bootleg Collection Volume 1 double LP comes the Official Bootleg Collection Volume 2, curating rare and previously (officially) unreleased live shows that were illicitly recorded between 1971 and 1981.

Emerging from the remnants of The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and began their ascent to conquering the theatres and then arenas of North America, culminating in 1972’s double live Performance: Rockin’ The Filmore album. Frampton left in 1971 for a highly successful solo career, replaced by Colosseum's Clem Clempson, and it was this line-up that was captured in New York in 1971, at one of Clem’s first shows with the Pie. The extemporisations of Performance: Rockin’ The Filmore became the basis for much of Humble Pie's live repertoire for the remainder of the 1970s, but this 1971 New York show does include their unique take on Eddie Cochran's 'C’mon Everybody' and 'I Wonder' from the soon to be released Smokin' LP.

Side Two finds the Pie backed up by the soulful vocals of The Blackberries--Venetta Fields, Clydie King & Billie Barnum==who appear on “Oh La-De-Da”, ‘” Don’t Need No Doctor” and “30 Days In The Hole.”

Humble Pie split in 1975 following their Street Rats LP, but not before Side Three’s Philadelphia show on March 15, 1975, featuring ‘Four Day Creep’ and ‘I Don’t Need No Doctor’.
The Pie would eventually reform for 1980's “On To Victory” comeback record, this time with a line-up featuring Bobby Tench from the Jeff Beck Group on guitar and vocals and bassist Anthony “Sooty” Jones.

Side Four from Privates Club, N.Y.C. on March 25, 1981 features the epic 23 minute take of ‘30 Days in the Hole’ / ‘I Walk on Gilded Splinters’.

Housed in a gatefold sleeve, with plenty of rare memorabilia, the booklet features an essay based on new interviews with Pie drummer Jerry Shirley.

SIDE ONE
ACADEMY OF MUSIC N.Y.C.: DECEMBER 3, 1971
1. FOUR DAY CREEP, 2. C’MON EVERYBODY, 3. THE FIXER, 4. I WONDER
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE TWO
MIDNIGHT SPECIAL, LONDON, BIBA WITH THE BLACKBERRIES: NOVEMBER 30, 1973
1. OH LA-DE-DA, 2. I DON’T NEED NO DOCTOR, 3. 30 DAYS IN THE HOLE
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass
The Blackberries:
Venetta Fields / Clydie King / Billie Barnum

SIDE THREE
PHILADELPHIA: MARCH 15, 1975
1. FOUR DAY CREEP, 2. STONE COLD FEVER, 3. C’MON EVERYBODY, 4. I DON’T NEED NO DOCTOR
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Clem Clempson: Guitar / Greg Ridley: Bass

SIDE FOUR
PRIVATES CLUB, N.Y.C.: MARCH 25, 1981
1. 30 DAYS IN THE HOLE / I WALK ON GILDED SPLINTERS
Steve Marriott: Guitar & Vocals / Jerry Shirley: Drums
Bobby Tench: Guitar & Vocals
Anthony “Sooty” Jones: Bass & Vocals

Infectious Grooves, the funk metal supergroup led by Suicidal Tendencies frontman Mike Muir, is back! Take You On A Ride (EP) features three unreleased tracks from 1995 along with their first newly recorded song in years. Infectious Grooves features bassist Robert Trujillo (Metallica), drummer Brooks Wackerman (Avenged Sevenfold), Dean Pleasants (Suicidal Tendencies), and other veteran players.  The EP comes on 12" transparent orange vinyl, mastered at 45RPM, exclusively for Record Store Day 2020.

“Funny Farm”/ “Payback’s A Bitch”/ “What Goes Up” / “Take You On A Ride”

Lil’ Kim’s first new album in fifteen years features Rick Ross, Musiq Soulchild, Rich The Kid, City Girls, and O.T. Genesis and now it’s been pressed on sky blue vinyl. 

SIDE A
1. Pray For Me (feat. Rick Ross & Musiq Soulchild), 2. Bag, 3. Catch My Wave (feat. Rich The Kid), 4. Go Awff, 5. Too Bad

SIDE B
1. You Are Not Alone, 2. Found You (feat. City Girls & O.T. Genasis), 3. Auto Blanco, 4. Jet Fuel, 5. Spicy (feat. Fabolous)

First time on vinyl!

Aside from Knopfler’s silky score, the album contains tracks from Dire Straits, Elvis Costello, Francoise Hardy, The Stranglers, Hot Chocolate and Django Reinhardt.

“…nicely evokes the picture’s wistful, nostalgic atmosphere.” -All Music

Limited Edition - Pressed on clear vinyl

When headbanger historians look back on the important heavy metal and hard rock bands that were active during the '70s, Mahogany Rush's name doesn't come up nearly as often as Led Zeppelin, Black Sabbath, Deep Purple, Kiss, Van Halen, Judas Priest, Blue Öyster Cult or Aerosmith -- and that is regrettable because Frank Marino led one of the '70s' most exciting hard rock/metal outfits. Mahogany Rush is, without question, underrated. Marino's refusal to change with the times is just as well -- he is great at what he does, and the singer/guitarist is as inspired on original material as he is on performances of the Zombies' "She's Not There" and two Hendrix classics: "Voodoo Chile (Slight Return)" and "Red House."
Recorded live at Club Soda in Montreal, Canada on September 8, 2001.

First time on vinyl. Embossed deluxe gatefold with live photos and enhanced liner notes.

LP1
Side A:
1. Voodoo Chile, 2. Something’s Comin’ Our Way (Excerpt), 3. He’s Calling (Part 1)

Side B:
1. He’s Calling (Part 2), 2. Red House

LP2
Side C:
1. Guitar Prelude to a Hero, 2. Stories of a Hero, 3. Poppy (Part 1)

Side D:
1. Poppy (Part 2), 2. She’s Not There, 3. Crossroads, 4. She’s Not There (Return), 5. Poppy (Return) 1

Maroon 5's hit single "Memories" & the Dillon Francis remix on 7" vinyl. Release Includes photo booklet.

“Memories”/”Memories (Dillon Francis remix)”

Hikari-Ultra/Republic Records duo City Morgue debuted at #1 on the Billboard Top Rock Albums Chart and in the top 20 on the Billboard Top 200 Albums Chart with their latest album CITY MORGUE VOL 2: AS GOOD AS DEAD. The pair—SosMula and ZillaKami—launch a full-scale infiltration of both the rock and hip-hop marketplace with this culture-splitting album. Limited edition Record Store Day LP pressed on red & white splattered vinyl. First time the album will be available in the physical market.

SIDE A –
1. NECK BRACE, 2. INFERIOR, 3. DRAINO (feat. Denzel Curry), 4. THE GIVE UP, 5. THRESH, 6. SPLINTER, 7. MINIMIZYA, 8. THE BALLOONS
SIDE B –
1. SOUL BURN, 2. 16 TOES, 3. WOAH, 4. DIRTNAP, 5. C4, 6. BABYWIPES, 7. MOUTHGUARD, 8. SCREAMING AT THE RAIN, 9. PEELING SCABS

Out of print since its original release in 2013, this RSD release is pressed on red and white vinyl, hand-numbered and includes an exclusive poster. 

A01. Oath Of The Abyss, A02. Ruthless, A03. Desperate Times
B04. Winter Kills, B05. The Appetite, B06. Gutted
C07. Curses And Epitaphs, C08. Caring's Overkill, C09. Haunting Refrain
D10. Tripping Over Tombstones, D11. Sail (Awolnation cover), D12. Shudder (Bonus Track), D13. Back Down To The Grave (Bonus Track)

Legendary garage rockers The Fleshtones have been pumping out hits for over four decades, earning them the honor of being "America's Garage Rock Band." They're one of the final remaining original CBGB bands, they've played on Andy Warhol's short-lived MTV show while Sir Ian McKellen read Shakespeare over their jamming, and were the last band to publicly perform at the World Trade Center's Windows on the World. However, what's most incredible about The Fleshtones is that they're putting out some of their best music forty years into their career, as evidenced by their new album Face of the Screaming Werewolf. Featuring soon-to-be-hits done in the inimitable Fleshtones style, such as "Alex Trebek," "Spilling Blood at the Rock & Roll Show," and their cover of the Stones' classic "Child of the Moon."

1. Face of the Screaming Werewolf, 2. Alex Trebek, 3. Spilling Blood (at the Rock & Roll Show), 4. Child of the Moon, 5. Manpower Debut, 6. Swinging Planet X, 7. You Gotta Love, Love, 8. Violet Crumble, Cherry Ripe, 9. Waiting on a Girl, 10. The Show Is Over, 11. Somerset Morning

Recovered from the depths of the Rory Gallagher archive comes ‘Cleveland Calling’ a previously unreleased radio session recorded at WNCR in Cleveland on August 7th,1972. This intimate 8-song acoustic session and interview with DJ Carolyn Thomas was found on a small 7” reel and will be released for the first time for Record Store Day 2020.

SIDE A –
1. Pistol Slapper Blues 2. Don't Know Where I'm Going 3. Gypsy Woman 4. Out Of My Mind
SIDE B –
1. The Cuckoo 2. Bankers Blues 3. Should've Learned My Lesson 4. Blow Wind Blow

Born Jayceon Terrell Taylor, two-time GRAMMY® Award-nominated multiplatinum Compton rapper, songwriter, producer, actor, and entrepreneur The Game locked down a place in the pantheon alongside greats of both coasts with a combination of bar-for-bar bravado, provocative observation, hard-hitting hooks, and sharp introspection. And now the prolific rapper returns with his ninth album, fittingly titled Born 2 Rap. Pressed on Red, White and Blue triple vinyl for Record Store Day, marking the album’s vinyl debut. 

LP1
Side A
Intro. City of Sin (feat. Ed Sheehan), 1. No Smoke (feat. Travis Barker & Miguel), 2. Five Hundred Dollar Candles (feat. Dom Kennedy), 3. The Light, 4. Carmen Electra (feat. Mozzy, Osbe Chill & TOBi)

Side B
5. Dead Homies (feat. Red Café), 6. Gold Daytonas (feat. Dom Kennedy), 7. West Side, 8. 40 Ounce Love (feat. Just Liv)

LP2
Side C
9. Gucci Flip Flops, 10. Born 2 Rap, 11. Welcome Home (feat. Nipsey Hussle), 12. Interlude. Help Me (feat. Sly)

Side D
13. I Didn’t Wanna Write This Song (feat. Marsha Ambrosius), 14. The Code (feat. 21 Savage), 15. Stay Down (feat. Bryson Tiller), 16. Hug The Block

LP3
Side E
17. Ask For Me, 18. Stainless (feat. Anderson .Paak), 19. Gangstas Make The Girls Go Wild (feat. Chris Brown), 20. Blood Thicker Than Water (feat. Trey Songz)

Side F
21. Rewind II, 22. One Life (feat. J Stone & Masego), 23. Cross On Jesus Back (feat. D Smoke),  24. Roadside (feat. Ed Sheeran)

1978 was a banner year for Dexter Gordon. Maxine Gordon (then Gregg) had started to manage his career and proved to be a one-woman tour de force. In signing with Columbia boosted his career. He moved to New York, forming and grooming his own band all at age 52! The wonderful quartet included George Cables on piano, Rufus Reid on bass, and Eddie Gladden on drums. This November 1978 concert at the Châteauvallon Jazz Festival highlights Dexter's joyous and fiery mood, peppering his solos with outrageous quotes from other songs.

Pressed on 180-gram vinyl for the first time.

SIDE A – Tangerine
SIDE B – More Than You Know

The Young Fresh Fellows are back with an electric new toaster, Toxic Youth.  Remember their 1989 anthem “Two Guitars Bass & Drums”?  Well, nothing has changed, except for everything.  Hopes have been dashed, but the men still love music.  Subtitled Back To The Egg, the Fellows return to where it all began, with one last roundup at the infamous Egg Studios, Seattle WA, produced once again by Conrad Uno (who also struck gold with The Presidents Of The United States Of America).  When heard that Uno was closing up his studio and retiring from the limelight, the band grabbed a last weekend to record a couple songs (they had THREE in various shape of decomposition).  A couple days later there were 17 tracks, of which 12 were deemed PERFECT.  'Gear Summer 2013' is Everything-Is-Falling-Apart-In-Three-Minutes, and was planned to be a smash summer single ' in 2013 (amazingly, things have gotten worse).  The Buzzcocks and Rezillos concur.  'Never Had It Bad' heralds the spring with blue jays and more sad punk-pop problem-solving, Ramones-style.  And don't miss the heart-rending saga of a rock and roll band(s) (#47 in a series) 'Bleed Out'.  Pressed on "toxic" transparent green vinyl.

1. November 2. Never Had It Bad 3. Gear Summer 2013 4. Becky Doll 5. Black Boots 6. Alien Overlord  7. Alone In A Bus 8. Young Mod's Last Ride 9. She's By Request  10. Fugitive Arise 11. Astondale 12. Bleed Out

In 1988, Frank Zappa released the first installment of You Can’t Do That On Stage Anymore, a 6 volume series (12 discs total) consisting of hand picked live performances from his legendary Vault. The series was intended for CD, a relatively new medium at the time. Since vinyl & cassette were still considered the main formats, FZ created this sampler to promote the project & provide motivation to embrace the CD series. The material for the sampler was culled from tracks ranging from 1969 to 1984. The original ‘88 vinyl was mastered by Bernie Grundman. This 2020 collector’s edition is again mastered by Bernie from the original 1630 Digital Master & pressed on 180gram individual red & yellow transparent vinyl by Pallas in Germany.

LP1 / SIDE A – 1. Plastic People, 2. The Torture Never Stops
LP1 / SIDE B – 1. Montana (Whipping-floss), 2. The Evil Prince, 3. You Call That Music?
LP2 / SIDE A – 1. Sharleena, 2. Nanook Rubs It
LP2 / SIDE B – 1. The Florida Airport Tape, 2. Once Upon A Time, 3. King Kong, 4. Dickie's Such An Asshole, 5. Cosmic Debris

In 1988, two years after signing to Mercury Records, Johnny Cash released Classic Cash: Hall Of Fame Series, which featured new recordings of classic material. Including renowned tracks like “Ring Of Fire”, and “I Walk The Line”, the series captured one of country music’s greats singing songs that made him a legend. For the first time ever on vinyl, exclusively for Record Store Day 2020, UMe/Mercury is proud to present Classic Cash: Hall Of Fame Series – Early Mixes. Cash’s early mix of the 1988 album, mastered from newly discovered tapes in the Mercury vault. Limited Edition Double LP, pressed on 180g vinyl, it is a must-have for fans and collectors.

LP 1 / SIDE A –
1. Sunday Morning Coming Down, 2. Get Rhythm, 3. I Walk The Line, 4. Long Black Veil, 5. I Still Miss Someone

LP 1 / SIDE B –
1. Blue Train, 2. I Got Stripes, 3. Peace In The Valley, 4. Five Feet High And Rising, 5. Folsom Prison Blues

LP 2 / SIDE A –
1. Cry, Cry, Cry, 2. Don't Take Your Guns To Town, 3. Tennessee Flat Top Box, 4. A Thing Called Love, 5. The Ways Of A Woman In Love

LP 2 / SIDE B –
1. Ballad Of Ira Hayes, 2. Guess Things Happen That Way, 3. Home Of The Blues, 4. Supper Time, 5. Ring Of Fire

The first vinyl release for their massive 2003 single. 

SIDE A
1. Needy Girl (Zdar Dub) 2. Needy Girl (Paper Faces Remix) 3. Needy Girl (Album Version)

SIDE B
1. Needy Girl (Lifelike Remix) 2. Needy Girl (Bloc Party Remix) 3. Needy Girl (Instrumental)

The band's debut album, Up from Below, had some bright moments when the strength of the songwriting cut through the affectation. A few years later, Here is much the same. The album opens strongly, with the undeniably catchy pair of tunes "Man on Fire" and "That's What's Up," both rising to handclapping summits of old-fashioned Southern revival and jug band jubilation.

The Seeds of love is the third studio album by Tears for Fears.

The album was released in September 1989, entering the UK Album Chart at no.1 and would be certified Platinum by the BPI within three weeks.

In the US, the album peaked at no.8, and was also certified Platinum.

The album also reached the top ten in various other countries around the world.

The album contained the Singles: Sowing the Seeds, Woman in Chains, Advice for the Young at Heart and Badman’s song, upon release it was seen (and still is) as one of the greatest albums of the 80’s.

Oasis – What’s The Story Morning Glory 25th Anniversary. Released via Big Brother Recordings Ltd. Available on Double Silver Vinyl LP

With October 2nd, 2020 marking 25 years since Oasis released their iconic second album (What’s The Story) Morning Glory, Big Brother Recordings release a limited edition silver coloured LP with remastered audio to celebrate this milestone.

Following only 14 months after Oasis’s classic 1994 album Definitely Maybe, widely regarded one of the greatest debuts of all time, (What’s The Story) Morning Glory is the UK’s 5th bestselling album of all time and best-selling album of the nineties. The album entered the UK Official Charts at No.1 with 269,000 sales, with a total of 10 weeks at the summit since release and almost eight and a half years in the UK Official Album Chart cumulatively.

Worldwide, it went Top 10 in every major market in the world and became the band’s breakthrough album in the US, peaking at No. 4 on the Billboard 200 with over 5 million sales, and a global total now in excess of 22 million.

Produced by Noel Gallagher and Owen Morris, (What’s The Story) Morning Glory? was recorded at the fabled Rockfield Studios in Monmouth, Wales, completed in a staggeringly brief two-week period during May and June 1995.

An undeniably superlative rock record, it includes several of Oasis’ biggest selling UK singles – the legendary, universally loved anthem ‘Wonderwall’, ‘Don’t Look Back In Anger’, ‘Roll With It’, ‘Some Might Say’ together with tracks like ‘She’s Electric’, ‘Morning Glory’ and ‘Champagne Supernova’, which are timeless anthems and radio staples known to every generation of music fan.

(What’s The Story) Morning Glory established Oasis as a national and international phenomenon, the most universally popular British guitar band since the glory days of The Beatles, Rolling Stones and Led Zeppelin, and the album’s enduring and omnipresent appeal was demonstrated when it was awarded Best British Album of 30 Years at The BRIT Awards 2010. In the years since it’s release, the album has inspired thousands of young guns to pick up guitars and form bands, and is counted by dozens of successful bands and songwriters as a major influence on their careers.

The definitive new Best Of John Lennon - 19 tracks on 2 LPs completely remixed from the original master tapes giving these classic songs a new life for generations to come and sounding better than ever before. Double LP on 180-gram vinyl. Contains 8 page booklet, fold-out double sided poster and GIMME SOME TRUTH. bumper sticker.

2 LP GATEFOLD.

8 PAGE BOOKLET, 1 FOLD OUT POSTER, 1 BUMPER STICKER.

19 TRACKS IN STEREO.

2018 marks the 40th Anniversary of Bob Marley & The Wailers’ KAYA. Recorded in part during Marley’s and the band’s 1977 exile in London, KAYA is very much the sibling record to EXODUS. Fittingly, as Ziggy Marley revisited the original session recordings for last year’s EXODUS 40 celebration, this year sibling Stephen Marley revisits the original session recordings to commemorate KAYA, bringing a fresh perspective to this suite that’s quietly referred to as the ‘Peace Treaty’ album.

2020 release, the second release from The Allman Betts Band. Includes 'Magnolia Road'. When The Allman Betts Band released Down to the River in June of 2019, the debut album represented not only the first time the group had recorded together but, in fact, the first time the seven-piece ensemble had ever played together. If Down to the River was the sound of the band's combustible sparks igniting, then Bless Your Heart is their bonfire, built for the summer of 2020 and beyond. A conflagration of influences and invention, confidence and ambition, Bless Your Heart captures a vast, panoramic scope throughout a baker's dozen of modern rock. Ragged and stomping. Heady and frayed. Soaring and scorching. Generational and genteel. West Coast scenes and Gulf Coast shores. Gateways of the Midwest and swamplands of Florida. Wyoming's Big Sky. New York's Big Apple. Chicago's Broad Shoulders.

Acclaimed Malian rock band Songhoy Blues are back with their most important album to date, Optimisme (French for optimism) coming out October 23^rd on Fat Possum Records. 

If 'Joy As An Act of Resistance.' was meant to detail the band's manifesto, then their highly anticipated third album ' 'Ultra Mono' - is the sound of IDLES heading into battle, battering ram in hand, for those tenets. Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of 'Ultra Mono,' with much of the songwriting done on-the-spot in the recording booth, and the phrase 'I am I' serving as a lyrical and spiritual mantra throughout. Ultimately 'Ultra Mono' is a celebration of community.

Limited 180gm vinyl LP pressing housed in a gatefold jacket. Nico is the third studio album by American rock band Blind Melon, released in 1996 by Capitol Records. The album was released after lead singer Shannon Hoon's cocaine overdose that resulted in his death in 1995. The album was named for his daughter, Nico Blue, and the proceeds arising from album sales were placed in a college trust for her. It features unreleased tracks, recordings started by Hoon and finished by the band, unreleased versions of previous songs ("No Rain" and "St. Andrew's Hall") and the cover songs "The Pusher" (Steppenwolf) and "John Sinclair" (John Lennon).

2010 sophomore album from the Kentucky rockers, the follow up to their critically acclaimed 2009 self titled debut. Thank You Happy Birthday is a 13 song collection of a raucous and inspired Rock that displays an expanded sound for the band, and a bold reminder of exactly why they are one of the most loved bands in rock music today.

Vinyl LP repressing. BLIND MELON was the eponymous debut album by acclaimed rock band Blind Melon, released in 1992, featuring breakthrough single 'No Rain'. Fronted by singer Shannon Hoon (who can be heard doing backing vocals on Guns N Roses' Use Your Illusion I and II) Blind Melon had a distinctive sound, influenced by Southern Rock and Psychedelic Rock. Songs like 'Soak the Sin' and 'Tones of Home' evoke Hard Rock with a funky sound; 'Time' resembles Grateful Dead-style improvisational music and acoustic songs like 'Change' and 'No Rain' hinted at Pop and Folk influences. The band recorded the bulk of the album with producer Rick Parashar (who had produced Pearl Jam's 'Ten') at London Bridge Studio in Seattle, Washington. Blind Melon's production is marked by the use of outdated amplifiers and other antiquated studio technology. Modern studio effects were not used in it's production as the band wanted to create a pure and intimate sounding record.

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

Domestic reissue on 180 gram vinyl! Recorded in only a few days of marathon sessions in 1981, and produced by Flesheater's lead vocalist Chris D., the results have been revered. As one critic noted "Nobody has heard music like this before or since." Porterhouse has re-mastered this piece of history from the original quarter inch analog tapes and brought it roaring back to life. It sounds better now than it ever has. "The songs become rock & roll ciphers, erasing themselves as soon as they speak, heading off into the whirlwind of a storm that is so big, so black, and so awful one cannot meditate on anything but it's power."

Limited 180gm vinyl LP pressing housed in tip-on jacket with soft touch finish. Louisiana delta native Huddie "Lead Belly" Ledbetter is the master of twelve-string blues guitar. His story is one of high-highs and low-lows, from serving stints in prison after killing a man in a fight for a woman's heart, but then eventually earning early release by entertaining his fellow prison-mates and penning a song for the governor, thus cementing his reputation of singing his way out of prison. Folklorists John and Alan Lomax were early supporters that brought Lead Belly to the attention of Ivy Leaguers as well as a European audience. His songs have been widely covered by artists such as Elvis, Nirvana, Johnny Cash, and the Grateful Dead.

Lightnin' Hopkins is a true folk singer. His songs are the heart of the South, the very essence of his people, their joys, their triumphs, their difficulties, their oppression. Lightnin's music, like that of any great artist, has a universal quality. When you hear it, it might be your sadness or your ecstasy that is being told - the feeling of all people, the qualities of all living, good and bad, lie in the easy cadences and pathos of Lightnin's expression. So long as folk music endures, so long will Lightnin' Hopkins be played. Strums the Blues is a compilation that was originally released in 1958 on the Score label. It is a collection of his legendary early Aladdin 78' sides. These songs have been carefully remastered for this release and cut by Warren Defever and Bill Skibbe. The cover art has been reimagined by modern-day folk artist Tim Kerr.

Albert Ayler's 1969 album New Grass has been misunderstood from the day of it's release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before - that it is of 'a different dimension of his life' - in the album opener 'Message from Albert.'New Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for it's bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own. At the time of it's release, despite it's divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R&B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth and Mark E. Smith.Third Man Records can't recommend this record highly enough. We are confident that it won't take but one listen for you to understand New Grass is an undeniable healing force.

Sleep releases their first full-length album of new recordings since 1998 on Third Man Records. Years after the release of Volume One in 1991, Sleep's Holy Mountain in 1992 and Dopesmoker in 2003, the sonic titans reaffirm their place at the top of the riff pyramid with this brand-new double album, The Sciences. This is the black vinyl version.

Leagues Beneath is the first release immediately following Sleep's long-prophesied, critically-acclaimed opus The Sciences. Recorded as a part of a series of songs for Adult Swim, this 12' single is a testament to what has made The Sciences such a success: bottomless tone, spacetime-melting riffs and a unparalleled aural experience from start to finish. Leagues Beneath is a full 17 minute plunge, now available to experience on black vinyl. LP Packaging: 180g LP with die-cut LP jacket.

2005 Best Country Album Grammy Winner. 2005 Best Country Collaboration With Vocals Grammy Winner. Featuring members of The Greenhornes, The Raconteurs, and Blanche. For fifty years now, Loretta Lynn has fashioned a body of work as artistically and commercially successful—and as culturally significant—as any female performer you’d care to name. Except it was her song craft that established a sweet, clever, and combative lyricism that, when paired with her effortless melodies, inevitably helped define any and all relevant country music that emerged in its wake. Her music has duly confronted many of the major social issues of her time and ours, while her life story is a rags-to-riches tale familiar to pop, rock and country fans alike. The Coal Miner’s Daughter—the tag refers to a hit single, an album, a best-selling autobiography, an Oscar-winning film, and to Lynn herself—has journeyed from the poverty of the Kentucky hills to Nashville superstardom, to her current status as an honest-to-goodness American icon. Her most recent album, the Jack White-produced Van Lear Rose, has reminded the world yet again of Lynn’s power as a vocalist and her prowess as a songwriter. As she puts it on “Story of My Life,” the new album’s closing track: “Not half bad for this ol’ KY girl, I guess… Here’s the story of my life. Listen close, I’ll tell it twice.”

Limited 180gm vinyl LP pressing housed in tip-on jacket with soft touch finish. Blues fingerpicking guitarist, singer and sharecropper Mississippi John Hurt was born in the heart of Mississippi Hill Country, along the veiny tributaries of the great American river. His moving renditions of "Frankie" and "Spike Driver Blues" were included in Harry Smith's American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s as well as John Fahey's development of the American Primitive Guitar genre.

Jack White presents his new album Lazaretto, on Third Man Records/Columbia. Lazaretto inhabits an exciting place in White's expansive discography as the follow-up to 2012's Gold-certified international #1 Blunderbuss, and will be preceded by first single and title track "Lazaretto," to be released later this month. -180 gram vinyl. -2 vinyl-only hidden tracks hidden beneath the center labels. -1 hidden track plays at 78 RPM and 1 plays at 45 RPM, making this a 3-speed record. -Side A plays from the inside to the outside of the disc. -Dual-groove technology: plays an electric or acoustic intro for "Just One Drink" depending on where needle is dropped. The grooves meet for the body of the song. -Matte finish on Side B, giving the appearance of an un-played 78 RPM record. -Both sides end with locked grooves. -Vinyl pressed in seldom-used flat-edged format. -Dead wax area on Side A contains a hand-etched hologram by Tristan Duke of Infinity Light Science, the first of its kind on a vinyl record. -Absolutely zero compression used during recording, mixing and mastering. -Different running order from the CD/digital version. -Utilizes some mixes different from those used on CD/digital versions. -LP includes MP3 download insert.

A1 Seven Nation Army 3:51
A2 Black Math 3:03
A3 There's No Home For You Here 3:43
B1 I Just Don't Know What To Do With Myself 2:46
B2 In The Cold, Cold Night 2:58
B3 I Want To Be The Boy To Warm Your Mother's Heart 3:20
B4 You've Got Her In Your Pocket 3:39
C1 Ball And Biscuit 7:19
C2 The Hardest Button To Button 3:32
C3 Little Acorns 4:09 (intro by Mort Crim)
D1 Hypnotize 1:48
D2 The Air Near My Fingers 3:40
D3 Girl, You Have No Faith In Medicine 3:17
D4 It's True That We Love One Another 2:42 (vocals by Holly Golightly) -- EXCLUSIVE RECORD STORE DAY RELEASE

Celebrating the 10th anniversary of this Grammy Award winning album, Third Man Records releases a special Limited Edition vinyl pressing of their acclaimed hit album, ''Elephant,'' exclusively for Record Store Day. Includes their classic, ''Seven Nation Army.''

Limited Edition Third Man Records releases are notoriously known to be some of the most sought after collectable items and with Jack White as this year's Record Store Day Ambassador, this release will certainly be on top of most customer's want lists.

LP1: Vinyl
LP2: Vinyl
(note: these are different color arrangements than the 2003 U.S. vinyl release from V2)
includes download
Tip-On double gatefold jacket
printed inner sleeves

Limited to: UNKNOWN

THE WHITE STRIPES:
Jack White - vocals, guitar, piano
Meg White - vocals, drums

Produced by: Jack White
Engineer, Mixing: Liam Watson
Mastering: Noel Summerville
Photography: Patrick Pantano
Layout Design: Bruce Brand

Recorded to eight track reel-to-reel at Toe-Rag Studios, Hackney, London in April 2002, except B1 recorded at the BBC Maida Vale Studios.

Mastered direct from analog.

Manufactured by: United Record Pressing

Black Friday marks a new era of availability for The White Stripes pivotal double LP Get Behind Me Satan. Previously released for the first time commercially on Record Store Day 2015 on red and white vinyl in celebration of its 10-year anniversary, the record has never (yes, that’s right — NEVER) been available commercially on black wax. This new era we’re ushering in means you can listen to “Blue Orchid” and “My Doorbell” on repeat without worrying about wearing out your precious colored grooves… this record will remain in print in perpetuity and will always, always, always be available from November 25th on into the great unknown. This double LP includes an MP3 download code as well as the same newly-created inner artwork featured on the 2015 limited edition.

2010 reissue on 180-gram vinyl. They got their start on Bastille Day, 1996, when Meg started messing around on Jack's drum set, and Jack found it the most "liberating, refreshing" sound, like that of a lark. And so is her drumming, often called "primal" for it's simplicity. The once-married couple long-pretended to be siblings, and they seem to make the most of their partnership: they dress similarly, and only in shades of red, black or white. This debut EP is evocative of punk, metal, blues and arena rock, even as it meets all these marks in measured economy. And there's covers on here, too: Robert Johnson's "Stop Breakin' Down" and Bob Dylan's "One More Cup of Coffee." Both are haunting and very worth listening to. This record is pressed on 180-gram vinyl, and comes with an insert featuring credits and some lyrics, as well as an MP3 download card.

Vinyl LP pressing. Tyler Childers is the finest songwriter to emerge from the Bluegrass State since Chris Knight and should be mentioned in the same breath as Fifth on the Floor, Sturgill Simpson, Chris Stapelton, and others who are currently leading the most notable renaissance of Kentucky music since Keith Whitley and Ricky Skaggs took Music City by storm 30 years ago. Previously released as two separate EPs, Live on Red Barn Radio I & II is now available on a single LP for the first time. Volume I was recorded live on May 29, 2013 and Volume II was recorded live on November 7, 2013, both at Kentucky's legendary Red Barn Radio show in Lexington, KY. Live on Red Barn Radio I & II features six original songs (including "Whitehouse Road" as heard on Tyler's latest full length, Purgatory) and two covers.

Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.

Deluxe double vinyl LP pressing. Digitally remastered and remastered edition. Containing never before heard material, this package features the original album, remastered and a bonus album of the album's original demo sessions produced by R.E.M.'s Peter Buck, including the album's title track, "Mystery Road" and an early take of "MacDougal Blues". Includes liner note recollections by former manager Jim Barber and Peter Buck. The album is visually reimagined using Kevn Kinney's grandmother's unaltered original painting. Drivin' N' Cryin' was formed in 1985 in Atlanta. Kevin Kinney had just moved to Georgia from Milwaukee and was working in a sewage treatment plant by day while playing folk gigs by night. The band's name, Drivin' N' Cryin', was chosen from one of Kevn's many songs that reflected the two directions of their music.

Produced by Jack White and recorded at his own Third Man Studio in Nashville, Blunderbuss has been described by White as "an album I couldn't have released until now. I've put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colors on my own canvas." This album is pressed on 180 gram vinyl and includes a download code.

Globetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the band's glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.

The band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won't find this a surprising release. Dubs of tracks from their first album 'The Universe Smiles Upon' appeared on limited vinyl releases of 'People Everywhere' for Record Store Day 2016 and 'Zionsville' on the BoogieFuturo remix 12". The especially eagle-eared will have caught a dub of 'Two Fish And An Elephant' playing over the credits of the track's celebrated video. 

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album 'The Universe Smiles Upon You' was heavily influenced by 60's and 70's Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018's follow up 'Con Todo El Mundo', which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. 

"For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo."

Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment.  The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence.  Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).

Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early '70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from '70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

Vinyl LP pressing. Postales is a cross-cultural love story shot in the streets of Cusco, Peru in which a postcard-selling street kid encounters an American tourist girl, and follows her back to her hotel, setting off a chain of events that culminates with a stolen wallet, young love, and a family losing it's home. The soundtrack provided by Brooklyn Afro Latin funk outfits Menahan Street Band and Budos Band paints just as nice a picture as the film with sometimes gritty, slightly menacing production. The signature horn section drives the tracks and is easily one of the best deep Latin soul records from the last decade. Colemine Records, being known for their incredible 45 catalog of modern Afro beat and funk, released the Postales soundtrack as their first full length. If you are a fan of Truth & Soul and Daptone, this is for you.

Slint's 1991 album, Spiderland, remastered from the original analog master tapes by Bob Weston and pressed on 180 gram vinyl. Both CD and LP include a download coupon for 14 outtakes & demos personal selected by Slint, mastered by Bob Weston. The package also includes Breadcrumb Trail, a brand new, never-before-seen, 90 minute DVD documentary about Slint and the making of Spiderland, directed by Lance Bangs; and a photo book(let) with foreword by Will Oldham. All packaging printed in the USA.

The debut album from Seattle's Delvon Lamarr Organ Trio. The group channels old-school organ combos like The Meters and Booker T & The MGs, but are making it fresh and feel new again!

In the fall of 2012, Jones left his small-town in Louisiana for the foothills of Indiana. Alto saxophone in tow he enrolled in the Jacobs School of Music at Indiana University. “Being a singer was never part of the plan,” Jones admits. But soon enough he found his way in front of a rowdy rock-n-roll band belting out a rambunctious rendition of “Dock Of The Bay,” to a basement full of drunken undergrads. That rowdy band unfolded into The Indications—comprised of Aaron Frazer (drums), Blake Rhein (guitar), Kyle Houpt (bass) and Justin Hubler (organ). Inspired by a handful of dusty and obscure 45s bearing names like The Ethics, Brothers of Soul and The Icemen, The Indications set out to make a record steeped in heavy drums, blown-out vocals, and deep grooves. Gathered around a Tascam 4-track cassette recorder and a case of Miller High-Life, the group spent their Sunday evenings re-cording into the early hours of the morning. With comparisons from Charles Bradley and Lee Fields to Al Green, the only thing that separates this band from those greats is their youth. Having now taken their raucous live show all across the US, the band have galvanized a following that are ready to take them to the next level.

After the initial blast of punk rock bands made their impression on the youth of the late 1970s, subgenres quickly emerged. Some preferred the faster, louder aggression of hardcore, others the angular danceability of post-punk, some the raw and more personal home-made sound of DIY, and so on. Looking back among and between these genres we now recognize various blends of punk, post-punk, goth rock, industrial, and DIY as "deathrock." In 2014, Sacred Bones Records launched the series Killed By Deathrock to document an entire scene of bands that haven't yet received proper recognition. This is the second volume of that series.

Kelly Finnigan's debut solo album for Colemine Records represents the culmination of his 15 years of experience - in the studio as a songwriter, multi-instrumentalist, engineer, producer - and touring the US and Europe as a singer, musician, and band-leader. The content within reflects his dedication to expression through the rich American music traditions of soul, gospel, doo-wop, and R&B. The subject is love. It's ecstasies and heartaches. Love sought, found, betrayed, lost, and rediscovered. The result is a marvelous collection of songs and performances that run the gamut from whispering tenderness to roaring appeals; from lean and mean to lush and lovely. And always... always, manifestly honest, and undeniably soulful. With Finnigan guiding these songs from their conception all the way to the record pressing plant, the new release provides the singular voice missing from soul music: a visionary that writes, records, performs and produces his own material.

Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”

• First Ever Album Remaster from Original Analog Tapes
• Original Album Expanded to 2-LPs for Maximum Audiophile Playback

• Vinyl Cut from 192kHz 24-bit Remastered High-Resolution Audio

• Limited Edition Foil Art Slipcase
• Side 4 Extra Bonus: Hologroove Hologram of GNR Logo

• Download Card Sticker for 44.1kHz 16-bit Digital Album

Appetite For Destruction is also available as Remastered CD / Deluxe 2CD / Super Deluxe & The Locked N' Loaded Box Set

Available again with updated artwork and a new gatefold sleeve!Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album's opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he's inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: "Revulsion / We Reach" flows forward slower and slower until it eventually melts into a gooey feedback drone. "Raise a Paw" is a superball paddled against one's head by a grinning village idiot. "Love Thing" enlists in the Kiss Army before getting dishonorably discharged.

When Galaxie 500's Today was released in 1988, it set off a chain reaction of quiet explosions still being felt. Never before had a record so emphasized the calming elements of rock music, transforming what at first seems like a collection of bridges into fully realized songs. And one can draw a straight line from here to the many groups they influenced, like Low, Belle & Sebastian, and Bon Iver. Today is full of idiosyncrasies. The trio of Damon Krukowski, Dean Wareham, and Naomi Yang were recent Harvard grads who intuitively eliminated any histrionic tradition to rock songs, leaving core emotion (not for nothing did they include a cover of "Don't Let Our Youth Go to Waste," by the kings of feeling, the Modern Lovers). It was produced by Mark Kramer, who was best known for his work with cataclysmic slop rock pioneers such as Bongwater, Ween, and King Missle. The band's hometown of Boston was just coming out of it's love affair with Mission of Burma and pouncing upon the spasmodic electricity of the Pixies. Despite, or perhaps because of, all these elements, Today thrived. More than 20 years after it's initial release, it's title is still no misnomer. The music, recorded with what many thought at the time was too much reverb, sounds present, alive, and indeed a product of today. Songs like "Flowers," "Temperature's Rising," and of course "Tugboat" (the band's debut single) stand the test of time and exist in an eternal now. For the first time since it's original pressing, Today is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years."

Vinyl LP pressing. 2020 split album featuring five Frank Turner tracks covered by NOFX and five NOFX tracks covered by Frank Turner.

Vinyl LP pressing. Digitally remastered edition of the first album by titans of punk and metal. Pain Of Mind marks the inception of one of the weirdest and most powerful bands there ever was as they begin their odyssey through the sonic landscape: thirty-three years, thirteen albums and counting. These gritty punk songs bear little resemblance to what Neurosis would become, but the future was written here, and if you listen closely to these kids-barely out of high school at the time, you can hear their early influences: the guitars and existential anguish of Amebix and Rudimentary Peni, the passionate politics of Crass, the heaviness of Sabbath-and here, too, they lay the foundation for some of their enduring concerns: the pursuit of transcendence, and contemplation on the downward suck of despair. With Pain of Mind, Neurosis sunk their claws into the hearts and minds of the East Bay scene like no one else.

Vinyl LP pressing. In 1984, Spacemen 3 made their first-ever recording session and sold a few cassettes at now-legendary, incendiary gigs. Growing out of the dual guitar attack of Jason Pierce and Pete Kember, the band's three-piece line up with Natty Brooker on drums offered a liturgical take on '60s psychedelia, bare-knuckle blues and stunning feedback. This early glimpse into the Spacemen 3 cosmos-crafted by and for all the fucked-up children of this world-captures the band's unorthodox approach to rock 'n' roll with nuance and power. While the raw atavism of "Things'll Never Be The Same" and "Walkin' With Jesus" would be scaled back considerably on later recordings, the one-chord propulsion of "T.V. Catastrophe" and hardwired stomping of "Fixing To Die" draw from a primitive force that served as the impetus for the group's formation. For All The Fucked-Up Children remains the perfect introduction to Spacemen 3. Not only do these demos reveal the auspicious beginnings of two teenagers born on the same day in Rugby, England, but also compelling clues that point toward the exploration and eventual refining of their signature sound.

The fall of 1981 found the Washington, DC punk scene in one of the first of many fallow periods when a number of active bands broke up at the same time. SOA, Minor Threat, Red C and the Untouchables had all split, and a number of the musicians reorganized. Mike Hampton and Ivor Hansen from SOA formed a new band with Alec MacKaye of the Untouchables singing and another Wilson High School kid, Chris Bald, on bass. They called themselves the Faith and played their first show at H.B. Woodlawn High School in November '81. At the end of 1982, Eddie Janney (also a former member of the Untouchables) joined Faith as a second guitarist and six months later they recorded the Subject to Change 12-inch EP. Though clocking in at less than 14 minutes, this record was hugely important, not only to the people in DC but to others around the country and the world that were interested in the music emerging from the nation's capitol. On Subject to Change, Faith introduced a layered, melodic approach that would blossom fully in later Faith-related bands like Rites of Spring and Embrace. Unfortunately, by the time anybody heard Subject to Change, the band was no more. Interpersonal strife proved too much and they played their last show in August 1983. The record was released posthumously four months later. While Minor Threat is often held up as the preeminent DC band of the early years, for many of the locals it was the Faith with whom they felt the strongest connection. For this reissued edition of Subject to Change, Dischord has expanded the release from it's original EP format into a full-length with the addition of eleven tracks from the band's first demo recorded in 1981 at Inner Ear Studios.

The second in a series of classic vinyl reissues featuring original artwork painstakingly restored and hot-stamped with gold foiling. Beneath The Shadows is the second studio album by the American hardcore punk band T.S.O.L. (True Sounds of Liberty), released in 1982 through Alternative Tentacles. With the addition of keyboardist Greg Kuehn to the lineup, the band moved away from punk rock in favor of a gothic rock sound in the vein of The Damned and Siouxsie and the Banshees. Although the album was critically well received, it was all too much for their hardcore punk fans at the time, and after an appearance playing live in Penelope Spheeris' 1984 film Suburbia, founding members Jack Grisham and Todd Barnes left the band and for the classic line-up it was all over until they reunited 16 years later."... one of the finest U.S. post-punk LPs ever... Beneath The Shadows being rejected by the hardcore scene was the final straw for me, after many, many straws. Here was this most fascinating outgrowth of punk -they could've been our Damned or Siouxsie and the Banshees- retaining the original guts and drive, taking it into this unique direction. The hardcore audience rejected them, the rock & roll audience figured they were still hardcore, so there was no audience for the music. They broke up. It was a very bad time. It became a rugby game with no meaning" -Jack Rabid

After producing two albums celebrated by a thirsty underground network of fans, Galaxie 500 released what turned out to be their unexpected swansong, This Is Our Music. The title is an intentionally declarative statement. After being labeled masters of the disengaged and forlorn, Damon Krukowsi, Dean Wareham, and Naomi Yang delivered a full-length comprised of their most stately material. Here, one can hear potential realized, as well as changes afoot. "Fourth of July" is a surprisingly up-front song for the band, with rolling drums and a bass-heavy refrain, and it proved to be their most popular single. The track sets the stage for the dynamism of This Is Our Music, When Galaxie 500 sounds wistful ("Summertime"), it sounds like years of yearning actualized; when the band sounds regretful ("Sorry"), it comes pleading on it's knees. The trio found a beautiful balance between increased production values and knob-twiddler Mark Kramer's odd-handed approach. For the first time since it's original pressing, This Is Our Music is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.

'On Fire' is widely recognized as the canonic pinnacle of Galaxie 500's career. The artwork conveys this, with a low-angle shot of the band, looking up towards an amber sky. This record marked the realization of their signature sound. Nowhere is it clearer than on the album opener, "Blue Thunder," the closest a song can come to waves crashing on a beach in song form. Lyrically inconsequential, with a chorus composed entirely of "la'"s, the track's power lies in a systematic build and break of intensity that reaches a Spector-like climax. It is the quintessential Galaxie 500 song, encapsulating all that was great about the band. With the Boston trio once again utilizing the bizarre genius of producer Mark Kramer, 'On Fire' sounds like anything but. The guitars are warm blankets enwrapping Dean Wareham's vocals, percolated by the open percussion of Damon Krukowski and anchored by the emotion-laden bass of Naomi Yang. Songs like "Snowstorm," "Strange," and "Decomposing Trees" have an endless quality, without beginnings or ends, but rather frozen somewhere on a spectrum of melancholy. For the first time since it's original pressing, 'On Fire' is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years."

Vinyl LP pressing. 2018 collection. Bikini Kill Records is excited to reissue of The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini Kill's 7"s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with JOAN JETT on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

Beautiful deluxe LP edition back in print! Vashti Bunyan's lone 1970 solo release features contributions from British folk royalty including members of Fairport Convention and preeminent producer Joe Boyd. Vashti was recently heard singing alongside Devendra Banhart on the title track of Rejoicing in the Hands.

When we last heard from Guided by Voices, they had released an astonishing four albums in just over 12 months. Each has a distinctive creative identity: Zeppelin Over China was a meat-and-potatoes double album, Warp And Woof was a return to the band's low-fidelity roots and under-two-minute earworms, Sweating The Plague was a slice of moody stadium rock, and Surrender Your Poppy Field was an unpredictable grab-bag of all of the above. After venturing through the tangled brambles of Plague and Poppy Field, here is a sunny summer reprieve, a relentless barrage of hooks-Mirrored Aztec is the latest stop on this runaway train. Like it's immediate predecessors, Mirrored Aztec is both it's own entity and unmistakably GBV. It's also their most immediately welcoming and inviting offering in years-there's nothing a fan of The Who, Big Star, or Wire, wouldn't love. For the GBV uninitiated, the clean, confident hooks of highlights "Bunco Men," "Haircut Sphinx," "A Whale Is Top Notch," "Party Rages On" and the strummy "To Keep An Area" will resonate immediately. It also contains some unprecedented GBV moments, too, like "Math Rock," an apparent tribute to the titular subgenre featuring classroom instruments and a children's choir, "Please Don't Be Honest," a dreamy reversal of the band's 2016 song and album Please Be Honest, and "Thank You Jane," perhaps the most open-hearted, guileless power-pop song from Pollard's pen in ages.If Pollard's discography-107 albums and counting-seems intimidating, do not fear! With a brand-new, high-quality, all-the-way-there album every several months, it's abundantly clear that no band's fanbase has more fun.

Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers-psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a "civil" society? What are the weapons at one's disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate... The fog is lifting and humans are opening their eyes. And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords- stand strong and together under the gaze of the oppressors. Stand vigilant, united with those who don't have the same privileges. Demand respect and a peaceful life for all. This recording is at the apogee of scuzz-punk anthem amulets for the ears and heart, a battery for one's core. Be strong. Be human. Be love.

Vinyl LP pressing. 2015 album from the San Francisco-based garage rockers. Here we have nine muscular tunes primed to pummel. Last year's Drop was more schizophrenic, ranging from heavy to whimsical and back; Mutilator Defeated At Last has more in common with the monolithic hugeness of Floating Coffin. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

*BACK IN STOCK!!! New EP from this twisted Colorado death metal legion. New recording of four previously released tracks from their nearly impossible-to-find demo tapes. Mixed and mastered by Damian Herring (Subterranean Watchtower). Eighteen minutes of Sci-Fi death metal for fans of Timeghoul, Demilich and other oddities. All copies black vinyl with an etched B side. Includes A3 poster and download card.

Double vinyl LP pressing. Spacemen 3 began assembling their third album, 1988's Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions' first offering came in the form of Revolution, a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as Playing With Fire would become Spacemen 3's crowning studio achievement and cement their rightful place on the vanguard of otherworldly rock 'n' roll.

Bubbling up from the psychedelic tar pits of L.A., Frankie and the Witch Fingers have been a constant source of primordial groove for the better part of the last decade. Formed and incubated in Bloomington, IN before moving west to scrap with Los Angeles’ garage rock rabble, the band evolved from cavern-clawed echo merchants to architects of prog-infected psych epics that evoke a shift in reality. After a stretch on Chicago/LA flagship Permanent Records the band landed at yet another fabled enclave of garage and psychedelia - Brooklyn’s Greenway Records, now working in tandem with psych powerhouse LEVITATION and their label The Reverberation Appreciation Society, the groups latest effort is dually supported by a RAS / Greenway co-release.

Monsters Eating People Eating Monsters... (repeated infinitely,) rises like a Phoenix from the road tar, van exhaust, and ozone crackle of amps in heat. Once off the road it was recorded in just five blistering days. Though, while the tour may have hammered the album into shape and brought about a wind of change, those changes stretched to the band itself as well. In the wake of the tour the band’s longtime bassist Alex Bulli made his exit, with the majority of bass parts on the album being written and played by multi-instrumental magician Josh Menashe with occasional pitch in from songwriter Dylan Sizemore. Stripped to their core the band has created their most ambitious work to date, an album that takes the turbulence of ZAM and crafts it into a beast more insidious and singular than anything in their catalog. Moving forward, the band has taken on new blood. Filling in the hole in their ranks, Nikki Pickle (of Death Valley Girls) will join them working the new album out roadside on bass. A new horizon of Frankie and the Witch Fingers draws near and we’re all set to follow them into the unknown.

15 years after the release of their debut album, Daptone's Royal Court from Staten Island delivers a truly epic collection of new material that finds the group further bridging the gap between the farfisa-fueled Ethio-Funk stylings of their early recordings, with the psychedelic, Sabbath-inspired hellfire of late. The title track and lead single, Long in the Tooth, jumps out of the speakers with a heavy drum break (reminiscent of the B-Boy approved grooves of their early output), drenched in a pulsating, hallucinatory wall of organ, menacing horns, and a rugged guitar riff that pummels the listener into Budonian submission. Imagine Link Wray and Mulatu Astatke collaborating on a Italian horror soundtrack and you're getting close.

Christened Brooklyn Rap’s “Homecoming King” by New York Times, Pop Smoke was the Borough’s next icon in the wings. Breakthrough mixtape MEET THE WOO boasts high-profile cameos from Nicki Minaj and Skepta. In a stellar review, Pitchfork claimed, “The Brooklyn rapper makes good on the promise of ‘Welcome to the Party’ with a debut full of the hardest, dirtiest tracks he can manage.” Most recently, he was featured on Travis Scott’s #1 Album JACKBOYS and turns up with next project MEET THE WOO 2.

Vinyl LP pressing. Includes digital download. Wanted! The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, originally released by RCA Records in 1976. The album consists entirely of previously released material. Released to capitalize on the new outlaw country movement, Wanted! The Outlaws earned it's place in music history by becoming the first country album to be platinum-certified, reaching sales of one million. The album quickly reached #1 on the country charts and peaked at #10 on the pop charts.

Vinyl LP pressing including digital download. Janis Joplin's Greatest Hits is a 1973 collection of hit songs by legendary rock vocalist Janis Joplin, who died in 1970. Janis Joplin remains one of the most successful and widely-known female rock stars of her era. After releasing three albums, she died of a heroin overdose at the age of 27. Joplin, highly respected for her charismatic performing ability, was posthumously inducted into the Rock and Roll Hall of Fame in 1995. Audiences and critics alike referred to her stage presence as "electric". Rolling Stone ranked Joplin #46 on it's 2004 list of the 100 Greatest Artists of All Time and #28 on it's 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 15.5 million albums sold.

Limited 180gm vinyl LP pressing. Original soundtrack to the documentary on iconic rocker Joan Jett. This career-spanning soundtrack premieres a new Joan Jett and the Blackhearts track, "Fresh Start," alongside definitive live and studio performances by Joan Jett and the Blackhearts as well as tracks featuring The Runaways, Bikini Kill, members of The Sex Pistols, and more. The album includes "Androgynous," an unreleased track performed by Miley Cyrus, Laura Jane Grace, and Joan Jett.

Vinyl LP pressing. 2017 collection from the alt-rock trio. Greatest Hits: God's Favorite Band chronicles the sonic journey of one of the most essential and dynamic rock bands in recent history. The playlist includes 20 hits spanning Green Day's prolific 31 years as a band, plus a brand new song called "Back In The USA" and a new duet with award-winning Country Music superstar Miranda Lambert on "Ordinary World." Green Day was formed in 1986 by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tré Cool, who replaced John Kiffmeyer in 1990 prior to the recording of the band's second studio album in 91.

Double vinyl LP pressing. Celebrating it's 25th anniversary, Bat Out Of Hell II: Back Into Hell is making it's US vinyl debut. The original release of Bat Out of Hell II returned Meat Loaf to the top of several charts around the world, fueled by it's Grammy-winning international smash single, "I'd Do Anything For Love (But I Won't Do That)," which hit #1 in 28 countries.

The Killers’ second studio album ‘Sam’s Town’ is released for the first time on 180g black vinyl! Produced by Flood (New Order, U2), Alan Moulder (Nine Inch Nails, Foo Fighters) and The Killers, the album features the singles ‘When You Were Young’ and ‘Read My Mind’.

Carolina Confessions features 10 brand-new songs, all written by Marcus except for 'How Long,' which was co-written with the Black Keys' Dan Auerbach and veteran songwriter Pat McLaughlin. Whether it's the searing rock exorcism of 'Confessions' or the propulsive road-bound soul of 'Where I'm Headed,' Marcus exhibits an almost Southern gothic sensibility in his songs, owning up to failed relationships, portraying his complex connection with his hometown, arraying a sprawling musical firmament in the process.

Marcus and his five bandmates - drummer Jack Ryan, bass player Stephen Campbell, trumpeter/trombonist Justin Johnson, sax player Dean Mitchell and keyboard player DeShawn 'D'Vibes' Alexander - are in top form on Carolina Confessions, exhibiting an intuitive sense of control and expression as they tackle their most sonically layered and emotionally complex compositions to date.

Black vinyl. 180g.

When the prevailing guitar jingle of 'Mr. Jones' cascaded over radio in the early 90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of 'Mr. Jones' coupled with the sweet, in-front pull of Duritz's voice kicked off the album in full force. The starkly beautiful and lonely sounding 'Round Here' captured the band's honest yet subtle talent for singing ballads, while 'Omaha' is lyrically reminiscent of a Springsteen tune. The fusion of hauntingly smooth vocals with such instruments as the Hammond B-3 organ and the accordion pumped new life into the music scene, and their brisk sound catapulted them into stardom.

On their Blue Note Records debut, MMW move away from the diffuse, free form jams that characterized their 1996 release, Shack-Man, but the organ trio's trademark free-jazz-daring meets groove-happy-funk approach isn't diminished by move. The return to the more tightly focused approach that characterized Friday Afternoon in the Universe, may be motivated by commercial concerns (how many more Phishheads can they possibly convert?) but it's also a musical triumph; Combustication is the trio's finest of their six recordings. DJ Logic's warbling scratches enliven "Start-Stop" and "Church of Logic." Poet Steve Cannon recites some appropriately fried verses on "What Ever Happened to Gus," and the band takes Sly Stone's "Everyday People" away from Madison Avenue and into the Southern Baptist church.

Double vinyl LP pressing in gatefold sleeve. 2006 self-titled debut studio album by superstar Taylor Swift. Swift was 16 years old at the time of the album's release and wrote it's songs during her freshman year of high school. Swift has writing credits on all of the album's songs, including those co-written with Liz Rose. Swift experimented with several producers, ultimately choosing Nathan Chapman, who had produced her demo album. Musically, the album is country music styled, and lyrically it speaks of romantic relationships, a couple of which Swift wrote from observing relationships before being in one.

Vinyl LP pressing. 2002 debut album from the Grammy-winning singer/songwriter. The album's critical and commercial success was a breakthrough for Jones in 2002, as it reached the top of the Billboard 200 chart and several jazz charts. The album also topped many critics' "albums of the year" lists and gathered major music awards in the process, including eight Grammy Awards. Following initial sales, Come Away with Me was certified diamond by the RIAA on February 15, 2005 having shipped over 10 million copies in it's first three years of release.

Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1975, The biggest difference with Nuthin' Fancy is that the band, through touring, has become heavier and harder, fitting right in with the heavy album rock bands of the mid-'70s. The album was their first to reach the Top 10, peaking at #9 on the US albums chart. Includes the tracks 'Saturday Night Special', 'I'm A Country Boy', 'Whiskey Rock-A-Roller' and more.

Limited double vinyl LP pressing of this album by the American rockers. The Southern Harmony And Musical Companion is the second album by The Black Crowes, released on May 12, 1992. It was the first record by the band to feature Marc Ford on lead guitar, replacing Jeff Cease, who was fired the year before. The album's name derives from the full name of the Southern Harmony, an influential 1835 hymnal compiled by William Walker. It features four hit singles; "Remedy" (#1 on the Album Rock Tracks chart for 11 weeks), "Thorn in My Pride" (#1 on the Album Rock Tracks chart for four weeks), "Sting Me" (#1 on the Album Rock Tracks chart for two weeks), and "Hotel Illness" (#1 on the Album Rock Tracks chart for six weeks). It was a record for an album to feature four album-rock #1 hits (previously set by Tom Petty in 1989, with three). The album itself reached the top spot of the Billboard 200 album chart, propelled by the success of these singles.

Limited 180gm heavyweight audiophile vinyl LP pressing of this album by the British rock supergroup featuring Eric Clapton on guitar, Ginger Baker on drums and Jack Bruce on bass. This vinyl is housed in a sleeve that features exact reproductions of original artwork in order to retain authenticity. Disraeli Gears was the British band's American breakthrough, released in 1967 and reaching # 4 on the American charts. This is Cream's second studio album, which also reached # 5 on the UK Albums chart. Disraeli Gears features many songs that are considered some of Cream's finest including "Strange Brew", "Dance The Night Away" and "Sunshine Of Your Love".

‘How Big, How Blue, How Beautiful’ is the brand new album from Brit and Grammy nominated multi-platinum selling musical artist Florence + The Machine, a collection of songs written and recorded over the past 12 months. Produced by Markus Dravs (Björk, Arcade Fire, Coldplay) the third album by Florence & The Machine is live-sounding, tune-rich, unhinged in all the right places and powerful in all the best ways. In voice and, ultimately, outlook Florence has never sounded better.

The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

Translucent tan color vinyl.

This RSD 2020 release brings together rare tracks, some unreleased, spanning 50+ years of the Canned Heat archives, on translucent blue vinyl with liner notes from Fito de la Parra.

Side A: 1. “Looking For A Party” 2. “Reefer Blues” 3. “Drunk” 4. “Harry's Open Pit & Barbeque” 5. “Bullfrog Blues”

Side B: 1. “Boogie Music” 2. “I Hear You Knocking” 3. “Saturday Night Fish Fry” 4. “No Mo Do Yakamo” 5. “House of Blue Lights” 6. “Sloppy Drunk”

In 2013, Chris Smither returned to his hometown of New Orleans to record a retrospective of his five-decade career with an all-star band including the legendary Allen Toussaint. The sessions were especially productive, resulting in the double CD release Still On The Levee in 2014. There were more than a dozen songs that couldn't fit on the original release, and they are collected here on More From The Levee. This is Chris Smither's first vinyl release since the ‘70s.

Side A: 1. Lonely Time 2. Confirmation 3. Drive You Home Again 4. I Am The Ride 5. What I Do
Side B: 1. Let It Go 2. Hey Hey Hey 3. Caveman 4. Old Man Down 5. Father's Day

Jimmy Buffett’s first new studio album since 2013, Life On The Flip Side, now available on vinyl. The double LP set features 14 all new tracks and is housed in deluxe gatefold packaging. Includes a collectible book with exclusive content like lyrics, special photos from Jimmy's collection, his stories behind the songs and more.

The members of the band mostly just call it jazz, or "hot music," or, when they're feeling naughty, "race music" -- a term that dates back to the1920s and '30s, when major record labels released jump blues and hot jazz singles under special subsidiary imprints with names like Okeh and Sepiatone. It's music that doesn't really have a name anymore, yet everyone recognizes it and loves it. This wasn't the album that made the Squirrel Nut Zippers a household name (that honor goes to Hot, the follow-up), but it sure could have if given the chance. An instrumental with the pitch-perfect title of "Lugubrious Whing Whang," cover versions of "You're Drivin' Me Crazy" and "I've Found a New Baby," originals like "Lover's Lane," and the absolutely hair-raising "La Grippe" -- these are not just labors of love by dewy-eyed nostalgists. The SNZs have taken this music and appropriated it entirely, without a trace of irony or condescension. The result is magnificent.

First ever vinyl release for the album.

1. Lovers Lane 2. Danny Diamond 3. I've Found A New Baby 4. Anything But Love 5. Good Enough For Granddad 6. Wished For You 7. La Grippe 8. Lugubrious Whing Whang 9. Club Limbo 10. Wash Jones 11. You're Drivin' Me Crazy 12. Plenty More

This Are Two Tone was the first Two Tone Records compilation, and features singles by The Specials, Madness, The Selecter, The Beat, The Bodysnatchers, Rhoda Daker and The Swinging Cats. This half-speed master LP is part of the Two Tone Records 40th Anniversary celebrations and is the first vinyl repress of the compilation since its original release in 1983.

SIDE A
1. THE SPECIAL A.K.A. “Gangsters” 2. MADNESS “Madness” 3. THE SELECTER “On My Radio” 4. THE BEAT “Tears of a Clown” 5. THE SPECIALS “A Message to You Rudy” 6. THE SELECTER “Too Much Pressure” 7. THE BODYSNATCHERS “Too Experienced” 8. THE BEAT “Ranking Full Stop” 9. THE SPECIALS “Too Much Too Young”

SIDE B
1. THE SELECTER “The Selecter” 2. THE SPECIALS “Stereotype” 3. THE SWINGING CATS “Mantovani” 4. THE SPECIALS “Do Nothing” 5. RICO & THE SPECIAL A.K.A. “Jungle Music” 6. RHODA & THE SPECIAL A.K.A. “The Boiler” 7. THE SPECIALS “Ghost Town”

This is a new half-speed master exclusively for RSD and part of the Two Tone Records 40th Anniversary celebrations. The soundtrack of the live movie Dance Craze featuring exclusive live recordings by The Specials, Madness, The Selecter, The Beat, Bad Manners and The Bodysnatchers. This new half-speed master release for Record Store Day is part of the Two Tone Records 40th Anniversary celebrations, and marks the first vinyl repress since its original release in 1981.

The Specials  “Concrete Jungle” / The Beat “Mirror In The Bathroom” / Bad Manners  “Lip Up Fatty” / Madness “Razor Blade Alley” /The Selecter “Three Minute Hero” / The Bodysnatchers “Easy Life” / The Beat  “Big Shot” / Madness “One Step Beyond” / The Beat “Ranking FullStop” / The Specials  “Man at C & A” / The Selecter  “Missing Words” / Bad Manners  “Inner London Violence” / Madness “Night Boat To Cairo” / The Selecter  “Too Much Pressure” / The Specials “Nite Klub” 

Pre-GWAR mayhem. This is the band that started it all. Before he became Oderus Urungus, Dave Brockie fronted Richmond VA art-punk weirdos Death Piggy. All three of their EPs are combined here with unreleased and compilation tracks on 180g green vinyl with experimental etchings, remastered from the original tapes and with liner notes written by the band's guitarist Russ Bahorsky. First American vinyl pressing in over 30 years.

BONUS DOWNLOAD CONTENT WITH PURCHASE: 20 minute never-before heard live improv acoustic set from 1984, recorded as the band surprised business owners and pedestrians on the street with an impromptu performance.

SIDE A
1 G-O-D Spells God 2 Splatter Flick 3 Eat The People 4 Fat Man 5 Nympho 6 Bathtub In Space 7 No Prob, Dude 8 Mangoes & Goats 9 Welcome To The Record 10 Boner 11 Showbiz 12 Dinner In The Morning

SIDE B
1 Whippin' Around The Bay 2 Ceramic Butt 3 Poet 4 Ground "B" Sound 5 Joey Died Today 6 Minute 2 Live 7 Scabs (UNRELEASED 8 Ewoks (UNRELEASED) 9 Fear Of Murder (RARE)

-BONUS-
20 minute live improv acoustic set from 1984, captured as the band surprised business owners and passerby on the street by showing up unannounced with their instruments. (ONLY AVAILABLE WITH THE DOWNLOAD OF THE ALBUM, INCLUDED WITH THE PURCHASE OF THE LP)

1. Hey, It's Okay 2. Jeff Slater 3. You Can Eat Dinner If You Want To 4. Something In A / The Day After The Music Died 5. Jingle Bells / Leprosy 6. Purple Haze

A limited and numbered edition, pressed on vinyl for the first time. 

Tracklisting:

• Side One: 1.Tell All The People (Doors only mix), 2. Touch Me (Doors only mix), 3. Runnin’ Blue (Doors only mix), 4. Wishful Sinful (Doors only mix)
• Side Two: 1. Touch Me (Doors only mix w/new Robby Krieger guitar overdub), 2. Runnin’ Blue (Doors only mix w/new Robby Krieger guitar overdub), 3. Wishful Sinful (Doors only mix w/new Robby Krieger guitar overdub), 4. Who Scared You (Doors only mix)

Freshly unleashed from the vaults of Desco Records and remastered for the first time since its 1998 release, it is an honor to announce the re-release of one of the finest and most satisfying needle drops of the last 40 years. An album that needs no introduction, yet one is required...we're talking raw soul and heavy, heavy funk sung with aplomb by one of the best in the biz...Ladies and Gentlemen...Presenting! the Lee Fields' classic, Let's Get a Groove. And groove you shall, for this is supernova of soulful superiority. This album will feature an exclusive green splatter vinyl, and has been out-of-print for over a decade.

SIDE A: 1. Intro By Mr Fields 2. Let's Get A Groove On 3. Watch That Man 4. Hey Sallie Mae (Get Off My Feet) 5. Let A Man Do 6. What He Wanna Do 7. All By Myself SIDE B: 1. Put It On Me 2. Take It Or Leave It 3. Steam Train 4. I'm A Millionaire 5. Bad, Bad, Bad

Jalacy J. Hawkins, better known as Screamin' Jay Hawkins, was born on July 18, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R&B and jazz, using macabre stage props, absolute wildman persona and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit ''I Put A Spell On You,'' which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin' Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.

Recorded in 1969, years following his big hits, Screamin' Jay Hawkins' third album What That Is! showcases Hawkins in one of his most rowdy and compelling stages of his artistic career. With a killer backing band featuring the great Earl Palmer on drums for most of the cuts and Herb Ellis guesting on a few. We find Jay singing about life, love and loss as well as feasting Mau Maus and pain, REAL PAIN.

From the album notes- ''Producer's Note: This album was recorded live at the Club Amigo in North Hollywood on June 23rd and 24th, Nineteen Hundred and Yesteryear, and is dedicated to President Nixon, whose efforts to recapture the era of the early 50's do not pass unnoticed.'' We debated swapping out Presidents' names. Jay would have liked that.

LIMITED Fluorescent Orange colored vinyl exclusive to RSD
Packaging: Direct-to-board LP jacket, 180g vinyl

A1. What That Is! A2. Feast of the Mau Mau A3. Do You Really Love Me? A4. Stone Crazy A5. I Love You A6. Constipation Blues
B1. I'm Lonely B2. Thing Called Woman B3. Dig! B4. I'm Your Man B5. Ask Him B6. Reprise

Jalacy J. Hawkins, better known as Screamin' Jay Hawkins, was born on July 18, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R&B and jazz, using macabre stage props, absolute wildman persona and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit ''I Put A Spell On You,'' which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin' Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.

Recorded in 1970, Hawkins' fourth album finds the artist at a point of transition. Although Jay had found commercial success and his sales surpassed one million units, he had grown somewhat weary of his shock/voodoo/bogeyman persona and wanted to be taken more seriously as a singer. Luckily for us, Jay only tones down the yelling and the crooning and the grunting and the groaning marginally. The tracks here are every bit as wild as you would hope and a bit more mature (note: a very little bit).

Because Is In Your Mind, also known as Armpitrubber, is packaged in a wonderfully psychedelic painting by Karl Wirsom of the hugely influential Chicago art collective The Hairy Who.

LIMITED Opaque White/Blue Mixed colored vinyl exclusive to RSD
Packaging: Direct-to-board LP jacket, 180g vinyl

A1. Please Don't Leave Me A2. I Wanta Know A3. I Need You A4. My Marion A5. Bite It A6. Move Me
B1. Good Night My Love B2. Our Love Is Not For 3 B3. Ain't Nobody's Business B4. Take Me Back B5. Trying To Reach My Goal B6. So Long

The Hotrats (aka Supergrass’s Gaz Coombes and Danny Goffey) first released this collection of covers in 2010 and it has gone on to become a fan favourite. Produced by Nigel Godrich and re-issued for the first time, the album showcases the band’s classic rock influences with takes on David Bowie, The Kinks, Pink Floyd, Beastie Boys and more. Pressed on double 10” hot pink vinyl, this new 10th anniversary collection brings together the original studio album plus a selection of bonus tracks available on vinyl for the first time including "Mirror In the Bathroom" (The Beat), "West End Girls" (Pet Shop Boys) and "Drive My Car" (The Beatles). 

DISC 1 Side One
1. “I Can't Stand It” 2. “Big Sky” 3. “The Crystal Ship” 4. “(You Gotta) Fight For Your Right (To Party)”
DISC 1 Side Two
1. “Damaged Goods” 2. “Love Is The Drug” 3. “Bike” 4. “Pump It Up”
DISC 2 Side Three
1. “The Lovecats” 2. “Queen Bitch” 3. “E.M.I.” 4. “Up The Junction”
DISC 2 Side Four
1. “Mirror In The Bathroom” 2. “West End Girls” 3. “Drive My Car” 4. "Milkshake"

PRESSED ON BLUE & WHITE SWIRL VINYL!
Housed In A High Gloss Jacket With Each LP Tucked Into A Printed Inner Sleeve

Nasir "Nas" Jones' 2001 record Stillmatic was considered a major comeback for the 90s rap icon. It signaled a return to the gritty, urban chaos of his acclaimed debut album, after releasing record after record of gradually more mainstream material, and Nas' return to prominence in the highest echelons of hip-hop. In spite of this newfound critical clout, Stillmatic's release did nothing to squash his then ongoing feud with fellow New Yorker Jay-Z, who had gone so far as to challenge Nas to a pay-per-view rap battle, a challenge Nas rejected, stating "If Jay-Z wants to battle, he should drop his album the same day I do and let the people decide."

Nas fans never would get the no-holds barred lyrical battle with Jay-Z many had speculated. What they got instead was one of Nas' most personal and introspective releases to date in 2002. Not long after Stillmatic's release, Nas spent much of his time away from the limelight to tend to his ill mother, who would pass on from breast cancer in 2002. His experiences with his mother's mortality as well as the fallout of his feud with Jay-Z, who continued to produce diss tracks as Nas tended to his mother, would inspire much of the lyrical material on his next record. God's Son was released in December of 2002, and like Stillmatic before it, was subject to major critical acclaim.

On God's Son, Nas effectively took the battle-hardened demeanor he had cultivated and tore it down across 14 tracks that were emotionally insular, though still dusted in urban grit, and still finding time to shoot back at Jay-Z's potshots on tracks like "Last Real Nigga Alive" and "Mastermind." Assisting Nas was a slew of top-tier producers like The Alchemist, Eminem, Ron Browz, and Salaam Remi, over samples of James Brown, the Incredible Bongo Band, Fela Kuti, and Beethoven, and guest vocals from Alicia Keys, Kelis, Claudette Ortiz of City High, and even a posthumous 2Pac.

God's Son has been out of print on vinyl since its initial 2002 release, but Get On Down is excited to bring you this deluxe LP package for Record Store Day 2020, remastered from its original audio and pressed on exclusive colored vinyl!

A Side
1. Get Down, 2. The Cross, 3. Made You Look

B Side
1. Last Real Nigga Alive, 2. Zone Out (feat. Bravehearts), 3. Hey Nas (feat. Claudette Ortiz & Kelis), 4. I Can

C Side
1. Book Of Rhymes, 2. Thugz Mansion (N.Y.) (feat. 2Pac & J. Phoenix), 3. Mastermind, 4. Warrior Song (feat. Alicia Keys)

D Side
1. Revolutionary Warfare (feat. Lake), 2. Dance, 3. Heaven (feat. Jully Black)

Mannequin Records celebrates 40 years of Nocturnal Emissions with a white vinyl reissue of their first album, Tissue Of Lies, originally released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminiscent of early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz.

The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early '80s, Nocturnal Emissions hit London with a barrage of seminal funk pioneering the use of sound samplers, multi-cultural collage and electronic noise. They became a shape shifting chameleon lightening the darkness of post-industrial music, combining extremist performance art and video displays with apocalyptic beat music. Nocturnal Emissions have since been credited as a catalyst for a generation or two of sound workers. However, at the height of their success, the Emissions decided to shun the crass commercialism that had developed around them, and to develop their work as a secret alchemy. Nigel Ayers has continued to work with a strong underground of cult support, avoiding music industry fashions, and following his own creative path he concentrated on creating a strong sense of a wilderness identity through sound.

01. “When Were You Last In Control Of Your Dreams And Aspirations?” 02. “You Tempt Me” 03. “Limited Holocaust Engagement” 04. “Down The Sink” 05. “Shrubbish Factory” 06. “Slow Decay” 07. “Faith Invaders” 08. “Backwards Man - Regressive Music”

FIRST TIME EVER RELEASE FOR THE COMPLETE ALTERNATIVE SOUNDTRACK TO THE GROUP’S SEMINAL 2001 VIDEO COLLECTION BRILLIANT STUDIO RE-INTERPRETATIONS OF CLASSIC MATERIAL, INCLUDING ‘HELLO SKINNY’, ‘CONSTANTINOPLE’, ‘THIS IS A MAN’S MAN’S MAN’S WORLD’, THE ‘ONE MINUTE MOVIES’ AND MORE 2LP SET PRESSED ON ORANGE AND YELLOW VINYL AVAILABLE IN LIMITED QUANTITIES WORLDWIDE

Released to mark the turn of the new millennium in 2001, the “Icky Flix” DVD showcased The Residents’ award winning videos in glorious technicolor. To accompany those icky old films, the group also produced brand new recordings of each of the twenty songs, providing an alternate new soundtrack to some otherwise ancient visual material.
Inspired in places, plain ridiculous in others, “Icky Flix – The Original Soundtrack Recording” now brings together those Residential classics in their unedited entirety, as reworked by the group and singer Molly Harvey in the year 2000.
Familiar to fans, enticing to the curious and just too damn weird to everybody else, this is The Residents up to their old tricks again, reworking some of their favourite old tunes in their own style. Whether or not some members of the group ever realised they’d recorded the originals of those tunes in the first place is anybody’s guess.
Available exclusively for Record Store Day 2020, on coloured vinyl and in limited quantities worldwide.

SIDE A
1. ICKY IN?, 2. THE THIRD REICH & ROLL, 3. CONSTANTINOPLE, 4. HELLO SKINNY, 5. KICK A PICNIC, 6. MOISTURE, 7. ACT OF BEING POLITE, 8. PERFECT LOVE, 9. SIMPLE SONG, 10. SONGS FOR SWINGING LARVAE
SIDE B
1. WHERE IS SHE?, 2. VILENESS FATS (CONCENTRATE)
SIDE C
1. THIS IS A MAN'S MAN'S MAN'S WORLD, 2. STARS AND STRIPES FOREVER, 3. HARRY THE HEAD, 4. JELLY JACK THE BONELESS BOY, 5. THE GINGERBREAD MAN (CONCENTRATE)
SIDE D
1. HE ALSO SERVES, 2. BAD DAY ON THE MIDWAY (CONCENTRATE), 3. JUST FOR YOU (DISFIGURED NIGHT PART 7), 4. BURN BABY BURN, 5. ICKY OUT!

The Palace at 3AM is the first (and only) collaboration between the late Jay Bennett and his songwriting partner, Edward Burch.  After fronting Minneapolis legends Titanic Love Affair from 1994-2001 Bennett was a key member of the band Wilco, often co-writing songs on the band's early releases with Jeff Tweedy.  The power struggle was well documented in the Wilco documentary I Am Trying To Break Your Heart in which Bennett was fired as the cameras rolled.  The band was working on Yankee Hotel Foxtrot at the time.  Bennett immediately teamed up with Burch and The Palace at 4am was released on the same street date in 2002 as Yankee Hotel Foxtrot.  Hardcore Wilco fans loved the release and immediately started making comparisons on who was the real 'genius' of Wilco, Bennett or Tweedy. Bennett passed away suddenly in 2009 and with the blessings of his family, ten years after his death Schoolkids Records has teamed up with Edward Burch to release The Palace at 4am for the first time ever on vinyl for RSD 2020.  The album also includes the track "My Darlin'" which was also on Wilco's Yankee Hotel Foxtrot, re-recorded by Bennett for this release. Limited edition cloudy clear vinyl, 2xLP gatefold. Download card included

1. Puzzle Heart 2. Talk to Me 3. Whispers or Screams 4. Shakin' Sugar 5. C.T.M. 6. Drinking on Your Dime 7. My Darlin' 8. No Church Tonite 9. Fireworks 10. Forgiven 11. Like a Photograph 12. Venus Stopped the Train 130 California 14. Little White Cottage 15. It Hurts

A re-issue of The Black Crowe’s “Jealous Again” 12” vinyl single to celebrate the 30th anniversary of the iconic Shake Your Money Maker album.  Features the hit single “Jealous Again” on Side A, backed with “Waitin’ Guilty” and “Thick N’ Thin” on Side B.

SIDE A –
1. Jealous Again (Album Version)
SIDE B –
1. Waitin’ Guilty 2. Thick N’ Thin (Album Version)

A rare recording of Lenny Bruce, fully authorized by Lenny's daughter Kitty Bruce, unlike the majority of the bootleg material that has been released in the past. This release was only ever sold in limited copies at clubs, directly by Lenny to fans. 

Founder Marie Daulne's mixed cultural roots--Walloon and Bantu (Belgian and Pygmee)--were the stimulus for her musical creation. After studying with the Bantu and in Europe, she organized Zap Mama as an instrument to meld a synthesis of these previously separate traditions. She instantly stood the vocal world on its head by mixing multiple musical styles, performing them with a group of women who created such rhythmic wonder that everyone sat up and took notice. This, their first release, has many tunes with Pygmee yodel and chant, a 16th century Spanish song, a Cuban song, and elements of Syrian songs. It was the first World Music 'hit' selling over 200,000 copies in the US alone. Available for the first time on vinyl. And on magenta splatter color vinyl too!

1. Mupepe 2. Bottom 3. Brrlak! 4. Abadou 5. Take Me Coco 6. Plekete 7. Mizike 8. Babanzele 9. Din Din 10. I Ne Suhe 11. Guzophela 12. Nabombeli Yo 13. Marie-Josee 14. Ndje Mukanie 15. Son Cubano

Four tracks of previously unreleased Don Cherry material, including three new compositions. 

SIDE A: 1. The Ambassador from Greenland 2. You Took Advantage of Me SIDE B: 1. Priceless 2. Nigeria

Double 180gm vinyl LP pressing Includes the bonus track "Shadow of Your Love" - recorded in 1986, originally released on the 2018 Locked N' Loaded edition of Appetite For Destruction. Greatest Hits is a compilation album by the American hard rock band Guns N' Roses. Originally released in 2004, it reached number one on the UK Albums Chart and number three on the Billboard 200 chart upon it's release.

Record Store Day exclusive.

The Weeknd's latest chapter via XO/Republic Records, After Hours, features global hits like "Heartless" and "Blinding Lights". Filtering R&B, pop, and hip-hop through an ambitious widescreen lens, quietly took over popular music and culture on his own terms. As a result, the multi-platinum two-time GRAMMY® Award winner has emerged as one of the most successful and significant artists of the 21st century. Double LP Set housed in gatefold jacket packaging.

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the ongoing Gleam series. Indie 180-gram LP w/ exclusive poster.

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.

Double vinyl LP pressing. 2020 release. Run the Jewels, the dynamic duo of rap, continue their scintillating journey into the hearts and minds of music lovers everywhere with their greatest album to date - RTJ4. And like it's predecessors, RTJ4 is rooted in hip hop fundamentals - two brilliant MC's letting loose over brilliant beats - while extending it's reach into various worlds. The album includes collaborations with Pharrell Williams, Zack de la Rocha, Josh Homme, Mavis Staples, 2 Chainz and DJ Premier, and was recorded primarily at Rick Rubin's Shangri La Studios and the iconic Electric Lady Studios in NYC.

Post Malone stirs a mix of genres into his own sonic sound that's both intoxicating and invigorating. 2019 was packed with one milestone and achievement after another for the Dallas artist and with his latest album, Hollywood's Bleeding, he broke through to new levels of stardom. Now, for the first time on vinyl. Includes Post's smash singles like "Saint-Tropez", "Circles", "Wow.", and "Sunflower".

He is unmatchable in flow, delivery, and voice. Danny Brown has all the tools to be the greatest working rapper-PITCHFORK Atrocity Exhibition is one of the freshest and boldest-sounding rap albums in recent memory, a sonic swirl inspired by the work of Talking Heads and Joy Division that nonetheless sounds like nothing else from the past or present. Featuring contributions from producers like Evian Christ, Petite Noir (who also lends vocals to the world-weary clang of Rolling Stone), Black Milk, the Alchemist and frequent collaborator Paul White, the album is full of laser-beam guitars, gym-teacher whistles, creaking vocal samples, and air-raid drones. It is the most intriguing take on hallucinatory rap since the heady heights of Cold Vein or Madvillainy.

Double Vinyl LP pressing. Strut and Art Yard join forces for a special release to mark what would have been Sun Ra's 100th birthday with IN THE ORBIT OF RA, a 2014 collection curated by the longest serving member of the Arkestra and current bandleader, Marshall Allen. Bringing together Ra highlights from over 25 years of music, the album is the first internationally released compilation to provide an introduction to the music of Sun Ra, curated personally by the Arkestra and mastered from the original tapes.

180 gram vinyl LP pressing. On the title track of 1976's Zombie, Fela and the backup singers ridicule the mindset of men in uniform over an urgent, quick-march accompaniment from Afrika 70. "Attention! Quick march! Slow march! Salute!" sings Fela, "Fall in! Fall out! Fall down! Go and kill! Go and die! Go and quench!" Each phrase is followed by the women singers' taunting response, "Zombie!" Just a few months later on 18 February, 1977, around 1,000 soldiers, most of them armed, swooped on the Kalakuta Republic. Fela was badly beaten, sustaining a fractured skull and several broken bones. His mother, then aged 77, was thrown out of a window, fracturing a leg and suffering deep trauma. The army then set fire to the compound and prevented the fire brigade reaching the area. The blaze gutted the premises, destroying six Afrika 70 vehicles, all Fela's master tapes and band equipment, a four-track recording studio, all the residents' belongings and, for good measure, the free medical clinic run by Fela's brother, Dr Beko Ransome Kuti (who was also severely beaten in the attack). The first journalists to arrive on the scene were assaulted by soldiers. Inquisitive passers-by were similarly set upon. The army didn't want any witnesses.

Long acknowledged as Americas premiere folk guitarist, Arthel Lane Doc Watson was born in what was then the tiny rural community of Deep Gap, North Carolina in the heart of the Blue Ridge mountains on March 3, 1923. Surrounded by music and musicians, Doc and his siblings grew up listening to hymns, murder ballads and down home string band music, all of which would later find places in his own repertoire. In 1953, Doc formed a honky tonk dance band with pianist Jack Williams called Jack Williams and his Country Gentlemen. Their repertoire consisted primarily of rockabilly, country and western, pop standards and square dance tunes, and Doc played electric guitar in this ensemble. To fill occasional square dance requests, Doc learned to flatpick fiddle tunes on the guitar, as Joe Maphis had done in the 1930s. Unlike his contemporaries Chet Atkins and Merle Travis, who started their professional careers playing acoustic guitars and later switched to electric, Doc began on electric and later made the transition to acoustic with the advent of the folk revival of the Sixties. Although he continued to work with Williams playing country and pop music, Doc never stopped playing traditional mountain music with his family and friends at home. These included Clarence Tom Ashley, Docs father-in-law Gaither Carlton, and two other neighbors, fiddler Fred Price and guitarist Clint Howard, all of whom would travel and record with Doc in the future. It was in these comfortable home surroundings that Doc was first discovered and recorded by folklorist Ralph Rinzler and collector and discographer Eugene Earle, who were on a collecting trip through North Carolina looking for traditional artists to record. Once these field recordings were released, as Old Time Music at Clarence Ashleys Vol. 1 (and later Vol. 2) on Folkways Records, Docs reputation grew, and he soon began playing for enthusiastic urban audiences farther from home.

Lord Quas' first solo 12" on Stones Throw Records! Features three songs also available on Quas's The Unseen, but get 'em here with artwork by DJ Design. Instrumentals too.

Strut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. Covering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973. By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis. After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time. In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.

John Prine's 2000 release Souvenirs was a reimagining and re-recording of some of John's favorite songs throughout the years. For the first time, this record will be available via a double LP vinyl.

Features the original "11 Outlined Epitaphs" insert. This LP is the MONO version. The Times They Are a-Changin' is the third studio album by American singer-songwriter Bob Dylan, released on January 13, 1964 by Columbia Records. Produced by Tom Wilson, it is the singer-songwriter's first collection to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s. Some critics and fans were not quite as taken with the album as a whole, relative to his previous work, for its lack of humor or musical diversity. Still, The Times They Are a-Changin' peaked at #20 on the US chart, eventually going gold, and belatedly reaching #4 in the UK in 1965.

Madvillain: Madlib, MF Doom. Additional personnel includes: Lord Quas, M. E. D. , Wildchild, Viktor Vaughn, Stacy Epps. Two years in the making, and combining two of the best underground hip-hop artists of the early 2000s, this collaboration between MF Doom and Madlib has been appropriately dubbed MADVILLAINY. With both men known for their stunning soundscapes, rhyming skills, and schizophrenic personalities, the duo decided to have Madlib concentrate on the beats and let Doom handle the lyrics. In mixing their comic-book-like personas, Madlib and Doom play to their nearly superhuman strengths; while some other collaborations of this caliber seems forced and lop-sided, there is absolutely no filler here-just undiluted beats and rhymes, best exemplified by the singles "America's Most Blunted" and "All Caps. " Lib's inventive production leans towards the jazzy side of his repertoire, and Doom unleashes outrageous lyrics on par with his solo efforts (and even his work as Zevlove X in his stint with K. M. D. ). Never flashy or glamorous, MADVILLAINY is served straight up, the way hip-hop was meant to be.

Exquisite set of cover songs by Nashville-based Sunshine Pop band, “The Explorers Club”. Ten-song-set is chock full of hits, misses and other delights from the 1960s. Album features guest vocals by former Barenaked Ladies front man Steven Page, and Drive-By Truckers member, Jay Gonzalez. Three previous albums: “Freedom Wind” (2008), “Grand Hotel” (2012) and “Together” (2016) and of course their “self-titled” album (2020) which is being released around the same time as “To Sing And Be Born Again”. Brainchild of Charleston, SC native Jason Brewer, the only constant “member” of The Explorers Club over the band’s lifespan Brewer re-unites with Freedom Wind and Grand Hotel producer, Matt Goldman (Copeland, Underoath, Smalltown Poets, etc). New contributors to this set include Shane Tutmarc (Dolour, Sean Nelson,) Page and Gonzalez, as well as vocals from former Explorers Club member Wally Reddington and past contributor Brian Langan Brewer, Tutmarc, and Goldman recorded most of

Al Green's first release for Hi Records, celebrating its 50th anniversary with a special split green/blue 180g vinyl release, with liner notes and a tip-on jacket. Available first at record stores for Record Store Day 2020. 

1. “One Woman” 2. “Talk To Me” 3. “My Girl” 4. “The Letter” 5. “I Stand Accused” 6. “Gotta Find A New World” 7. “What Am I Gonna Do with Myself?” 8. “Tomorrow's Dream” 9. “Get Back Baby” 10. “Get Back” 11. “Summertime”

Sweet Revenge is the third album by American folk singer and songwriter John Prine, released in 1973. Prine started veering rock 'n' roll on this 1973 album, and the result was one of the toughest "folk" albums ever recorded. Contains the fan favorite "Dear Abby".Limited 180 gram vinyl LP pressing.

Indie only.

John Prine is the debut album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album features some of Prine's most heralded compositions, including "Sam Stone", "Paradise" and "Hello In There". Vinyl LP pressing.

John Prine's fourth studio album Common Sense was produced by Steve Cropper and was recorded at Ardent Studios in Memphis and Larabee Studios in Los Angeles. The album features contributions from Bonnie Raitt, Glenn Frey, Jackson Browne and Steve Goodman. Bassist Donald "Duck" Dunn, who played in Booker T and the MGs with Cropper, plays on "Forbidden Jimmy" and "Saddle In The Rain". Limited 180 gram vinyl LP pressing.

Indie only.

Diamonds in the Rough is the second studio album by American country-folk singer-songwriter John Prine, released in 1972. John Prine's second studio album including "Sour Grapes" and "Souvenirs". Limited 180 gram vinyl LP pressing.

Reissue on vinyl of the third PJ Harvey studio album To Bring You My Love. Produced by PJ Harvey with Flood and John Parish, and originally released in February 1995, To Bring You My Love features the singles `Down By The Water', `C'mon Billy' & `Send His Love To Me'. The album - which celebrates its 25th Anniversary this year - received wide critical acclaim on release, with nominations for Grammy Awards and the Mercury Music Prize. Reissue is faithful to the original recording and package.

10 track collection of previously unreleased demos of all songs from the third studio album by PJ Harvey - To Bring You My Love - from 1995. Includes demo versions of the singles `Down By The Water', `C'mon Billy' and `Send His Love To Me'. Audio has been mastered by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator John Parish. Features brand new artwork with previously unseen photos by Maria Mochnacz.

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled WE ARE CHAOS was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture. "Making this record, I had to think to myself: Tame your crazy, stitch your suit, try to pretend that you are not an animal. But I knew that mankind is the worst of them all.”

Debut album.

Limited double 180gm vinyl LP pressing. 2017 marks the 40th anniversary of one of the best-selling soundtracks of all time, Saturday Night Fever. Composed and performed primarily by the Bee Gees, the album was certified 15× Platinum for shipments of over 15 million copies in the United States alone. The album stayed atop the album charts for 24 straight weeks from January to July 1978 and stayed on Billboard's album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at #1. The album epitomized the disco phenomenon on both sides of the Atlantic and was an international sensation. The album has been added to the National Recording Registry in the Library of Congress for being culturally significant.

The Pale Emperor was the exposition, an introduction to a renaissance in our hero’s storied existence. 

Heaven Upside Down is the climactic scene where our hero paints the town red with the blood of tourists - relentlessly chasing, taunting and eviscerating the traitors and betrayers. 

The tourist, traitor and betrayer could be you.

2LP Black Vinyl

17 track vinyl edition.

Hot Fuss is the debut studio album by American rock band The Killers. Now available on 180 gram vinyl for the first time! Hot Fuss produced several commercially and critically successful singles: "Mr. Brightside”, "Somebody Told Me", "All These Things That I've Done" and "Smile Like You Mean It".

Vinyl LP repressing of this 1992 album, released to coincide with the album's 20th Anniversary. Pi*ed off and angry is the best way to describe Rage Against the Machine's first album. A fierce mix of hip-hop, punk & heavy rock exploded all over the music scene in 1992. At first sight an unlikely band; Tom Morello, a nerdy guitar hero who played his guitar like a DJ, political activist Zack de la Rocha who spitted out his lyrics with a vengeance. Together with Brad Wilk on drums and Tim C. on bass they produced one of the most angry records of 90's. The album even contained, dare we say it, hit singles like 'Killing in the name of' and 'Bullet in the head'. Put the needle on the record and get blown away (again)!

Vinyl LP pressing of the mono edition of this classic Rock album. The sensational sophomore release of the Jimi Hendrix Experience highlights Hendrix's own evolving musical experimentalism and acknowledges his early musical influences of soul and R&B. Remastered from the original two-track mix-down master tapes, Axis: Bold As Love's 13-songs show the evolving trio as they neared the height of their career. Features the seminal classics "Spanish Castle Magic," "Little Wing," "Castles Made of Sand," and the classic Easy Rider anthem, "If 6 Was 9." the original monophonic mixes have been transferred from the original master tapes using Grundman's all analog mono mastering process.

DAMN. [Explicit] by Kendrick Lamar - Damn (stylized as DAMN.) is the fourth studio album by American rapper Kendrick Lamar. It was released on April 14, 2017, by Top Dawg Entertainment, Aftermath Entertainment and Interscope Records. The album features production from a variety of record producers, including executive producer from the Top Dawg Entertainment label-head Anthony "Top Dawg" Tiffith, Sounwave, DJ Dahi, Mike Will Made It and Ricci Riera; as well as production contributions from James Blake, Steve Lacy, BadBadNotGood, Greg Kurstin, The Alchemist and 9th Wonder, among others. Kendrick Lamar ?- DAMN.