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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1975, The biggest difference with Nuthin' Fancy is that the band, through touring, has become heavier and harder, fitting right in with the heavy album rock bands of the mid-'70s. The album was their first to reach the Top 10, peaking at #9 on the US albums chart. Includes the tracks 'Saturday Night Special', 'I'm A Country Boy', 'Whiskey Rock-A-Roller' and more.
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Vinyl LP pressing. Four time Grammy Award winner Jason Isbell and The 400 Unit reissue two of the group's earliest albums - 2009's self-titled Jason Isbell and The 400 Unit and 2011's Here We Rest - both remixed by Grammy Award-winning producer Dave Cobb and remastered by Pete Lyman. These records contain some of Isbell's most beloved fan favorites, including "Alabama Pines," "Codeine," "Cigarettes and Wine," "The Blue" and "Tour Of Duty". Jason Isbell and the 400 Unit marked the former Drive-By Truckers member's second solo release and his first with the powerful and nuanced 400 Unit. Co-produced by Isbell and the 400 Unit with Matt Pence, the album was recorded at the renowned Fame Studios in Muscle Shoals, AL and follows in the tradition of American songwriters who have recorded in North Alabama. Much like Arthur Alexander, Eddie Hinton and Spooner Oldham, Isbell mixes a soulful vocal style with songs that are passionate and unrepentant in their sense of place and direct in their stubborn Southerness.
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Bad Brains

Bad Brains ?- Live

Vinyl: $24.98 UNAVAILABLE

MP3 Album: $9.99 Download

Bad Brains ?- Live ORIGINALLY RELEASED 1988. In 1986, Bad Brains signed with SST Records and released I Against I, which, in addition to their hardcore punk and reggae sounds, introduced a heavy metal/funk hybrid sound. H.R. provided the vocals for "Sacred Love" over the phone from the Lorton Reformatory while doing a bid for a cannabis charge.

Format: Vinyl, LP, Album Style: Hardcore, Punk

CREDITS:

  • Bass - Darryl
  • Drums - Earl
  • Guitar - Dr. Know
  • Vocals [Throat] - H.R.
  • Producer, Mixed By - Phil Burnett
  • Mixed at Sigma N.Y.C. - and El Dorado.
  • Mastered By - John Golden
  • Lacquer Cut By [Mastering Engineer At K Disk Mastering]
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HISTORY OF HOSTILITY, a nine-track Pantera primer that includes some of Pantera's most legendary tracks from all five studio albums.
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Lou Reed

Rock N' Roll Animal

Vinyl: $19.98 UNAVAILABLE

MP3 Album: $4.99 Download

Limited 120gm vinyl LP pressing of this 1974 live album from the Rock icon. Sony. 2012.
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PJ Harvey

Dry [LP]

Vinyl: $24.98 Buy

MP3 Album: $11.49 Download

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Dry is PJ Harvey’s stark, seminal 1992 debut album ... a fully-formed call-to-arms! Features "Dress" and "Sheela-Na-Gig". Back in print, the LP is pressed on 180-gram vinyl.


Also Available

PJ Harvey - Dry – Demos [LP]   Peaky Blinders [TV Series] - Peaky Blinders Original Music From The TV Series [2CD]

Dry – Demos
CD / LP

Peaky Blinders
Original Music
From The TV Series
2CD / 3LP

PJ Harvey - Dry [LP]
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‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

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Limited purple and black splatter colored vinyl LP pressing. You know it's Danzig the moment you hear him. It's not just that inimitable voice either. It's the thick airy guitars, bluesy swagger, and "come hither" evil that placed him at the forefront of a number of musical revolutions due to his ingenuity, horror and punk formally collided with The Misfits' genesis in the '70s. Anytime you see that iconic Misfits skull, you'll immediately think of his howl fueling punk classics like 82's Walk Among Us or 83's Wolf's Blood/Earth A.D. His vision for Samhain and albums such as Initium and November-Coming-Fire, indelibly impacted the landscape of extreme music, fortifying the crossroads between heavy riffs and occult imagery so prevalent these days. Then, there's his eponymous band - Danzig. 88's self-titled debut would go platinum and yield classics including "Mother," "Twist of Cain," and "She Rides," while overall sales across his catalog exceed 10 million worldwide to date.
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Limited double vinyl LP pressing of this album by the American rockers. The Southern Harmony And Musical Companion is the second album by The Black Crowes, released on May 12, 1992. It was the first record by the band to feature Marc Ford on lead guitar, replacing Jeff Cease, who was fired the year before. The album's name derives from the full name of the Southern Harmony, an influential 1835 hymnal compiled by William Walker. It features four hit singles; "Remedy" (#1 on the Album Rock Tracks chart for 11 weeks), "Thorn in My Pride" (#1 on the Album Rock Tracks chart for four weeks), "Sting Me" (#1 on the Album Rock Tracks chart for two weeks), and "Hotel Illness" (#1 on the Album Rock Tracks chart for six weeks). It was a record for an album to feature four album-rock #1 hits (previously set by Tom Petty in 1989, with three). The album itself reached the top spot of the Billboard 200 album chart, propelled by the success of these singles.
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Galaxie 500

Today [Remastered]

Vinyl: $18.98 UNAVAILABLE

MP3 Album: $9.99 Download

When Galaxie 500's Today was released in 1988, it set off a chain reaction of quiet explosions still being felt. Never before had a record so emphasized the calming elements of rock music, transforming what at first seems like a collection of bridges into fully realized songs. And one can draw a straight line from here to the many groups they influenced, like Low, Belle & Sebastian, and Bon Iver. Today is full of idiosyncrasies. The trio of Damon Krukowski, Dean Wareham, and Naomi Yang were recent Harvard grads who intuitively eliminated any histrionic tradition to rock songs, leaving core emotion (not for nothing did they include a cover of "Don't Let Our Youth Go to Waste," by the kings of feeling, the Modern Lovers). It was produced by Mark Kramer, who was best known for his work with cataclysmic slop rock pioneers such as Bongwater, Ween, and King Missle. The band's hometown of Boston was just coming out of it's love affair with Mission of Burma and pouncing upon the spasmodic electricity of the Pixies. Despite, or perhaps because of, all these elements, Today thrived. More than 20 years after it's initial release, it's title is still no misnomer. The music, recorded with what many thought at the time was too much reverb, sounds present, alive, and indeed a product of today. Songs like "Flowers," "Temperature's Rising," and of course "Tugboat" (the band's debut single) stand the test of time and exist in an eternal now. For the first time since it's original pressing, Today is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years."
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Vinyl LP pressing. Digitally remastered edition of the first album by titans of punk and metal. Pain Of Mind marks the inception of one of the weirdest and most powerful bands there ever was as they begin their odyssey through the sonic landscape: thirty-three years, thirteen albums and counting. These gritty punk songs bear little resemblance to what Neurosis would become, but the future was written here, and if you listen closely to these kids-barely out of high school at the time, you can hear their early influences: the guitars and existential anguish of Amebix and Rudimentary Peni, the passionate politics of Crass, the heaviness of Sabbath-and here, too, they lay the foundation for some of their enduring concerns: the pursuit of transcendence, and contemplation on the downward suck of despair. With Pain of Mind, Neurosis sunk their claws into the hearts and minds of the East Bay scene like no one else.
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After producing two albums celebrated by a thirsty underground network of fans, Galaxie 500 released what turned out to be their unexpected swansong, This Is Our Music. The title is an intentionally declarative statement. After being labeled masters of the disengaged and forlorn, Damon Krukowsi, Dean Wareham, and Naomi Yang delivered a full-length comprised of their most stately material. Here, one can hear potential realized, as well as changes afoot. "Fourth of July" is a surprisingly up-front song for the band, with rolling drums and a bass-heavy refrain, and it proved to be their most popular single. The track sets the stage for the dynamism of This Is Our Music, When Galaxie 500 sounds wistful ("Summertime"), it sounds like years of yearning actualized; when the band sounds regretful ("Sorry"), it comes pleading on it's knees. The trio found a beautiful balance between increased production values and knob-twiddler Mark Kramer's odd-handed approach. For the first time since it's original pressing, This Is Our Music is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.
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2005 Best Country Album Grammy Winner. 2005 Best Country Collaboration With Vocals Grammy Winner. Featuring members of The Greenhornes, The Raconteurs, and Blanche. For fifty years now, Loretta Lynn has fashioned a body of work as artistically and commercially successful—and as culturally significant—as any female performer you’d care to name. Except it was her song craft that established a sweet, clever, and combative lyricism that, when paired with her effortless melodies, inevitably helped define any and all relevant country music that emerged in its wake. Her music has duly confronted many of the major social issues of her time and ours, while her life story is a rags-to-riches tale familiar to pop, rock and country fans alike. The Coal Miner’s Daughter—the tag refers to a hit single, an album, a best-selling autobiography, an Oscar-winning film, and to Lynn herself—has journeyed from the poverty of the Kentucky hills to Nashville superstardom, to her current status as an honest-to-goodness American icon. Her most recent album, the Jack White-produced Van Lear Rose, has reminded the world yet again of Lynn’s power as a vocalist and her prowess as a songwriter. As she puts it on “Story of My Life,” the new album’s closing track: “Not half bad for this ol’ KY girl, I guess… Here’s the story of my life. Listen close, I’ll tell it twice.”
Loretta Lynn - Van Lear Rose [Vinyl]
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The original 500 7”s are considered the Holy Grail of WSP recordings! These exact replicas (down to the 45 RPM Spider Inserts being included and the white sleeves) are going to make a whole bunch of Panic fans happy just in time for the holidays.

**Limited to 2,000 copies**

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Britney Spears’ Deluxe version of “Glory” is now available on opaque white vinyl! The 2 LP set includes all 17 tracks originally featured on “Glory,” two never before released songs and remixes of “Mood Ring.”

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Limited edition 2011 reissue on 180-gram vinyl. Until this album's initial release in 1956, Chet was known strictly as a trumpeter. A remarkably talented trumpeter. "Chet Baker Sings" changed that, and Chet became a noted singer, too. Originally produced in 1956 as just a 10" LP, this 2011 reissue features 14 tracks that showcase his strengths at the mic. His warm vocals embrace a song just as his trumpet does. How can you resist his renditions of "That Old Feeling," "It's Always You," "But Not for Me," "There Will Never Be Another You" and later songs such as "Time after Time" and "The Thrill Is Gone." Joining him on the album are pianist Russ Freeman, bassist Carson Smith and drummer Bob Neel.
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From their place at the bottom of the world, outside of the traditional jazz and soul centers, Australia's groove-led musicians have struggled for recognition on the world stage. But all of that is changing as increasingly the country's vital community of close-knit, broadly adventurous players command the attention of international audiences. Bouncing off the selections of independent radio DJs and esoteric record store collections, these musicians jump across African diaspora music traditions - from funk to house music, hip-hop to Ethio-jazz - before pollinating those rhythms with a uniquely Australian flavor. This magpie-like curiosity forges new sounds and forms - all of which can be found on 'Seven Wonders', a new compilation by Plug Seven Records and Wondercore Island. 'Seven Wonders' is testament to Wondercore's relentless support of Australia's forward-thinking beat makers and neo-soul bands; and to Plug Seven's commitment to the magic of analog music, as seen at it's Melbourne record store and nearby studio. It's in this laneway studio filled with recording equipment dating back to the 1940s where the bulk of 'Seven Wonders' was recorded to tape by Plug Seven founder Ari Roze. Recorded largely over two weeks, the majority of the tracks on 'Seven Wonders' were captured in one take, bottling the raw energy and virtuosity of Melbourne's most accomplished, established and emerging players. There's an antipodean take on P-Funk from Laneous, characteristically enigmatic vocals from soul singer Allysha Joy, and a free-flowing instrumental cut from Sampa the Great collaborator Dave Rodriguez, aka GODTET. Several tracks include production and background instrumentation from Hiatus Kaiyote's rhythm section Perrin Moss and Paul Bender. 'The record captures the spontaneity of live performance in Melbourne. You go out and see one-off collaborations between artists, so much cool stuff goes on, I knew we could recreate that energy in the studio,' says Roze. 'Melbourne has different levels and types of musicians from all genres, there are a lot of music venues, and public radio stations like RRR and PBS, have programming which is free form and collector led, meaning you have a wide range of very niche music being aired', continues Roze. 'Local people grow up listening to choice selections from incredible record collectors, and it shows in their response to the music.' The lead single from 'Seven Wonders', 'Custard Shoulder', comes courtesy of rising Melbourne eight-piece WVR BVBY. It's a swirling, downbeat, jazz-funk reverie and builds on the solid foundation of last year's full length debut LP from the stellar group, who have gone onwards & upwards with a feature set at Meredith Festival upcoming this year. The compilation's second single 'Sweet Water' by celebrated jazz pianist and composer Barney McAll shifts gears and time signatures. It's soothing opening gives way to Cuban bata drums, McCall's Rhodes excursions and a hook provided by a bulbul tarang - a string instrument from India and Pakistan derived from the Japanese taishogoto harp. It moves through chaos and confusion to find triumph and finally, peace. A double A-side single, McAll's track comes backed with 'Drifting' by the groundbreaking 30/70 Collective. The track has buzzing flashes of synthesizer and a taught but intoxicating atmosphere that speaks to the excitement of impending change. Elsewhere, James Macaulay Quartet - made up of four trombonists - slinks through traditional jazz harmonics; GODTET creates a gauzy time-machine of ambient, sample-based jazz that innovates while paying respect to tradition; Jazz Party's track 'Waiting' moves away from the band's characteristic New Orleans-indebted sound to deliver a rousing slice of pure '70s rhythm and blues; Raw Humps lays on heavy funk and psychedelia; and 'Improvisation #2' by Vinod Prasanna, Greg Sheehan, and Perrin Moss is a percussive excerpt from a four-hour, post-meditation, improvisation session. 'Two artists on the record may be at the opposite ends of the jazz or soul spectrum, but the artists are part of this creative patchwork,' says Wondercore Island founder Si Jay Gould. 'We tried to show how these pieces come together.' From traditional jazz and soul, to esoteric experimentation, the breadth of styles showcased on 'Seven Wonders' is testament to Australia's deep understanding of jazz, soul and groove-led music's roots. It's a snapshot of a moment in time in which Australia's players are moving from the confines of house parties and local clubs to claim their spot on the world stage. And they're doing it thorough a deep, transcendent connection with audiences. 'Under the larger umbrella of soul music and improvisation there's a searching for a greater feeling, a spiritual connection,' says Gould. 'Music tries to fill that gap in human experience. The genres we're trying to distill on 'Seven Wonders' belong to spiritual musical traditions and there's really strong fragments in each sub-genre on the record.
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Opaque Tan Indie Retail Exclusive. Philadelphia-based indie rockers, The Menzingers made great use of their free time during this summer's stay at home order by recording a "re-imagined" acoustic version of their brilliant 2019 album "Hello Exile." Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On From Exile, the band took their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, they ultimately maintain the irrepressible spirit that's always defined the band. These acoustic interpretations show once again how beautifully crafted these songs really are.
The Menzingers - From Exile [Indie Exclusive Limited Edition Opaque Tan LP]
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Antibalas new studio album, Where The Gods Are In Peace, is an epic Afro-Western Trilogy searching for solace from American political opportunism, greed and vengeance. Through its battle cry of resistance against exploitation and displacement, Antibalas long-form compositions investigate oppression in 1800s America that eerily mirror the current state of the country. Three explosive original arrangements cultivate an urgent call to heal a broken system. Ultimately, the sonic excursion lands on an island where love is our first instinct. A new ideology is born opening our hearts to the possibilities of living as one unified people, where all gods are equal and together we prevail.

True to traditional form, Where The Gods Are In Peace pays respect to the forefathers of Afrobeat with compositions spanning nine to 15 minutes in length. With a blessing from the Fela Kuti legacy early in the band s career, Antibalas has long been revered for re-popularizing the classic Afrobeat sound while adding their distinct New York City grit to the mix. Influences of punk rock, free jazz, and hip-hop seep into their expansive works to define a truly 21st century translation of the Afrobeat genre and beyond. Vinyl includes download code.

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Gene Clark

No Other

Vinyl: $20.98 Buy

Gene Clark’s 1974 masterpiece gets the reappraisal it’s long overdue. On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short- lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make. Although received warmly by critics, it flopped and was soon deleted, a failure Gene never came to terms with. However, as The New York Times wrote around the record’s 40th anniversary in 2014, “hindsight has burnished No Other, as it has redeemed other albums that went on to be reconstructed as rock repertory, like Big Star’s Third/Sister Lovers and Lou Reed’s Berlin,” with the album now being increasingly recognized as one of the greatest of its time, if not all time. 45 years on and recently remastered at Abbey Road, 4AD are giving No Other the reappraisal it deserves. The original eight track album is being released on both CD and LP, while a limited run double CD edition in a hardbound book cover is also coming which includes a bonus disc of alternate studio versions of each track plus a recording of “Train Leaves Here This Morning” (an Eagles hit in 1972, written by Gene and Eagles founding member Bernie Leadon). Excitingly, the deluxe boxset edition fans have been waiting decades for has also been lovingly curated. An extremely limited item, the box contains the LP, three SACDs (the original album in an authentic Japanese vinyl replica sleeve plus two more discs of session mixes), an exclusive 7”, a comprehensive Blu-Ray disc which includes HD versions of all tracks, a stunning 5.1 surround mix of the album, the original 1974 vinyl master and an exclusive documentary by Paul Kendall (the director responsible for the acclaimed 2013 film, The Byrd Who Flew Alone: The Triumphs and Tragedy of Gene Clark), and a hardbound 80 page book which features essays, extensive liner notes and previously unseen photos. “One of the greatest albums ever made. Initially celebrated for its obscurity, No Other is now celebrated for its magnificence. It was in every way a magnum opus: epic, sprawling, poetic, choral, rococo.” -The Guardian UK

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In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

Pylon - Chomp [Indie Exclusive Limited Edition Opaque Red LP]
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A complement to the 50th anniversary release of Live at Home With His Bad Self (which itself is an expansion of a 1969 live show that was heavily edited into the LP 'Sex Machine'), this RSD Black Friday exclusive is the after-show set, featuring extended versions of rare (released) cuts, new mixes, a duet with Marva Whitney and some revealing stage patter.

Side 1: 1. “Baby Here I Come (false start & complete take)” 2. “Spinning Wheel (take 1)” 3. “Spinning Wheel (take 2)”

Side 2: 1. “Rehearsal” 2. “Respect” 3. “A Talk With James Brown/You Got To Have A Job” 4. “Fat Wood (rehearsal)” 5. “Fat Wood”

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In early 1965, Chuck Berry’s career was making a resurgence on the back of The Beatles and The Rolling Stones covering his songs on their early records. Chuck Berry In London (1965) was the answer to that British revival, and it is considered one of his best efforts of that period. This masterpiece contains eight songs recorded in London in early 1965, backed by the UK R&B group The Five Dimensions, plus other tracks belonging to a December 1964 Chicago session with the Jules Blattner Group. 180g LP. First official reissue in over 50 years.

Side 1: 1. “My Little Love-Lights” 2. “She Once Was Mine” 3. “After It's Over” 4. “I Got A Booking” 5. “Night Beat” 6. “His Daughter Caroline” 7. “You Came a Long Way From St. Louis”

Side 2: 1. “St. Louis Blues” 2. “Jamaica Farewell” 3. “Dear Dad” 4. “Butterscotch” 5. “The Song of My Live” 6. “Why Should We End This Way” 7. “I Want To Be Your Driver”

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Athens, Georgia has always been a hotbed for creative independent music. There exists a spirit that can be hardly found anywhere else in the world. The band Pylon emerged in the late ‘70s and early ‘80s out of art school and combined this spirit with their new wave, post-punk jangle pop and would come to influence the American pop and alternative scenes for decades to come. In celebration of the 40th anniversary of their first release, New West Records is proud to partner with the band for a reissue of their first 7" single. 

SIDE A:.”Cool” SIDE B: “Dub”


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Assembled by Frank Zappa 50 years ago in response to the multitude of bogus compilations being created by his previous record company, Mothermania contains exclusive mixes and is treated with All Analog production from the original 1969 master tape by Bernie Grundman at Bernie Grundman Mastering, 2019. Pressed on 180g audiophile vinyl by Pallas MFG.

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Vinyl LP pressing. Twenty years ago, in April 1999, Ipecac Records was formed to release FantĂ´mas' debut release (a band featuring Mike Patton, Dave Lombardo, Trevor Dunn and Buzz Osborne from The Melvins). During that time, Buzz said, "We told Greg that if they wanted to start a label then The Melvins would love to be involved. We asked if he would be interested in doing a trilogy of releases within one year and they said no problem." That year The Melvins released The Maggot, The Bootlicker and The Crybaby via Ipecac.
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Vinyl LP pressing includes digital download. The Winding Sheet is Mark Lanegan's 1990 solo debut. It showcases his adept skills as a lyricist and his deep, soulful voice. Highlights include "Mockingbirds," "Ugly Sunday" and the haunting "Wild Flowers." The late Kurt Cobain lends vocals to "Down in the Dark," and for the folk classic "Where Did You Sleep Last Night" Cobain contributes guitar and vocals and Krist Novoselic plays bass. Nirvana would later also cover "Where Did You Sleep Last Night" on their Unplugged album. The album was produced by Jack Endino, Lanegan, and Johnson. With extra tracks "I Love You Little Girl." Whiskey for the Holy Ghost is the second solo album from Lanegan, and it was released January 18th, 1994. It builds upon the roots-music foundation Lanegan established with his debut The Winding Sheet. Released during the grunge explosion of the early 1990s, Whiskey for the Holy Ghost showcases Lanegan's growing maturity as a songwriter and vocalist. Lyrically, Lanegan continues to delve into the darker side of the human experience on songs like "Borracho" and the biblical "Pendulum." "House a Home" was released as a single with an accompanying video. Dan Peters of Mudhoney guests on the album, playing drums on the songs "Borracho" and "House a Home."
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Our Mother the Mountain is the second album by country singer/songwriter Townes Van Zandt, released in 1969. It is considered to be one of his greatest recordings and features some of his best known works, including "Be Here To Love Me", "Snake Mountain Blues" and "Our Mother The Mountain". The basic tracks for Our Mother the Mountain were recorded in Los Angeles with overdubs recorded in Nashville. The album was produced by Jack Clement and Jim Malloy, who produced Van Zandt's first album For the Sake of The Song, and Kevin Eggers, who ran Poppy Records and also managed Van Zandt. Several big name musicians played on the album, including James Burton (famed for playing behind Ricky Nelson and Elvis Presley) and renowned session player Charlie McCoy. "Tecumseh Valley", which had appeared on the singer's debut album, was rerecorded for Our Mother the Mountain as a result of Van Zandt's dissatisfaction with the garish production employed on For the Sake of the Song. Although the tracks on Our Mother the Mountain were sweetened in Nashville, there was a somewhat simpler, light-handed approach taken production-wise on his follow-up LP.
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Listen in on hours of revelatory conversations with Jerry Garcia, one of the most beloved and missed figures in the world of music, with JERRY ON JERRY. More than twenty years after his death, at too young an age, Jerry remains a cultural icon whose influence and legacy endure. Now, these never-before-heard interviews reveal a candid and poignant side of Jerry, as he speaks openly on everything from religion and politics to his personal life and his creative process. Carefully selected by former Grateful Dead publicist and the band's authorized biographer, Dennis McNally, and curated with the cooperation of the Jerry Garcia Family, JERRY ON JERRY marks the first time these insightful and intimate archival recordings have ever been made available to the public. Here, Garcia talks about what it was like growing up in the San Francisco Bay Area, his obsession with his first guitar, and his first encounters with early R&B, which had a profound and lasting impact on his music. After discussing his brief, but eye-opening stint in the army, Jerry offers up stories of his time spent as a student of the Beats, and his personal and reverent memories of Neal Cassady. He ponders what he sees as the complicated nature of LSD and the oppressiveness of government. He goes on to remember in detail the early days of the Dead, from their first gigs as the Warlocks and their days at 710 Ashbury Street, to the Monterey Pop Festival in 1967 and performing on the road with Jefferson Airplane. Throughout he breaks to opine on movies (one of his favorite subjects), to open up about his songwriting process and his prolific collaboration with Robert Hunter, and his admiration for a broad range of musicians from the Rolling Stones and Bob Dylan to Scotty Stoneman and Bill Keith. JERRY ON JERRY is one of the most revealing and unguarded portraits of the adored front man of the Grateful Dead and a true, long-awaited gift to his fans. -Limited edition pressing, first time on vinyl. -Remastered audio for this limited pressing. -Vinyl contains two memorable segments, Jerry on Music and Jerry on Politics, plus a download code for an additional two hours of interview audio.

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